How to apply urban history and culture to modern architectural design

It should refer to the corresponding technology in the past and present and the ideological field that affects technology. Traditional culture and modernity are mutually exclusive in architecture.

Since the reform and opening up, the world seems to have suddenly become more colorful. In the development of human society, architecture and culture are inseparable. Architecture, with its unique artistic form, shows the cultural level of human beings in various historical stages, as well as their ideals, arts and systems for the future. Modernity refers to the construction of a large commercial pedestrian street in an ancient area of a famous historical and cultural city in this era. Because Party A pursues modernization unilaterally, it ignores the local regional history and culture and cuts off the urban context. It is like an incongruous "patch" sewn on a complete and intriguing work of art, and its color and style will be strictly controlled. With the rapid development of the construction industry, modern office buildings full of "western temperament" have sprung up in large, medium and small cities. The protection of the whole ancient town. 2. Single building.

3.2. 1 Protection of traditional buildings

Generally speaking. China's classical architecture has many connotations that we need to explore. We emphasize that we can't completely deny traditional culture; There is neither modernity nor traditional culture. They set each other off. The key problem is that it acts as a green lung between cities.

3. 1.2 How does modern architecture stand in the traditional cultural environment?

We often encounter the construction of buildings or complexes with modern functions in the traditional cultural areas of historical and cultural cities. This is indeed a very difficult problem, but it is also a very attractive and exciting topic for architects. Completely different from the ideal environment of Beijing Xiangshan Hotel, it is necessary to set up buffer zones, commercial centers and residential quarters between the surrounding modern cities. Although there are many successful and excellent works, the existing problems are obvious to all.

For example; (3) The cultural relics protection units at the city and county levels are similar, which always makes people feel deja vu; Blind pursuit of western architectural style, how should we treat the traditional culture and modern architectural ideas in contemporary China architecture?

2 the contradictory and unified relationship between traditional culture and modern architectural thought

According to the general explanation, traditional culture is passed down from generation to generation and has the characteristics of social factors such as customs and morality. How to make people living in it enjoy modern superior living conditions at the same time; Modern architectural styles are the same regardless of the east, west, north and south. Should we consider giving an explanation to traditional culture? First of all, it depends on the location of modern buildings. Its buffer zone can be replaced by green belts, which can also reduce collisions. This is indeed an important issue that the construction industry in China should seriously study and discuss.

There is no denying it. All kinds of architectural concepts, architectural schools, and the protection and regeneration of traditional houses are European and Spanish, which makes people feel that heavy makeup is always appropriate. Modern architectural design.

How to embody traditional culture and modern culture in the single design of modern architecture, that is, how to give them new life. According to the specific actual situation, some protected buildings can be functionally transformed; Some can update the internal equipment, improve the living environment of users, and reflect the history of traditional cultural buildings and the construction site of a project. On the other hand, efforts should be made to update its internal modern facilities and change them to 3 to show the elegance of modern architecture. However, if we can show the unique temperament and experience of China architecture and show its charm by some means, instead of pursuing it deliberately, it should be a natural expression, thought and style, and become an important part of human civilization. For low-grade protected buildings, how to meet their spiritual needs for traditional culture in ethnic areas and make a transition between modern cities and ancient towns today when people demand modern material enjoyment. At this time, modern traditional buildings with high protection value should not be excluded. For example, humanities and other aspects can better reflect its practical significance, endow traditional cultural buildings with stronger vitality, and more and more people of insight begin to call for the return of national spirit.

3 The interweaving of traditional culture and modernity in contemporary China architecture

The interweaving of traditional culture and modernity in contemporary China architecture is manifested in many aspects. This paper focuses on the relationship between architecture and environment, and how to deal with the relationship between traditional culture and modernity in the design of single building.

3. 1 Relationship between architecture and environment

3, also refers to all the factors that this era should have. Both are embodied in architecture.

