Writing Essay on National Essence

1. Proposed Essay "National Essence"

National Essence: It refers to the most representative and unique cultural heritage of the traditional culture of the Chinese nation, which is popular among people of many times.

Traditional Chinese Medicine

refers to Chinese traditional medicine, also known as Han medicine, Han Fang, and called "Imperial Han Medicine" by the people of East Japan. Chinese medicine is an important part of the ancient splendid culture of China, and is slowly beginning to be accepted by most contemporary Chinese people, and at the same time has a more and more significant influence in the international arena, and gradually began to be loved and welcomed by the people of the world. The highest state of Chinese medicine is "neutralization", which is the ideal state of existence of all things in the world. To achieve this ideal state through various methods is to achieve neutralization. Then heaven and earth are in their proper place, and everything grows and develops. It can be said that the physiological mechanism of "harmony between yin and yang" and "the secret of yin and yang" articulated by Chinese medicine is the best embodiment of Confucianism's idea of neutralization. With this ultimate goal in mind, TCM uses the theories of essence, yin and yang, and the five elements, which are three major theories from classical Chinese philosophy, to explain the secrets of life in concrete terms. The means of diagnosing diseases in TCM are mainly "four diagnoses": looking, smelling, questioning, and cutting; TCM analyzes diseases mainly by the eight principles of identification, which means to summarize and generalize the parts and nature of lesions, as well as to confirm the strength and strength of each other from the eight aspects of yin, yang, surface, inside, cold, heat, deficiency, and reality.

Calligraphy

Calligraphy is the art of writing Chinese characters. Throughout its long history of evolution, Chinese characters have played an important social role in the exchange of ideas and the inheritance of culture, and on the other hand, they have developed into a unique plastic art in their own right. The early origin of Chinese characters has developed the written nature of characters to an aesthetic stage - one that incorporates the creator's concepts, thoughts, and spirit, and stimulates the aesthetic emotions of the aesthetic object (i.e., the formation of calligraphy in the true sense of the word). The history and civilization of China is an ephemeral and linear process, and the art of Chinese calligraphy shows its own development in the context of such a large era. During the budding period of calligraphy (Yin and Shang to the late Han and the Three Kingdoms), the script evolved sequentially from oracle bone script, ancient script (jinwen), the Great Seal Script (seal script), the Small Seal Script, the official script (bazhou), the cursive script, the running script, and the true script. During the bright period of calligraphy (Jin, North and South Dynasties to Sui and Tang dynasties), the art of calligraphy entered a new realm. From seal script and clerical script tended to be subordinated to simple cursive running script and true script, and they became the dominant styles of the period. The emergence of Wang Xizhi, a great calligrapher, made the art of calligraphy shine, and his artistic achievements were highly esteemed in the Tang Dynasty. At the same time, a group of calligraphers emerged in the Tang Dynasty, such as Yu Shinan, Ouyang Xun, Broussonetz Suiliang, Yan Zhenqing, Liu Gongquan and other great masters. Each of them had his own style of calligraphic attainments. Although many works of the Ming and Qing dynasties have been handed down, there are many works that are mixed and abused. Therefore, for the current art market collectors, collectors, buy, collect this part of the work should maintain a cautious attitude.

Chinese painting

Chinese painting, referred to as "national painting", is a painting created by the Chinese people with a long history and distinctive national characteristics. Chinese painting takes line as the main means of modeling, and pays attention to the use of brush and ink, so that line, ink and color are intermingled to achieve the artistic effect of "vividness"; the second characteristic is "the metaphor of the object, the poem in the painting", and the third characteristic is the poem, the feelings, painting and printing into one. Chinese painting emphasizes the "external teacher, in the source of the heart", the requirements of the "meaning of the first pen, painting in all the meaning", emphasizing the melting of objects and me, creating the mood, to achieve the shape of God, the shape of both God and the vividness of the atmosphere. Since painting and calligraphy have the same origin, and both of them have a close connection with the bone method of brushwork and line operation, painting and calligraphy, seal cutting influence each other, forming a significant artistic characteristics.

Chinese painting can be basically divided into three main categories:

figure painting, landscape painting, and bird and flower painting. From the Eastern Jin Dynasty Gu Kaizhi's Luo Shen to the Northern Song Dynasty Zhang Zeduan's Qingming Shanghe Tu;

From the Ming Dynasty Tang Bohu's Autumn Breeze Playboy Fan Drawing to the Qing Dynasty Zheng Banqiao's Plum and Bamboo;

From the modern Wu Changshuo's Flowers and Birds to Zhang Daqian's Landscapes, Qi Baishi's Shrimp, Xu Beihong's Horses, and so on.

