Is pushing lacquer ware an intangible cultural heritage?

1, what about the work of Wu Huazhong, a lacquerware pushing light in Pingyao? 2. There is a difference between bronze inscriptions and push-light lacquerware. 3. What's the difference between Beijing's carved lacquerware and Pingyao's push-light lacquerware? What are their characteristics? 4. Can push-finish paint be rubbed directly? 5. Introduction of push gloss paint. The characteristics of push-gloss paint, one of the four major paints, are introduced. What about Wu Huazhong's works of Pingyao Tuiguang lacquer?

Wu Huazhong, a lacquerware pushing light in Pingyao, has a good evaluation of his works.

Pingyao lacquerware, one of the four largest lacquerware in China, is famous for its unique natural raw lacquer and unique artificial palm polishing technology. On May 20th, 2006, Pingyao Tuiguang lacquerware painting technique was included in the first batch of national intangible cultural heritage list. Pingyao push-light lacquerware is simple and elegant in shape, shiny, resplendent in painting, delicate and smooth in touch, heat-resistant and moisture-proof, durable, and it is a fine product in lacquerware. The existing varieties are mostly high-grade screens, hanging screens, TV cabinets, large and small wardrobes, corner cabinets, wine cabinets, display cabinets, jewelry boxes and so on.

1997, Pingyao ancient city was selected as a world cultural heritage. It regards China, the most intact ancient county, as an outstanding model of Han cities in China in Ming and Qing Dynasties. In the historical development of China, it shows a complete picture of extraordinary cultural, social, economic and religious development, and becomes the cultural perspective of the world.

There is a difference between a golden eagle and a golden painting.

The difference between bronzing and gilding;

Bronze carving: Bronze carving is the technical name of repairing incomplete objects with pure natural materials, which requires certain aesthetic skills. Bronze inscriptions originated in China and belong to the category of restoration in essence.

Pingyao push-light lacquerware is one of the four famous lacquers in China, which is famous for its palm push-light and gold lacquer skills. It began in the Kaiyuan period of the Tang Dynasty and flourished in the Ming and Qing Dynasties. It has a history of 1200 years. It is one of the four major lacquer arts in China. It has always been a famous product in Sanjin, the first of the three treasures in Pingyao, and has won many national gold and silver awards. Lacquerware refers to daily utensils, handicrafts and artworks painted on the surfaces of various utensils.

What's the difference between carved lacquer in Beijing and polished lacquer in Pingyao? What are their characteristics?

Beijing Qi Diao Process is a process of coating a certain thickness of natural paint on tires and carving patterns on flat-coated tires with a knife. Carved lacquer products are simple in shape, beautifully decorated, bright in color and elegant in shape, and have the characteristics of moisture resistance, heat resistance, acid and alkali resistance, no deformation and unchanged performance. It embodies the exquisite skills and wisdom of China's arts and crafts, and is a treasure of China's traditional crafts.

Qi Diao originated in the Tang Dynasty. Due to Beijing's special political, economic and cultural background, after the development of Yuan, Ming and Qing dynasties, it finally settled in Beijing. In the course of hundreds of years' development, Beijing Qi Diao technology has integrated the great achievements of China North and South, and is one of the outstanding representatives of China lacquer painting technology. In the 30th year of Guangxu reign (1904), artists Xiao Li and Li Maolong opened the first modern folk lacquer-making workshop-"Guzhi" in Beijing. After 1949, Beijing, known as a folk descendant who borrowed lacquerware from scattered places in ancient times, established the Beijing Lacquerware Production Cooperative, and set up the lacquer factory in Beijing in 1958 as one of the main platforms for the inheritance and development of Qi Diao crafts in Beijing.

There are many kinds of Qi Diao products in Beijing with rich themes, and their design and creation are integrated with carving, painting and craftsmanship, with a solemn and elegant artistic atmosphere. In modern society, it plays an irreplaceable role in improving people's aesthetic quality and beautifying life. Beijing Qi Diao Arts and Crafts embodies the long tradition of painting culture in China, and is an indispensable part of learning traditional arts and crafts in China.

In the 1990s, due to market transformation, long production cycle, large investment and changes in management system, Qi Diao's industries shrank. Beijing Carved Lacquer Factory exists in name only, and there are fewer and fewer real hand-carved lacquers. The technicians in the lacquer carving industry are faced with the cruel reality that the hall structure is aging and there is no new successor. As far as the present situation is concerned, the skill of Qi Diao, which has lasted for hundreds of years, is on the verge of extinction.

The decorative technology of Pingyao push-gloss paint originated in Pingyao county in central Shanxi province and spread to vast areas in the north. Lacquerware made by this technology was widely known in the Kaiyuan period of the Tang Dynasty. During the Ming and Qing Dynasties, lacquerware developed greatly due to the rise of Shanxi merchants. After the establishment of People's Republic of China (PRC), Pingyao Tuiguang Lacquerware Factory was established, and the old artist Qiao Maolin flew to stay temporarily, and the production of Tuiguang Lacquerware entered a golden age. Since then, Pingyao Tuiguang lacquerware has become one of the famous lacquerware arts in China. Its products are exported to more than 30 countries, and some fine products are collected by the Great Hall of the People and China Art Museum. 1989, Pingyao faded lacquerware won the National Gold Cup Award.

Can push-finish paint be brushed directly?

