Zong Jiashun Painting and Calligraphy Exhibition

This morning, Mr. Zong Jiashun, a famous calligrapher and seal engraver, held a personal calligraphy exhibition in the lobby on the first floor of the Sino-Japanese Friendship Hall in Akita, Lanzhou. This calligraphy exhibition attracted many calligraphers and calligraphy lovers in the province to watch.

Zong Jiashun, Jia Shun,No. Yishan, 1955, born in Zhenjiang, Jiangsu. He loved calligraphy since he was a child and specialized in calligraphy during his college years. Mr. Zong studied under a famous teacher. 65438-0977 studied under Mr. Liu, a famous painter in China, who had a great influence on his outlook on life and art. Two years later, he studied seal cutting and painting under the famous painter. Starting from 1986, Zong Jiashun became the secretary of Mr. Zhao Puchu, a famous Buddhist, poet and calligraphy master, and gained a lot. Mr. Zong has been grinding his sword for more than 30 years, and his character and calligraphy are excellent.

Zong Jiashun is good at running script and official script, and also works as regular script and cursive script. The remarkable characteristics of his calligraphy style are quiet and elegant, and his calligraphy style is extremely rich. His running script has the essence of Mr. Zhao Puchu's calligraphy and draws on many others, forming a simple, calm, dignified and elegant face; Lishu is calm and heavy, elegant and free and easy; Seal cutting is white and beautiful, and the knife method is vigorous and beautiful. His calligraphy works have often participated in major exhibitions at home and abroad and won numerous awards. He has also held many exhibitions of personal calligraphy and seal cutting in Japan, Australia and Hong Kong.

Talking about the understanding of learning calligraphy, Mr. Zong said that to learn calligraphy well, one must have profound literary accomplishment, and the other must have good personal character accomplishment. When literary accomplishment and personality accomplishment reach a certain level, the level of calligraphy will naturally expand. And these must be improved through continuous learning. Whether calligraphers broaden their artistic conception or calligraphy lovers enter the room, it is important to persist. Because life has to face many temptations, only by persistence and firmness, not being moved by fate, can we persist in ourselves and make continuous progress. Exhibition time: March 26th, 2006 to April 60th, 2006.

Opening ceremony: March 26, 2006 at 2 pm.

Venue: Exhibition Center of Han and Tang Culture and Art Institutions (south gate east of Workers Stadium South Road, Chaoyang District, Beijing 100 m)

In the current pattern of diversified development in the field of calligraphy art, various calligraphy schools are constantly emerging with different styles. There are three young and middle-aged calligraphers, who insist on advancing in the classical calligraphy style, constantly trace back to the vein of traditional elite culture, and maintain the purity of China calligraphy culture with elegant posture and noble character. Cultural institutions in Han and Tang Dynasties have always insisted on promoting the development of China's classical art. This time, they launched a joint exhibition of calligraphy by Luo Yang, Zong Jiashun and Yang Weiguo, with a view to doing their bit to promote the style of classical calligraphy.

Calligraphy is a skill to express elite culture with the most common behavior. However, this is not just a simple question of skill. It has something to do with culture. The three calligraphers we introduced all have a deep understanding of traditional culture. At the same time, while absorbing the essence of classical calligraphy style, it has been continuously integrated into the accumulation of China traditional cultural knowledge, thus forming its own unique style. In today's book world, we can feel this faint and ancient flavor, which makes us rethink the significance of calligraphy inheritance and innovation. Sponsored by Jiangsu Federation of Literary and Art Circles, Jiangsu Buddhist Association, Nanjing Federation of Literary and Art Circles, Buddhist Association and Beijing Han and Tang Culture and Art Institutions, and hosted by Nanjing Art Museum, the "Painting and Calligraphy Exhibition of Four Masters of Han and Tang Dynasties-2006 Nanjing" will open in Nanjing Art Museum on April 28th, and the exhibition time will be from April 28th to May 6th, 2006.