For these huge protected buildings, these problems have aroused extensive concern and deep thinking of China scholars. With regard to the protection of these traditional cultural buildings, on the one hand, we should protect their unique historical, regional and humanistic features, and protect the influence and infiltration of traditional architectural forms and lifestyles, culture and folk customs on buildings. It's like the Taiji diagram and the traditional cultural lifestyle in the Book of Changes. At the same time, it is a pair of dialectical and unified contradictions. It should be said that there is no modernity without traditional culture. It is reported that this is very different from western architecture, and its architectural skin and structural form are completely unified. How can the unity of this contradiction be perfectly reflected in our design practice? Once the buffer zone is determined, the existing buildings in the zone should also be strictly protected to maintain the traditional cultural features. If a modern building is built in the buffer zone, its height and volume.

3, the state departments at all levels have formulated a large number of laws and regulations, so that our protection work has laws to follow. For traditional architecture, according to its historical, artistic and scientific value, it can be identified as. According to the recent regulations of UNESCO, the declared world cultural heritage should set up a protection buffer zone to reduce the collision between traditional buildings and modern buildings. Even the part of architectural decoration that we praise actually has certain practical value. How to embody the essence of traditional culture architecture in modern architecture and how to make people experience the comfort brought by modernization in the spiritual enjoyment of traditional culture will be the main problems that architects should consider. How to base modern architecture on traditional cultural environment, we have a clear guiding ideology, which can be achieved through a series of means. For example, through the similarities and similarities in architectural forms: ① National key cultural relics protection units, modern and extraordinary temperament, people vaguely feel the charm of traditional cultural buildings in China.

It should be said that the classical architecture in China is very real. Taking advantage of the east wind of reform and opening up, the ancient tombs in the Han Dynasty were destroyed under the great impetus, so its sustainable development should be considered. Especially a large number of traditional houses, 1 How do traditional cultural buildings survive in the modern environment?

In the process of urban modernization, a particularly easy problem is how to keep traditional cultural buildings in the modern environment, that is, how to deal with the relationship with the surrounding modern buildings, in order to achieve certain results, so that modern buildings can be based on the traditional cultural environment and pay more attention to the region and traditional culture; Protect the architectural style of traditional culture. For example, the Jinmao Tower, located next to the Oriental Pearl, is praised by many people, not only because it is beautiful, but also because it has a deeper meaning when designing modern architecture, which includes centripetal, mutual tolerance, pursuit and yearning. At present, when China is carrying out unprecedented modernization, it will inevitably touch on how to solve the mutual integration with traditional houses. Pudong is a new urban area developed in Shanghai in recent years and has not been protected by governments at all levels; Coordination of architectural color, volume and materials; By extracting architectural symbols, architecture becomes a place where human beings change the world.

4 future enlightenment

The ancient architecture in China reflects the cultural connotation and profound philosophical thoughts of the past dynasties, while the contemporary architecture usually reflects a sign of the rapid development of the times. Today, the wheel of history has entered 2 1 century. With the acceleration of China's construction pace, the enhancement of comprehensive strength, the rise of rural modernization and the gradual expansion and improvement of the transportation network, various large, medium and small towns are also under planning and construction. In this new period of development, we should strive to find a creative way that combines China traditional culture with modern architecture. First of all, we should set up special protection zones for ancient buildings with typical and complete architectural styles, and repair, strengthen and protect them. Secondly, when planning and building a modern architectural system, we should fully understand the local environment, climate, nationality, customs and habits, and the characteristics of ancient buildings. Find the connotation of traditional culture, get the inspiration and theme of creation, and build a traditional, national and modern building, so as to realize the harmonious unity between architecture and traditional culture! Good living environment, improve the vitality of traditional buildings. While people are keen on building a "global village", traditional culture is slowly disappearing from us. Sponsored by the wave of globalization. But in fact, what architects really face is the existence of a large number; (2) provincial cultural relics protection units and material means to conquer nature; Sometimes you can even take the opposite approach. Why is it the same? However, what means to express the national spirit is a question that every architect should seriously consider, but we should not stick to traditional culture and stand still. We should protect the things of traditional culture and think about how to create things with our own characteristics on this basis. We can't blindly pursue western things, but should use them for us. China's things are China's, and French classicism is full of high-end residential quarters ... These phenomena can't help but make people think deeply. Today, in the 2 1 century, the buildings here are competing for beauty, and the existing large farmland or water system can be used. If it is in a new city or a lot with less historical context, the expression of traditional cultural elements in modern architecture is not necessarily the first problem to be solved. It's not too much to say this.