Push gloss paint can be used directly. Hardness is better. Wear resistance is particularly good.

The working procedure of the painter's workshop is very detailed and complicated. Every time a layer of paint is painted on the gray tire, it should be wiped with water sandpaper first, and then pushed repeatedly by hand until it feels smooth, then painted again, more than seven times, less than six times, and then pushed more carefully.

First push with coarse water sandpaper, then push with fine water sandpaper, push with cotton cloth and silk newspaper, roll up a wisp of human hair push, push with hand dipped in sesame oil, push with hand dipped in soybean oil, and push with palm repeatedly. By eyes, by heart, by feeling, by time, the pigment is promoted to shine.

Pingyao push-light lacquerware is one of the four famous lacquers in China, which is famous for its palm push-light and gold lacquer skills. It began in the Kaiyuan period of the Tang Dynasty and flourished in the Ming and Qing Dynasties. It has a history of 1200 years. It is one of the four major lacquer arts in China. It has always been a famous product in Sanjin, the first of the three treasures in Pingyao, and has won many national gold and silver awards. Lacquerware refers to daily utensils, handicrafts and artworks painted on the surfaces of various utensils.

Push-light lacquerware is a kind of advanced painting equipment with technical properties, which is named after the palm pushes out luster. Shanxi famous handicraft Pingyao push light lacquerware typical product-push light lacquerware jewelry box.

The scenery is simple and elegant, shining, the painting is resplendent, the feel is delicate and smooth, it is heat-resistant and moisture-proof, and it is durable. It is a fine product in lacquerware.

Introduction of push-light lacquerware

Tuiguang lacquerware is a famous traditional handicraft of Han nationality in Shanxi. As a kind of craft painting appliance, it is named because of the luster of the palm. Pingyao push lacquer ware is the representative of push lacquer ware. Pingyao push-light lacquerware is one of the four famous lacquers in China, which is famous for its palm push-light and gold lacquer skills. It began in the Kaiyuan period of the Tang Dynasty, flourished in the Ming and Qing Dynasties, and has a history of 1200 years.

This paper introduces the characteristics of push-light lacquerware, one of the four lacquerware.

For the introduction of traditional culture and handicraft art, the attitude of the whole world is often the same. The more national and cosmopolitan, the national artistic treasures are often worthy of admiration all over the world. In the long history of our country, countless traditional handmade artworks have emerged, such as shadow play, Chinese knot, wood carving, straw weaving, embroidery and so on. , showing different cultural connotations. Bian Xiao introduced the traditional handicraft art of Shaanxi-pushing paint.

Chengdu lacquerware, Pingyao Tuiguang lacquerware, Yangzhou lacquerware and Fuzhou bodiless lacquerware are also called the four largest lacquerware in China! Each kind is an art, and it is a historical culture that has been passed down for many years. Among them, push-light lacquerware was introduced to you by Bian Xiang Xiao. It is a kind of lacquerware, which is highly technical, and its appearance is all antique works of art, which has high appreciation value. When making, you don't need other tools, just use your palm. Can you imagine making such exquisite handicrafts by pushing light and coloring with your palm?

What are the characteristics of push-light lacquerware? Walking into the Millennium, I will show you about push-light lacquerware.

have a long history

According to the existing archaeological records, the history of Tuiguang lacquerware can be traced back to the Warring States Period. The earliest push-light lacquerware was found in a tomb of the Warring States period in Shanxi. During the Ming and Qing Dynasties, the commercial development in China was very prosperous, and commodity transactions were frequent. In this era, push-light lacquerware gradually moved from Shanxi to the whole country. Because of its exquisite production technology, push-light lacquerware has become a common item of royal bureaucrats. Later, due to historical reasons, Tuiguang lacquerware gradually declined in history. However, at the beginning of the founding of New China, the new China government strongly supported traditional handicrafts, and Joe, the successor of Tuiguang lacquerware, began to learn from others, and gradually the sales scope of Tuiguang lacquerware became wider and wider, and went to the world! Tuiguang lacquer craft inherited from Shanxi, flourished in Ming and Qing Dynasties and flourished in Tang Dynasty. It has a long history of 1200 years.

A complicated process

Generally speaking, it takes ten years to get on and off the stage for one minute. Exquisite handicrafts also need time to lay the foundation of the production process, and the production process is very complicated. Generally speaking, a * * * has five processes, which are divided into wood tire, gray tire, painter, painter and mosaic. One of the scraping processes needs to be repeated 5~6 times. Only when the dust scraped on it is completely dry can you continue to scrape the dust.

Exquisite appearance

The appearance of push-light lacquerware is very exquisite, not only paying attention to materials, but also paying attention to decoration, such as carving gray, covering gold, inlaying and hollowing out, and drawing different patterns. The design is also very exquisite, mainly in national style. The characters described above are generally novels and plays. You can see Jiang Ziya in The Condor Heroes, the graceful ancient ladies, the ancient paintings and the ancient scenery.

durable

The cover paint outside the push-gloss lacquerware is made of special lacquer and natural tung oil, which has moisture-proof function, so you don't have to worry about the paint falling off after a long time, which is very durable. The appearance of push-light lacquerware has also been polished many times, and it feels very good, delicate and smooth, and does not prick the hand.

The elegance of push-light lacquerware can't be described in words. Only by personal experience can we appreciate the historical inheritance and national characteristics.