The four young and middle-aged artists selected from the academic point of view in this painting and calligraphy exhibition take it as their responsibility to inherit the essence of traditional painting and calligraphy in China, stick to the context of elite culture, and continue and carry forward the essence of ancient civilization in the current diversified development pattern of painting and calligraphy in China. At the same time, he maintained the cultural purity of China's paintings and calligraphy with elegant posture and noble academic character.

Zong Jiashun, Jia Shun,No. Yishan, 1955, born in Zhenjiang, Jiangsu. Calligraphy was deeply rooted in the Tang and Song Dynasties, and based on Buddhism and Zen, so it was full of aura. Zong Jiashun is a director of China Calligraphers Association, vice president of Beijing Calligraphy and Painting Art Research Association, member of the Calligraphy and Painting Friendship Committee of China Association for the Promotion of Peaceful Reunification, and director of the Academic Affairs Department of China Buddhist Association. 1977, studied calligraphy with the famous painter Liu Bingsen; 1982 he studied painting and seal cutting under the famous painter Mr. Wang Ren. From 1986 to 1992, I worked as a secretary with Mr. Zhao Puchu and studied Confucianism, Buddhism, Taoism, poetry and calligraphy with him for a long time. The ethereal spirit of Buddhism inspired him so much that his character and books were excellent. He is good at running script and official script, and also works as regular script and cursive script. The distinctive features of calligraphy style are quiet and elegant, bold and dignified, easy and peaceful, and Zen. On the basis of inheriting the essence of Mr. Zhao Puchu's calligraphy, the running script has learned from others and formed its own simple, quiet, dignified and elegant face; Official script is calm and heavy, elegant and free and easy. Sponsored by Shanghai Federation of Literary and Art Circles, Shanghai Buddhist Association and Beijing Han and Tang Culture and Art Institution, the "Shanghai Exhibition of Four Masters of Han and Tang Dynasties-National Tour Exhibition of Paintings and Calligraphy by Luo Yang, Zong Jiashun, Yang Weiguo and Chen Peilin" was opened at Liu Haisu Art Museum in Shanghai on June 18. More than 300 guests attended the opening ceremony, including Zhang Shengkun, deputy director of the Standing Committee of Shanghai Municipal People's Congress, Chen Peiqiu, a famous painter, and Chen Zhenxing, an old leader of Shanghai. Chi Zhigang, Deputy Secretary of the Party Group of Shanghai Federation of Literary and Art Circles, Zhang Peicheng, Director of Liu Haisu Art Museum, Master Awakener, President of Shanghai Buddhist Association and painter Luo Yang delivered congratulatory messages at the opening ceremony.

Inheriting the vein of classical painting and calligraphy and carrying forward the spirit of traditional pen and ink "is the theme of this exhibition." According to the organizer, there are four painters and calligraphers in this exhibition, namely, Mr. Qi Gong's favorite pupil, Mr. Zhao Puchu's secretary, the founder of Huigongge calligraphy, and the leading painter in Zhejiang. They are all outstanding young painters and calligraphers in China. In the current diversified development pattern of China's painting and calligraphy field, they take it as their responsibility to inherit the essence of China's traditional painting and calligraphy, stick to the context, continue and carry forward the essence of ancient culture, and maintain the purity of China's classical culture with elegant posture and noble academic character, so that their paintings and calligraphy works on display have both profound artistic foundation and very traditional pen and ink spirit. While demonstrating personal creativity, it is also endowed with a strong sense of the times, which is even worse than the "popular book style".