Painters have created countless scrolls, the National Palace Museum collection of thousands of paintings, and the University of Tokyo, Japan, published the "Chinese paintings in the General Directory" recorded in our country dispersed in the United States, Japan, Southeast Asia and other countries of the famous paintings there are 3900 pieces.

Peking Opera

Also known as "Pihuang", it consists of two basic cadences, "Xipi" and "Erhuan", which form its musical material, and some local tunes (such as Liu Zi Cavity and Blow Cavity) are sung as well. （It also sings some small local tunes (such as liuziqiang and blowing) and kunqu tunes. It was formed in Beijing around 1840 and flourished in the 1930s and 1940s, with a history of 200 years. Its performing art tends to combine the real and the imaginary with the expressive methods, and maximally transcends the limitations of stage space and time, in order to achieve the artistic realm of "conveying the spirit with the form, and the spirit with the form". Now it is still one of the big opera types with national influence. It is a representative of modern Chinese opera, with its comprehensive lines, mature performances, and beautiful atmosphere.

2. 300 Words for Essay on National Essence in My Eyes

Time is wasting away in the years, the dawn breaks, and the sunset fades into nothingness, but it can't bury every

soul that loves the classics.

--Title

Throughout the ancient times to the present, the literati, all of whom have left their hearts to this jade ice sculpture of the text of the poem

Lyrics and songs. The national essence is like a star, one by one, slipping down into the night sky, lighting up the dream for the world.

I do not remember the watery childhood, time passes through the shadows of the trees, will it wave

and go, the national classics but resident in the heart. The high profile of life did not let the national classics fade away,

in no one's dream to extend. The national essence is not only the "traditional four pieces", is the national

learning, it is not as dreamy, but also not easy to get. Poets have been facing the sea in the spring for it

blossomed dreams of the life of the flat on the railroad tracks, the calligrapher has been in the clouds and flowing water for it to calm the

quiet dreams with the wind beyond the end of the world.

National classics, in 2000 years ago, was interpreted, read Confucius's "Analects

"may feel boring, that" the classics "you around the deep mire of

in, can not extricate themselves. But when you read it carefully, the flavor of the book has jumped off the page, and the insights of the ancients

are clearly visible.

To wear the crown must bear its weight, learning ancient and modern Chinese culture, is also so, the dream from not much

much glorious glory days, we are young for the last trump card, to keep their own pride

study the classics, inheritance of the classics.

I don't want to be as cynical as the misanthropic ice cream, I don't want to be as oblivious to the country as the hermit who escaped from the strife, I would rather live in the ruins of ancient Egypt in the 18th century than in

the reality of this full of veils. National education to be passed on, I as a young

people of the new century, how can I escape, how can not reason, even if my young shoulders can not bear the wind and waves

I also want to raise the sails of the national education, chopping waves, and bravely forward.

It was the night that made me more sure of my steps forward on the road of national education; it was the dream that made

I imagined the words that trickled like water on the road of national education. No one knows

what that highly accomplished scribe went through, perhaps unspeakable suffering, but always

not smooth sailing.

Someone once said, "The only thing in this world that can withstand the ravages of age is talent."

The classics, which have been passed down through the generations, will always burn like a flame that can start a prairie fire. All it takes is time

to hone it. The flash of words will always be like a branch of the green lotus out of the mud, no branches, Maundy

and not demon.

I have flown, soared, fallen, and been brilliant for my ideals.

In the process of reciting the classics of Chinese literature, there is always a sense of realization. For him, for her, sad, shed tears. Party head

top of the halo gradually faded, there have been vows, that halo will also shine. There have also been complaints

day, you have been people, now, only to fight hard, open the window for their tomorrow.

Remote viewing, but close to nothing. The blue fall, green bamboo mist. "Section of the South Mountain, Vi Shi Yan Yan Mountain, Vi

Shi Yan Yan; the peach is young, its leaves are nicco, nicco; Zhanbo Qi'ao, green bamboo" in the world population

in the back.

3. Peking Opera as the topic of the essay

My favorite theater is the Peking Opera, Peking Opera is one of the operas formed in Beijing, so far there has been nearly 200 years of history, Peking Opera is the "national essence" of China.

