What role does the history of Heilongjiang River basin play in learning music?

First of all, we need a clear concept, which is ancient times. Heilongjiang is actually recorded in history as Liao and Jin Dynasties, when a great dynasty was established and political power was formed. The music culture of this period can be said to have reached the peak of ancient music in Heilongjiang River Basin, and it can be said to be the representative of ancient music culture in this area. Minority music is gradually maturing in diversified integration and communication. If I only determine the valley music culture in Liao and Jin Dynasties as its mainstream, the scope of our research and discussion may have certain limitations. In this limited range, what we can determine is the maturity of ancient music in the valley, but we ignore the development and budding content to a certain extent. We can specifically grasp these aspects, including our understanding of ancient times and ancient cultures. This is of great guiding significance for us to explore the development context and degree of ancient music culture in this basin, and it is an important time node for us to understand and sort out ancient music culture in Heilongjiang basin. Only through the exploration of primitive, primitive, budding and initial stage can we continuously provide sufficient basis for the analysis of ancient music culture in Heilongjiang River basin, and can we continuously reveal the problems we can perceive and the music culture we can feel in the whole development process. Therefore, our understanding of ancient times is based on the Liao and Jin Dynasties as an important time node, and the ancient music culture in Heilongjiang Valley is divided into the embryonic period (before Liao and Jin Dynasties), the mature period of music culture (after Liao and Jin Dynasties) and the development period of music culture (after Liao and Jin Dynasties).

First, the embryonic period of ancient music culture in Heilongjiang Valley

There are few related materials to study the ancient music culture in Heilongjiang basin before Liao and Jin Dynasties, and they are very scattered. For example, the ethnic groups involved are very complicated and the historical materials left by these ethnic groups are very limited. Music culture comes from the production and life of ethnic minorities, and many musical forms directly come from the collective activities of ethnic minorities, such as hunting, offering sacrifices, and welcoming relatives. These are the basic forms of national culture, and music culture comes from the daily life culture of ethnic minorities. We have made a concrete and detailed summary of the budding music culture, and think that these music born out of daily life have certain characteristics. The ancient music in Heilongjiang valley has a martial atmosphere. Liao and Jin dynasties can become a dominant minority regime, which is inseparable from their martial customs. At the same time, the music culture before Liao and Jin dynasties also had such characteristics. Basically, it can be explained that the living habits of martial arts have laid a song and dance atmosphere and complex for the music culture in Heilongjiang River Basin. Song and dance, as a way to connect with Wushu, has been applied to daily practice. The History of the North, Volume 94, Biography of Buji, records that at the beginning of the Sui Emperor, Emperor Wen hosted a banquet in honor of Buji's emissary: "The emissary and his disciples danced. There are many twists and turns. " The record of this historical material fully explains the form and content of its songs and dances, which makes its music culture full of tension and urgency of fighting and hunting, and brings certain organizational forms and combat effectiveness to the dance. Let the music tunes often be tortuous and syllabic. In addition, the profound influence of religious culture in Heilongjiang River Basin on music culture can not be ignored. The richness of this influence makes people suspect that the music culture in Heilongjiang Valley is mainly influenced by religion, which makes us have to explore a series of influences of Shamanism on the primary stage of music culture.

Second, the maturity of ancient music culture in Heilongjiang River Basin.

Liao and Jin music is a symbol of the maturity of music culture in Heilongjiang River Basin. In the process of music communication, music is not only folk music, but also a symbol of nobility. Almost all the tribal leaders of ethnic minorities in Heilongjiang River Basin are good at singing and dancing, and even song and dance music has become the standard of nobility and the label of capable people. This is very instructive for us to study the mature connotation of music culture. The main reason why the ancient music culture in Heilongjiang Valley reached the peak of maturity in Liao and Jin Dynasties was the continuous integration of the music culture in the Central Plains, which made the single national music more substantial and vivid. With the development of war and the expansion of territory, culture is also progressing. A musical cultural form can reach an unprecedented height, which is conducive to the continuous maturity of music. What is needed is the guarantee of stabilizing the regime. Only in this way can we create a better historical development environment, promote the continuous formation of the scale advantage of music culture and form a stable development rhythm. In this regard, we summed up three signs of the maturity of music culture in the basin: first, the development of music culture in Liao and Jin Dynasties had a great influence on the nobles, and the aristocratic culture promoted the maturity of music culture in Liao and Jin Dynasties; Secondly, music culture originated from and cultivated in the production and life of ethnic minorities, and a stable development environment played a fundamental role in the maturity of music culture; Third, the main connotation of music culture lies in communication and cultural foundation. With the continuous influx of Central Plains culture and the continuous integration of Central Plains music, the music culture in Heilongjiang Valley has real development opportunities and mature possibilities. Based on the above three aspects, it is not difficult to understand the maturity of Liao and Jin music culture. It is precisely because of this development opportunity that a number of very famous musical and cultural works have emerged. According to the Records of Music in Liao and Jin Dynasties, drums, bangzi, lotus, pingxi and other musical forms. With the development of maturity, excellent works such as Embroidering Deng Sha and Mourning for Xue Mei have appeared.