Debate on whether the influence of Confucianism on society promotes or hinders it.

Let me start with the framework of China culture.

With regard to the frame structure of China culture, China people have formed many views in modern times, among which the most influential is the main structure of complementary Confucianism and Taoism and the trinity of Confucianism, Taoism and Buddhism.

Others, starting from an important feature of China culture, think that China culture tends to a certain cultural model, such as China culture is an ultra-stable structure, China culture is a cultural psychological structure composed of blood foundation, practical rationality, musical sense culture and harmony between man and nature, and China culture is a cultural model centered on ceremony.

Undoubtedly, these viewpoints are very insightful, and they have grasped the basic features of China's cultural framework from different levels and angles.

However, I feel that with the in-depth study of China culture, some viewpoints are becoming more and more limited, often with their own limitations.

Below, I will put forward some preliminary views on the framework structure of Chinese culture formed in the process of learning Chinese culture, and discuss the relationship between Confucianism and the integration of Chinese culture under such a macro background in order to cater for local experts.

The basic framework of China culture is the talent of heaven, earth and human beings.

The ancients often explored the laws of the world by juxtaposing the three.

As an ideological category, "three talents" was first recorded in the Book of Changes, but its origin, development and evolution have a long process, at least dating back to the late primitive society.

In the late 1980s, a group of pictures of mussels, dragons and tigers were unearthed from Yangshao cultural tombs in Xishuipo, Puyang, Henan.

In addition, although the legend about Pangu's creation and Huang San appeared very late, it can also be used as evidence of the germination of the ancient concept of three talents.

During the Yin and Zhou Dynasties, gods, earth gods, people and ghosts were all objects of worship, which also showed a concept of "three talents" from a religious perspective.

Regarding the origin of the Book of Changes, the Book of Changes said: "The ancients embraced the king of the Xi family, but looked up to heaven, looked down on testimonies, got close to the body, and stayed away from everything, from which they got gossip, the virtue of the gods and the affection of all things.

This not only shows that the basic gossip of Yi began in the prehistoric Bao period, but also shows that the concept of three talents has sprouted in this period.

Gossip summarizes heaven, earth and people with its unique symbolic form, and gossip becomes a concise expression of the concept of three talents.

Later, Yi Zhuan expounded the way of three talents.

In the Spring and Autumn Period and the Warring States Period, hundred schools of thought contended, and hundred schools of thought was still evolving within the framework of "Heaven, Earth and Man", but hundred schools of thought was "one-sided digging"-concretizing and deepening some aspects and connotations from different directions and angles, and further developing the concept of "three talents", which is characterized by the gradual development from nature to society and from philosophy to ethics.

Since the Warring States period, Sancai's world outlook has gradually developed several new trends: First, Sancai has changed from "three points" to "two points", but the "three points" still exist.

Secondly, the concept of yin and yang was originally differentiated from the way of three talents, and gradually became the most influential concept at this time, which was related to the above-mentioned "dichotomy" tendency.

Thirdly, the concept of the universe of three talents is inseparable in the later history of thought, especially the concept of "the integration of heaven and earth" developed from the concept of father god and mother god.

In short, in the theory of "three talents", people live between heaven and earth, stand in the middle as the intermediary between heaven and earth, organically link the two pairs of projects between heaven and earth into a whole, and persuade and adjust the cultivation of all things in heaven and earth.