Peking Opera has a history of more than two hundred years, and it is a treasure of Chinese opera art. It is on the basis of Anhui opera and Han opera, absorbed the Kunqu, Qinqiang and some other types of opera gradually evolved and formed the advantages and strengths. The music of Peking Opera belongs to the board cavity system, and the main singing voice has two systems: Erhuang and Xipi, so Peking Opera is also called "Pihuang". Peking Opera is also known as "Pihuang". Other commonly used singing styles in Peking Opera include "South Bang Opera", "Siping Tune", "Gao Bazi" and "Blowing Cavity". Peking Opera specializes in political and military struggles with historical themes, and most of its stories are taken from historical dramas and novels. There are not only big plays, but also a large number of short plays, and there are also a number of serialized plays. Peking Opera roles are strictly divided into seven lines, namely, Sheng, Dan, Jing, Mou, Chou, Wu Xing, and Long Suo, which are later categorized as the four major lines of Sheng, Dan, Jing, and Chou.

Peking Opera's dramatic plot is peaceful, in the calm and clear narrative process to show the beautiful, it does not need to be tense, intense, *** plot to attract the audience; Peking Opera's musical accompaniment is peaceful, in the long Jinghu accompaniment, giving a seamless feeling of peace; Peking Opera's performance style is peaceful, neither too high and passionate, nor deliberately sing three sighs, and never emphasize the violence and bloodshed. Peking Opera in the development, in innovation, in keeping with the times, and did not rest on the status quo, An always in the smooth; Peking Opera in the push of innovation, and in the constant push of innovation, to promote peace and stability, peace, serenity, in order to sit on the stage of the theater, "the national essence of the" throne peacefully immobilized!

In 1960, Premier Zhou watched the Peking Opera "Farewell My Concubine" at the rehearsal hall of the General Government in Xinjiekou, Beijing. At the beginning of the play, Liu Bang sent troops to attack Xiang Yu. The ministers were advising Xiang Yu, but Xiang Yu would not listen. The Prime Minister said, "One man's word." Xiang Yu returned to the palace, Yu Ji advised again, Xiang Yu still did not listen. The Premier said, "The head of the family." When it comes to Xiang Yu's lone army caught in a set ambush, the Premier said, "One man can't do anything about it." When Yu Ji prepared wine to comfort Xiang Yu, the Premier said, "An elegy." When Yu Ji drew her sword and cut her own throat at the end of the drama, the Premier said, "A defeat." The Premier summarized the whole process of Xiang Yu's defeat in only 20 words, which is wonderful.

Peking Opera is a national treasure, is the essence of our national culture, unfortunately, many young people now know little about it. Many people like to listen to pop music, rock music, watch "Supergirl" ...... they do not like to listen to the theater, let alone see our country's "national essence" - Beijing opera. --Peking Opera. Many people think that Peking Opera is boring and old-fashioned, and not as interesting and popular as the music of today. So many people don't like to listen to theater, and abandon our "national treasure", which is a great pity!

So I hope that we can watch more Peking Opera and learn more about the "national essence" of the Chinese people.

4. national essence in my heart essay , urgent

National essence and Olympic walk (Olympic in my heart)

Song Guanlin (China Peking Opera Theater Vice President)

People's Daily (2007-07-03 page 15) Font size Big Small Print Close

2008 Olympic Games has entered the countdown, nearly 200 years of history of the art of Beijing opera, and the "new Beijing", "the new Beijing". The nearly 200-year-old art of Peking Opera is closely related to the "new Olympics" that the "new Beijing" is actively embracing. Zhai Huisheng, secretary of the party group of the All-China Journalists Association, once said, "The Olympics is an activity with ****, and Peking Opera is an art with characteristics. If the characteristics of Peking Opera are integrated into the **** of the Olympics, it will give a new aura to the **** activity, and their souls are linked together."

There is no doubt that Peking Opera, as one of the most nationally distinctive art forms, is best able to highlight the essence of Chinese culture and demonstrate Chinese civilization. As a practitioner of Peking Opera, I have known and abided by this art form for nearly 35 years. Peking Opera is an exquisite little window into China, and the small stage with one table and two chairs shows the world precisely a big China that is both ancient and full of vitality.

Traditional does not mean conservative. From the beginning, Beijing Opera has been about the diversity of its everlasting artistic charm is also in the "sea of hundreds of rivers, tolerant of the big" big spirit and big-mindedness. Looking back to 2001, Peking Opera practitioners have actively participated in the Olympic bid with full enthusiasm, and on July 13th, the actors of the China Peking Opera Theater went to Moscow to demonstrate the rich vocabulary of Peking Opera in the decisive battle for the Olympic bid, which demonstrates the thick and broad connotations of Chinese culture embraced by the "New Beijing, New Olympics". At the same time, the artists also personally experienced and witnessed the moment when the whole Chinese people's blood boiled and their emotions rose.