This exhibition * * * exhibited 150 works and closed on June 22nd. Since the reform and opening up, with the further development of the religious policy of China's * * * production party, more and more Buddhist activities have attracted the attention and participation of all sectors of society. In order to commemorate the success of Wutai Mountain's application for World Heritage, thousands of calligraphers commemorated this historic event in the form of writing scriptures. 20 1 1 Mar. 26th, 2008, "Celebrating the Successful Application for the World Heritage of Wutai Mountain-thousands of books, China"

Zong Jiashun, deputy secretary-general of Chinese Buddhist Association and director of China Calligraphers Association, attended the event and delivered a speech on behalf of Chinese Buddhist Association. In his speech, he fully affirmed the promotion of Buddhism in this activity, and at the same time expressed heartfelt thanks to the organizers and calligraphers who participated in this activity on behalf of the Chinese Buddhist Association.

Zong Jiashun's calligraphy work "Six Ancestors Tanjing-Chance No.7" was included in the first volume of this collection. Calligraphy works by Master Chang Hui, Master Chang Yuan and Master Hui Zong are also in the collection. The "First Charity Painting and Calligraphy Exhibition of the Chinese Buddhist Association" hosted by the Chinese Buddhist Association, undertaken by the Culture and Art Committee of the Chinese Buddhist Association and Wuxi Lingshan Academy was held in xi 'an, Shaanxi Provincial History Museum from August 27th to 30th, 20th12.

20 12 On August 27th, morning 1 1, Xi 'an Exhibition held a grand opening ceremony. Jiang, Deputy Director of the State Administration for Religious Affairs, Deputy Director of the Second Bureau of the United Front Work Department of the Central Committee, Master Xue Cheng, Vice President of the Chinese Buddhist Association, Master Zeng Qin, Secretary-General Wang Jian, Director Xu of the First Division of the State Administration for Religious Affairs, Deputy Secretary-General Zong Jiashun of the Chinese Buddhist Association, main leaders of the Shaanxi Provincial Bureau for Religious Affairs and the Shaanxi Buddhist Association, and monks of major temples in Shaanxi Province.

The first painting and calligraphy charity exhibition of the Chinese Buddhist Association was strongly supported by the eminent monk Dade of the three major Buddhist language families and many well-known painters and painters in society. This exhibition in Xi 'an concentrates on more than 100 works exhibited by the Buddhist community. The contents of calligraphy works are mainly Buddhist scriptures and Buddhist words. The paintings are mainly Chinese paintings with Buddhist artistic conception. Elder Ben Huan, honorary president of the Chinese Buddhist Association, Elder Yi Changlao, and Elder Chuan Yin, vice chairman of the 11th Panchen Lama, all exhibited their works. "Xi 'an Exhibition" and "Buddhist Painting and Calligraphy Exhibition of the 50th Anniversary of Shaanxi Buddhist Association" are both one of the series of celebrations of the 50th anniversary of Shaanxi Buddhist Association. During the exhibition, visitors can visit the Shaanxi Provincial Museum of History for free with valid certificates. China Jiangsu Net 65438+1October 20th: 201265438+1October 2nd1to165438+1October 10. It is reported that after the exhibition in Zhenjiang, it will also be exhibited in Guangxi, Shenzhen, Shandong, Xinjiang and Inner Mongolia.

Five famous artists, Luo Yang, Zong Jiashun, Chen Peilin, Yang Weiguo and Wu Qiang, are outstanding groups active in today's art world. This painting and calligraphy exhibition was launched after two years of careful preparation. Calligraphy involves orthography, calligraphy, calligraphy and seal script, and painting represents flowers, birds, landscapes and figures. Although each person exhibited more than 20 paintings, it was enough to reflect the best level of their creation. As middle-aged painters and calligraphers, they can get together because they share the same interests and are similar in age, because their mood is indifferent, and because their rooted traditions and self-discipline are quite different, but their works have distinct personalities.

