Traditional Culture Encyclopedia - Traditional festivals - A review of photographic realism
A review of photographic realism
Photographic realistic painting appeared in 1970s, as if it played a nihilistic joke on modernist art, just like the wheel turned once and returned to its original place. A century ago, when the camera just came out, it triggered a real painting revolution. /kloc-European artists in the second half of the 0/9th century believed that the appearance of cameras could record all the truth and details on developing paper, which even the most careful painter could not do. They naively think that photos are better than the realism of painting, so they give up trying to imitate nature and truth. This is also one of the main reasons why western modern painting gradually moves away from objective nature, towards subjective deformation, towards personal expression, towards inner world and finally towards abstract painting. Western modernist painters give up realism because they don't want to imitate machines, and they don't want to become machines. Because they believe that individual creativity is the soul of art, they would rather give up what they already have and explore strange and unknown worlds. However, by the end of the 20th century, photographic realists returned to realism. This time, they chose photos, and the content followed the camera, relishing all the conveniences and defects brought by technology, including ironic wit.
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