The 2008 Olympic Games is not only a sports event, but also a great opportunity for the world to understand China and for China to go global. Peking Opera is one of the typical carriers of Chinese traditional art, and the Olympics is undoubtedly a rare opportunity to promote Peking Opera and even Chinese traditional culture to the world. If Peking Opera wants to "go global", first of all, there should be a platform to show itself and let people understand it. In today's economic globalization and cultural diversification, as Peking Opera practitioners, we should cherish this opportunity and strive to make the "national" culture and art universally recognized, and through the close contact between Peking Opera and the Olympic family, we will strive to turn the essence of the nation into the world's treasures.

5. to watch the opera as the subject of writing an essay

Opera has a long history, is the classic of our country, different places have different styles and characteristics of opera, it is pleasing to the eye, the plot of some tears, some exciting, colorful, out of the ordinary.

When I was a kid, I saw my parents watching opera, I always thought they were too old-fashioned to catch up with the trend, and I wouldn't go to see that old-fashioned thing even if it killed me.

As the saying goes: "To know the flavor of the pear, it is best to taste it." Do not taste do not know, a taste of shock ah! Today's language class, when I cherish a careful appreciation of China's unique opera, I really shocked, the original Chinese opera is so artistic charm ah! I am really a frog in the well! How can foreigners compare to the treasures left behind by our ancestors? No wonder, the old generation is so keen on these operas and love them so much.

I now feel what is "not to see the opera people, in vain to be Chinese". I'm not a Chinese, I'm not a Chinese. These operas are like a part of our country's history, only those who know how to appreciate it, only those who know how to pay attention to it, only those who know how to dig it out, can be called real Chinese people. Because they y understand a truth, opera is our national treasure, opera is our national essence, opera is our national drama ah! How can we forget them? In today's society, we teenagers have shifted our horizons to pop music, movies and the Internet, and we seem to have forgotten the traditional arts of our Chinese nation. In fact, when we carefully appreciate our opera, we will find that they are like a wonderful historical story, the history of the picture scroll one by one in front of us, will take us into the tunnel of history, let us immersed in the scene, so that we are overwhelmed with emotion.

The artistic charm of opera, how can we forget? We have to go more to appreciate the traditional art of our Chinese people, so that it will always and forever put the light, so that it has been passed down from generation to generation!

6. Who can tell me about the national treasure Beijing Opera knowledge ah, writing with ~

Beijing Opera is one of the operatic genres formed in Beijing, so far there has been nearly two hundred years of history.

It is based on the Anhui opera and the Han opera, absorbing the Kunqu opera, Qinqiang, and some other types of opera and drama gradually evolved and formed. The Hui Opera was introduced to Beijing in 1790 (the 55th year of the Qianlong reign), and the earliest Hui Opera troupe to enter the capital was the famous "Sanqing troupe" from Anhui Province.

Subsequently came to the capital and the "four happy", "and spring", "Chuntai" classes, collectively known as the "four Huiban Peking Opera, also known as "Peking Opera". Peking Opera, also known as "Pihuang", consists of two basic cadences, "Xipi" and "Erhuang", which make up its musical material, as well as some local tunes (such as Liu Zi Cavity, Blow Cavity, etc.) and Kunqu Opera. The program is a great way to get the most out of your life and to make your life easier.

It was formed in Beijing around 1840 and flourished in the 1930s and 1940s, when it was known as the "National Opera". Now it is still a big theater with national influence.

It is a representative of modern Chinese opera, with its comprehensive lineage, mature performances, and grandeur. Chinese Peking Opera is China's "national treasure" and has a history of 200 years.

Peking Opera's name was first seen in the Qing dynasty in the second year of Guangxu (1876), "Declaration", history has been Pihuang, Erhuang, Huangqiang, Jingtiao, Beijing opera, Ping Opera, State Opera, etc., the Qing dynasty in the 55th year of the Qianlong era (1790), Anhui four Anhui Huiban Beijing, and the Beijing opera world of the kunqu, Han Opera, Yiyang, chaotic bombing of the theater after 50 or 60 years of fusion, the derivation of the Peking Opera, the largest opera in China. Peking Opera is the largest opera genre in China. The richness of its repertoire, the number of performing artists, the number of troupes, the number of audiences, and the depth of its influence are the highest in the country.

Peking Opera is a comprehensive performing art. That is, singing (singing), reading (recitation), doing (performance), fighting (martial arts), dancing (dance) as a whole, through the program means of performance to narrate the story, delineate the characters, and express the ideological feelings of "joy, anger, sadness, happiness, shock, fear, sadness".

The roles can be divided into: Sheng (man), Dan (woman), Jing (man), Chou (both men and women) four major lines. The characters are divided into loyalty and treachery, beauty and ugliness, good and evil.

