What kind of national connotation does the Forbidden City embody? Urgent!

Among the existing 6.5438+0.5 million cultural relics in the Forbidden City, the age ranges from Neolithic Age to Song, Yuan, Ming and Qing Dynasties and then to modern times. As far as its scope is concerned, it includes the essence of civilization in ancient China; As far as its nationality is concerned, it contains the artistic essence of Han nationality and many ancient ethnic minorities; As for its categories, we have 25 categories and 69 minor cultural relics.

The 5,000-year civilization history of the Chinese nation can be fully confirmed in various collections of the Palace Museum.

The most striking royal building in the Forbidden City is also a part of the whole culture. The architecture of the Forbidden City includes political, religious, sacrificial, cultural, home, leisure, entertainment and other functions. It represents the highest artistic achievement and architectural level of ancient architecture in China, and can even be said to be a model of ancient oriental architecture.

A central axis, golden glazed tiles, vermilion walls, and every brick and tile of the Forbidden City are casting the language of imperial power and etiquette. The architecture of the Forbidden City is in a solidified form, retaining the spiritual temperament of history.

The Heritage Value of the Forbidden City

1987, the Forbidden City in Beijing was listed as a world cultural heritage. The World Heritage Organization's evaluation of the Forbidden City is: "The Forbidden City is the highest power center in China for more than five centuries. It has become a valuable historical witness of China civilization in the Ming and Qing Dynasties with its garden landscape and a huge complex of 9,000 rooms containing furniture and handicrafts. "

The Forbidden City has become a world cultural heritage, which has deepened people's understanding of the value of the ancient buildings in the Forbidden City. The Forbidden City represents a culture that has become history, and it has the shell of palace culture. At the same time, it represented the mainstream culture at that time. After a long period of historical screening and accumulation, of course, it can not be simply summarized as "feudal backwardness." The Forbidden City and the museum are not unrelated and antagonistic, but organically unified and complementary.