What kind of woman plays Beijing Opera Hua Dan?

The second category of Danhang is called Huadan. The situation in Hua Dan is just the opposite of that in Tsing Yi. In terms of clothing, they all wear short clothes, or short coats and pants, or short coats and skirts. Even wearing long dresses is embroidered with colorful patterns. From the age point of view, they all play young women. Performance, mainly to work and speak English. The spoken language is mainly Beijing white, of course, there are also rhyme white, but Beijing white is more. Characters are generally lively and cheerful, and their movements are agile and smart. This is the general difference between Hua Dan and Tsing Yi. If further elaborated, Hua Dan can be divided into two concepts: narrow sense and broad sense. Hua Dan in a narrow sense refers to playing a lively and cheerful young woman with a light and agile manner. There are many such roles, such as matchmaker in Matchmaker, Xin Ping in Beating Cherry, Chunlan in Huatiancuo, Cao Chun in Cao Chun Chuangtang and so on. , are all played by Hua Dan. In the past, Hua Dan also played the roles of Jin Yunnv in Hongluan Jubilee and Di Yunluan in Pride. This is ... Hua Dan in a broad sense has a wide range, which generally includes several kinds: one is a young girl, which originally refers to an unmarried girl who is good at working and reading white, such as Sun Yujiao in Picking up the Jade Bracelet and Liu Yulian in The Cabinet. Later, although some characters performed steadily, they also paid more attention to singing, such as Cheng Xuee, Tang Huixian of Hairpin Phoenix, Su, and Chen Xingyuan of Mei, and so on. Later, it was also included in the boudoir.

Generally speaking, boudoir Dan plays the role of a good family or a relatively stable family Jasper. Boudoir Dan can rhyme white, and most boudoir Dan can rhyme white. For example, Sun Yujiao in Picking up the Jade Bracelet is a little girl, but she still reads rhyme. The second kind is jokes, which, as the name implies, is a kind of role that is easy to fight and make fun of. Such characters all appear in comedies or burlesque. They are joking, funny and witty for their performances. Most of these characters are equipped with clowns, and occasionally there are small students in them, but most of them are equipped with clowns. Jokes pay more attention to work, to put it bluntly. Some plays basically don't sing, and some don't even sing Pihuang, just sing a ditty or a song card. For example, there are many such scenes, such as beating a noodle jar, making a small mill, a piece of cloth, carrying a baby into the house, beating a steel knife, beating a city god, beating a bar, playing a kitchen god, playing a casserole and so on. There are also some small operas from folk songs and dances, which are mixed with some humorous performances, and also sing folk tunes with strong local flavor, such as Little Cowherd, Little Grave and Playing Flower Drum. Those who play the leading role can also be classified as jokes. The third category is called pungent Dan, which is to play a very pungent character. There are not many such plays. These characters have distinct personalities, sharp words and bohemian manners, and their main means of expression are workmanship and colloquialism. For example, Yan Xijiao in Sitting on a Building to Kill Cherish, Zou Shi in Zhanguang City, Pan Qiaoyun in Cuiping Mountain, Pan Jinlian in Song Wu Killing Sister-in-law and so on. All belong to this role. There is a most typical play in the fiery Danli, called Eight Falls Together (full name Longtan Paul or Hongbiyuan), in which there is a grandmother. This role is very hot, which can be said to be a typical hot Dan Li. There is also a role called assassination of Dan, which is to play the role of assassin in the play. This word comes from Kunqu Opera. There is a kind of assassination in Kunqu opera, that is, some women assassinate their enemies for revenge and play such a role. They perform with intense emotions, exaggerated movements and tense vocals, so there is a special business called assassination. For example, Wu Feixia in Xiang Liang Thorn Beam and Fei Zhen 'e in Zhen Xuan Thorn Tiger were all played by assassin Dan. However, assassination in Beijing opera is different. Assassination in Beijing Opera generally refers to being assassinated. As mentioned above, Zou was stabbed to death in the battle of Wancheng, Cuiping Mountain was killed by Shi Xiu, Pan Jinlian was killed in killing her sister-in-law, and Yan Xijiao in "Killing Cherish on the Floor" was also killed by Song Jiang, and so on. On the other hand, in Peking Opera, because assassins are mostly decent women and kill enemies for revenge, Tsing Yi took over the job in Peking Opera. For example, Yan Xue in "God's Head Hall" stabbed Tang Qin, and Shen Xuezhen in Cheng Pai's famous drama "Green Frost Sword" killed an enemy for revenge. Some characters like this are played by Tsing Yi, so the assassination of Dan in Beijing Opera does not exist. Because the role of an assassin is different from that of an assassin, and the assassinated person is basically said together with the provocative Dan, there is not much difference between the provocative Dan and the assassination Dan in Beijing opera, and generally there will not be too much.

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Peking Opera Hua Dan Performing Arts Hua Dan Singer

There are many types of roles in Hua Dan's traditional operas, so his vocals are also rich and varied. Many plays starring Hua Dan Yinghong involve various sectors of Xipi tune. The performance of Xipi Allegro is more distinctive, with changeable rhythm and complex and compact words, which are both like singing and saying, and has played a prominent role in character.