Zong Jiashun, a calligrapher and seal engraver who went out from Zhenjiang, was named Yishan. 1955 was born in Dagang and studied calligraphy with the famous painter Liu Bingsen in his twenties. Especially during his later tenure as Mr. Zhao Puchu's secretary, he was deeply attracted by his master demeanor and academic support. Park Lao's profound Confucianism, Buddhism, calligraphy and poetry, as well as his noble personality charm, have always influenced him and given him great enlightenment and endless benefits. Because of his long-term education in the circle of books and his understanding of ethereal Buddhism, Zong Jiashun attached great importance to the inheritance of tradition, seeking creation in inheritance and "meaning" in "Dharma". He knows that style is the life of art, and pays attention to the cultivation of style without deliberate pursuit, so that it can be accumulated and developed. Looking at Zong Jiashun's running script again, on the basis of inheriting the essence of Mr. Zhao Puchu's calligraphy, he learned from others and gradually formed his simple, quiet, dignified and elegant personal appearance. And his quiet and elegant, Zen-like official script works are even more fascinating and intriguing. Zong Jiashun is simple and sincere. Although he has lived and worked in Beijing for many years, his affection for his hometown has not diminished. He not only participated in many calligraphy and painting exhibitions such as "I am from Zhenjiang" and "Commemorating the 60th anniversary of Zhenjiang's liberation", but also often donated works for charity sale to support the charity in Zhenjiang, showing an artist's sense of social responsibility. Zong Jiashun is currently Deputy Secretary-General of Chinese Buddhist Association, Vice President of China Calligraphy Research Institute and Director of China Calligraphers Association. He published all kinds of brushes and hard pens, Copybook for calligraphy copied scriptures, and wrote plaques and cylindrical couplets for many temples. China Net Binhai Hi-tech News is sponsored by China Calligraphers Association, China Folk Writers Association, China Calligraphy Research Institute, Jiangsu Calligraphers Association, Art Newspaper, Changzhou Ethnic and Religious Affairs Bureau and Changzhou Federation of Literary and Art Circles. The "Changzhou Exhibition of Five Great Paintings and Calligraphy of Han and Tang Dynasties" 1 2, sponsored by China National Painting Academy and Changzhou Muyitang Art Museum, opened in Changzhou Muyitang Art Museum.

Artists participating in this exhibition include: director of China Calligraphy Association, vice chairman of China Folk Writers Association, doctoral supervisor of Shanghai University, deputy secretary general of Chinese Buddhist Association, director of China Calligraphy Association, member of China Calligraphy Association Zong Jiashun, former president of Peking University Huigongge Calligraphy Art School, founder of Huigongge and Huigongge Calligraphy Method, vice president of Zhejiang Modern Painting Academy, researcher of Zhejiang Chinese Painting and Calligraphy Research Institute, member of China Artists Association, The five artists, the deputy director of Tianjin Creation Center of China Artists Association and American painting and calligraphy, have loved painting and calligraphy since childhood. They have been faithful for decades, and finally they can integrate the past into the present and become a whole. This exhibition is not only an opportunity to get a close look at their artistic level of calligraphy and painting, but also the first important artistic activity of Changzhou cultural and artistic circles in the new year. More than 65,438+000 works by five artists were exhibited in this painting and calligraphy exhibition. Each work is the result of their spiritual unity, pursuit of tradition and reference to the past, representing the peak of contemporary painting and calligraphy art.

Fang Guoqiang, Vice Mayor of Changzhou Municipal People's Government, delivered a speech at the opening ceremony. Shao Ming, deputy director of the Standing Committee of Changzhou Municipal People's Congress, Zhao Zhongqi, vice chairman of Changzhou CPPCC, Zhang Xiaoxia, former member of the Standing Committee and vice chairman of Changzhou Municipal Committee, Zhang Yue, director of the United Front Work Department of Changzhou Municipal Committee, Lu Xiaoguang, vice chairman of the Advisory Committee of Chinese Buddhist Association, monk Song Chun, chairman of Tianning Temple, vice chairman of Zhejiang Calligraphers Association, executive deputy curator of China Indian Studies Museum, member of the Presidium of Zhejiang Calligraphers Association and director of the Art Steering Committee of Zhejiang Calligraphers Association. This painting and calligraphy exhibition lasts for 7 days and will close on 1 8.