Northeast duo northeast big Yangge protection measures are the following

(a) accelerate the importance of the Northeast folk art

First of all, we must popularize the things about the folk art among the masses, so that everyone can have the opportunity to understand them, into them, and then we can from the bottom of our hearts to protect them. Secondly, it is necessary to expand the commercial channels of folk art, and produce more and more sophisticated things to attract people's attention and awaken people's awareness of protection. Finally, we should also care about the old artists and organize relevant training courses to create good development conditions for the next generation of artists, so as not to let the precious and rare folk art disappear permanently. By strengthening the public's attention to folk art, and continue to promote folk art, and strive to make the folk art out of the country, for the country to compete for glory, for the national culture and build an important foundation.

(II) Realize the industrialization of folk art

Traditional folk art also contains economic factors, the traditional mode of development can not adapt to the requirements of the market economy, industrialization is an important development direction of traditional folk art. Through a wide range of information technology channels to increase the dissemination of traditional folk art, increase the living space. Traditional folk art has a strong infectious force and educational significance, is highly competitive, industrialization is feasible. In addition, with the deepening of cultural construction, the people's living standards and appreciation ability to improve, traditional folk art will become a new hot spot for consumption. This is also an attempt to develop the potential value of traditional folk art, a new method. But the industrialization of traditional folk art needs to be driven by the dominant art and needs time to be verified.

(C) Cultivating Northeast Folk Art Artists

Excellent folk artists are an important factor in the protection and inheritance of folk art, and through the research and innovation of the leading artists, it is ensured that the folk art can be handed down to more people, and at the same time, it can enhance people's sense of responsibility and sense of mission for the protection of folk art. The protection and inheritance of art is in addition to the need for the support of the leader, but also need the inheritance and efforts of ordinary artists, on the one hand, artists should be more passionate about the art, plus efforts to pass on the art to the generation, on the other hand, the government departments should strengthen the support for folk artists, to give a variety of material and spiritual incentives to promote the harmonious development of excellent folk art and society.

Expression of Northeast Folk Art

(A) Ice Lantern Snow Sculpture Art

Ice Lantern Snow Sculpture Art is an important part of the Northeast Folk Art, this art form is characterized by the use of material specificity, mainly snow, ice-based, with wood, metal and lights for decoration, so that the ice sculpture has a dreamy illusion of life, the characteristics of the crystalline, thus So that the ice sculpture presents a thick and simple beauty, another feature of ice sculpture is the unique shape, in order to reflect the beauty of ice sculpture, the shape is different, there are round, three-dimensional carving, there is a transparent carving, there is relief, etc., on the knife mark carving, tool use are very careful, reflecting the good aesthetic value.

(2) two people turn

Two people turn, also known as bungee jumping, double play, can also be called the spring song, wind willow, northeastern local theater, etc., which is an important aspect of the northeastern folk art, belongs to the Chinese singing form, mainly in Heilongjiang, Jilin, Liaoning and other places popular. Rooted in Northeastern folk culture, the performance of the lines in the always with some vulgar color acid, rural characteristics.

(C) birch bark culture

Birch bark culture is an important aspect of folk art in the northeast, this form of culture is mainly concentrated in the Oroqen, Ewenke, Hezhe and other ethnic minorities, which are living in the vast birch forests, according to the needs of their lives, through the birch bark to make a variety of products, mainly hats, shoes, backpacks, buckets, water basins, baby carriages, Needle and thread box and so on, these objects are carved with rich patterns, fine workmanship, can be called the art of fine art. From the perspective of national culture, birch bark culture is of great significance in the daily life of ethnic minorities.

(4) Fish Skin Culture

The Herzhe people are the model of the formation and development of the fish skin culture. This ethnic group lives above the Sanjiang Plain, and the ethnic people mainly make a living by fishing, which also laid the foundation for the development of the fish skin culture. Fish can not only ensure the consumption of the ethnic people, but also can be used to make fish skin windows, fish skin huts, fish skin sails, fish skin curtains, fish skin wrappings, fish skin balls, fish skin amulets and other forms of fish skin, the Hezhen is the only ethnic group that applies the fish skin to the real life, thus forming the unique cultural characteristics of the Hezhen. With the continuous development of human civilization, all kinds of daily necessities and small decorations made of fish skin have come out one after another, which also reflects the rapid development of fish skin culture.