The most commonly used and distinctive features of Erhuangban's business in Hua Dan are four tones, such as Matchmaker, Spring Grass Rushing to the Hall, Huo Xiaoyu, Du Shiniang and Huanzhu Yin. , all have four tones, among which the four tones of The Matchmaker Biography are very representative. The anti-four tones in The Matchmaker and The Rite were originally created by Mr. Xun Huisheng, and they are called the aria in the trip to Hua Dan, which is very wonderful.

Zaqu is also used more in the role of Hua Dan than in other professions. Miscellaneous cavity is transplanted into Peking Opera or directly integrated into Peking Opera cavity. Over time, they became a part of Beijing opera tunes and passed down. These plays still obviously retain strong local colors and customs. These vocals are mostly in the form of songs and dances or humorous comedies.

Nangong, also known as Gong Gong Qiang, was originally used in local operas or folk arts, also known as Nangong Gu Bei, also known as Jujube Dried. In Beijing opera plays, it is mainly used in the form of reciting words, with big suona, nine-tone gong, drums hitting the door, followed by suona. The life in Nangong is humorous and lively, with rich flavor. Zhou in Noodles, San Grandma in Kitchen God and Qin Yue in Snakehead all use Hua Dan accent.

There is also a rarely used six-tone tune, which is transplanted from local operas and matched with flutes and sea flutes. Its timbre is light and active, its melody is simple, and its rhythm changes obviously after repeated use. Beijing Opera Hua Dan sang in willow branches, including Shang Xiao's Tomb. There are also miscellaneous tunes, lively and cheerful, called folk songs. They are characterized by fresh patterns and simple styles. Hua Dan's plays on folk songs include Little Cowherd and By the Cabinet.

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The representative figure of Peking Opera in Hua Dan.

From its formation to its prosperity, Peking Opera was finally called the quintessence of China and became a national drama, which was the result of the hard work and concerted efforts of several generations of opera artists. There are many outstanding people from all walks of life in Beijing Opera.

Mei Qiaoling, born in 1842 and died in 1882, was a famous actor in early Peking Opera. He is the grandfather of Mei Lanfang, a Beijing opera master. His real name is Fang and Huixian, and he calls himself "the master of Jinghe Hall". He was originally from Taizhou, Jiangsu. He works in Hua Dan and plays both Tsing Yi and Kundan. He has a wide range of performances, profound artistic attainments, excellent singing and performance, and excellent reading of music. The characters on the national flag costume he created are lifelike. Therefore, the image of Yanmenguan Xiao Taihou played by Mei Qiaoling is included in the Thirteen Musts of Tongguang drawn by the painter Shen Rongpu, which shows his social influence and artistic contribution in the early stage of the formation of Peking Opera.

Yu Ziyun: During the reign of Daoguang, the son of Yu Sansheng, one of the three giants of Ding family, was the father of Yu Shuyan before his death. Luotian, Hubei, was born in 1855 and died in 1899. His original name is Jin Liang, his real name is Yan Fang, also known as Zhao Er, and his hall number is "Shengchun". Yu Ziyun entered Jing He Tang in his early years, studied under Mei Qiaoling, specializing in Hua Dan, and inherited Mei Hua Dan's talent to also play Tsing Yi. He was quite a teacher, and the skill of stilts was a must at that time, which laid the foundation for the formation of the later series of flowers and shirts.

Yu:/kloc-Another famous actor in the 9th century, Mr. Yu, surnamed Hua Dan, was born in 1868 and died in 1939. His song name is Runqing, his nickname is Lanfen, and his nickname is Zhuanger, an Anqing native. I studied martial arts with my father since childhood, and then studied under Hua Dan. He is literate, good at martial arts and has a broad way to play. His disciples are Li Junong, Song Dezhu and others. Wang Yaoqing, Mei Lanfang and others were also taught and guided by him.

Lu: Born in 1847 and died in 19 18. Her name is Zhenming, whose scientific name is Houtian, Xianghui, Zhiyuan, Yushan and Yingxian. Lu looks handsome, good at acting, good at acting, and is praised by the world for his works and martial arts.

There is also a Mr. Tian Guifeng, who is known as "the first Hua Dan in ancient and modern times". He was born in 1867 and died in 193 1 year. He was born in Beijing. His spoken English is clear, his work experience is excellent, his work is meticulous, and his improvisation is interesting. He can win the market with high acting skills and break the old rule that Hua Dan doesn't play with big axes. In his later years, his disciples Hua, Tong Shan, Yu and Xun Huisheng all benefited from his teachings.

Yang Xiaoduo was born in 188 1 and died in 1923. His name is Maolin, and he is blessed. His father, Yang Guiyun, was a virtuous man, and he was a Hua Dan. He also played Beijing Opera Blues, and Yang Xiaoduo is the son of Hua Dan. When I was eighteen.