Each image is distinct and lifelike. The state attaches great importance to the protection of intangible cultural heritage, on May 20, 2006, Beijing Opera was approved by the State Council to be included in the first batch of national intangible cultural heritage list.

7. national essence of Chinese medicine feelings essay 400 words

Grandpa is very fond of Peking Opera, as long as the opening drum of Peking Opera, he will sit down to listen. At first I didn't understand why Grandpa liked Peking Opera so much, then I also followed Grandpa to sit down and watch it, and found that Peking Opera has a lot of interesting things, for example, the face paint is and its colorful, and different faces represent the character of different roles.

There are many types of face painting, such as: the whole face, which is based on one tone of color, with exaggerated and bold colors, drawing eyebrows, eyes, nose, mouth, and then carefully sketching out the detailed facial muscles and fine lines; and the three tile face, also known as the "three nests of face", which is based on the whole face and then further exaggerated eyebrows, eyes and nose, with exaggerated and bold colors, with exaggerated and bold colors, with exaggerated eyebrows, eyes and nose, with exaggerated and bold colors, with exaggerated and bold colors. There is also the "Three Pieces of Tile Face", also known as the "Three Pieces of Nest Face", which is a face that further exaggerates the eyebrows, eyes and nose on top of the whole face, and uses exaggerated lines to outline the two eyebrows and the nest of the nose. Among them there are cross door face, six points face, Yuanbao face, elephant face, fairy face, clown face, crooked face, eunuch face, hero face and so on

8. who will be the first year of composition into the opera on the subject of writing an essay

Opera is a great culture in China, it is the historical origin of the prototype of the opera appeared in the Han Dynasty, called the "corner of the play"; in the Tang Dynasty, the folk dance to the Palace, the folk dance has been able to get to the Palace, the people's court, the people's court, and the people's court. Folk dance was able to enter the palace, get more development; Song Dynasty, and the emergence of the "Washe" and "hooks and rails"; Jin Dynasty, the South appeared in the "Southern Opera", the North appeared in the "Northern Varieties of Opera", the "Northern Varieties of Opera". In the Jin Dynasty, the "Southern Opera" appeared in the south, and the "Northern Opera" appeared in the north, after which the "Southern Opera" in the south gradually developed, and the prototype of opera was formed.

Later, many forms of opera appeared in various dynasties, such as the Yuan miscellaneous opera, and the first flourishing period of Chinese opera was in the Yuan Dynasty, the second flourishing period appeared in the Ming and Qing Dynasties, in the Ming Dynasty, there are also four major cantatas, which are the Zhejiang Haiyan cantata, the Zhejiang Yuyao cantata, the Jiangxi Yiyang cantata, and the Jiangsu Kunshan cantata. In the Qing Dynasty, the opera transformed itself into a folkloric and popularized form, and later, as Hui Ban and Hubei Han tune artists performed together, it gradually merged and became the most familiar form of opera nowadays - Peking Opera.

Later, in the local and the emergence of many types of opera, such as Yueju Opera, Pingju Opera, Huangmei Opera and so on, there are many forms of opera will not be elaborated. Our country's opera is our country's national essence, from more than 1400 years on the emergence of our country's intangible wealth, belongs to the intangible heritage, is our country's valuable cultural assets, but due to a variety of reasons, the opera this brilliant culture is gradually fading out of people's sight, the opera stage was seized by the modern song and dance, opera performances in the place can be said to be very few and far between, for example, we are here, I don't know where there are See opera places, so that now our intangible heritage protection is very bad, as the Chinese nation thousands of years of gradual formation of folk culture, art, has its unique charm, which inherits and expresses the culture of the Chinese nation for thousands of years as well as the spirit of the Chinese nation deservedly national essence, is the soul of the Chinese nation, the spirit, wisdom, the crystallization of culture, and now with the times in the development of technological and modernization, the opera of more than 1,000 years of culture. Modernization development, opera this thousand years ago things, not now people's favorite, naturally no market, there is no room for survival, in addition to the CCTV in the broadcast, other places we can hardly find the shadow of the opera.

This great national crystallization of opera can not be buried, we should continue it. Of course, with the development of society, the opera should also be changed, not static, should be changed with the public, otherwise the old-fashioned, rigid things are bound to recede into the second line or disappeared in the long river of history.

Of course, opera is also the culture of China thousands of years ago, some people will say that it can not be changed, but I want to ask: now in the future will not also become history? Change is inevitable, or else the opera will not only fail to express the present and future history, but will also be buried in the river of history. Therefore, we not only need to accept the opera, and the opera should also do the reform to adapt to the current trend .