Traditional Culture Encyclopedia - Traditional festivals - Historical Narrative Catalogue of China's Ancient Novels

Historical Narrative Catalogue of China's Ancient Novels

Introduction: style and text in the sense of novel history

The first section is the establishment of novel style and the development of novel history.

The second part: the position of novels in traditional culture and their national characteristics.

The third section is the motive force of novel development, the stage of novel history and the content of this book.

From germination to maturity: two systems and their evolution

most

The first part: Different styles of ancient novels and their relationships.

The second part is the clarity of the creative subject and the receiver.

The function of the third part of the novel

Section 4 Classical Chinese and Vernacular Chinese

The first chapter is the gestation of novel style.

The first section: the origin of the concept of "novel" and the appearance of fictional narration.

The significance of myths and legends in the history of novels in the second quarter

The third part: The narrative prose in the pre-Qin and Han Dynasties promoted the novel.

The fourth section allegorization of fables and novels

The second chapter is the prototype of the novel.

The first section is the historical value of China's ancient novels.

Section 2: Strange Tales from a Lonely Studio: Background and Art.

Section III Three Styles of Zhiren's Novels

Section IV: Similarities and differences between mystery novels and character novels and their influence on later novels.

The third chapter is the stylistic independence of China's classical novels.

The first section multi-body * * * life and progress mode

The emergence, development and stylistic features of legends in the second quarter

Section 3: Stylistic and Narrative Features of Tang Legends

The fourth chapter is the beginning of rap art.

Section 1 the origin of rap art

The second section, from popular stories to urban novels: the creation of rap art in Tang Dynasty.

The third part is the institutional characteristics and influence of rap art in Tang Dynasty.

Chapter V Prosperity of Speech Art

Section 1 Number and System of Speakers in Song and Yuan Dynasties

The second section "novel" artistic style

Section III Historical Works in "Talking about History" and "Novels"

The sixth chapter is the collection and evolution of China's classical novels.

Section 1: From Tai Ping Guang Ji to Jian Yizhi

The second section is the new changes of legendary novels in Song and Yuan Dynasties.

Section III "Three Lights" and New Legendary Novels in the Mid-Ming Dynasty

The seventh chapter is the formation of Zhang Hui's novels.

The first section is the system of Zhang Hui's novels.

The second section is the narrative concept of The Romance of Three Kingdoms.

The third section is the contradiction of the spiritual connotation of Water Margin.

The second part is the novel world created independently by writers in the popular era.

most

Section 1 Social background and public opinion environment of novel creation

Section 2 Commercialization of Novel Communication

The third part is the historical significance of novel theory.

Section 4 Novelists

The first chapter is the transition from generation accumulation to literati originality.

Section 1 The Journey to the West: Implication and Style

Section 2 Text and Acceptance of Jin Ping Mei

The third section is the compilation of "three words and two beats": how to draft the script,

The second chapter is the type and development of the novel theme.

Section 1 Historical Romance, the legend of heroes and Timely Novels

The second section: the confluence and philosophization of ghost novels and other theme types

Part III: Talented men and beautiful women novels: the limitations of novella system.

The theme of the fourth section of family novels: henpecked and others.

The third chapter is the new development of short vernacular novels.

Section 1 Compilation and Dissemination: Secular Culture Surrounding the Literati Spirit

The second section expresses anger and development: the correction of secular culture by literati writers

Section III Maturity and Transcendence: New Changes and Limitations of Novel Style

The fourth part: the variation and loss of short vernacular novels.

The fourth chapter is the revival of classical Chinese novels.

The first section "Strange Tales from a Lonely Studio": the spiritual world of rural intellectuals

Section 2 "New Qi Xie" and "Notes of Yuewei Caotang"

Section III Other Classical Chinese Novels During Qianlong Jiaqing Period

Chapter V A Dream of Red Mansions

The first section: Cao Xueqin's creative reasons and the nature and significance of A Dream of Red Mansions.

Section 2 "Revelation" and "Mourning for Gold and Jade"

Section III Structure and Details: Refinement of Novel Narration

Section IV Psychological Description and Lyric Meaning: Artistic Compatibility of Narrative Literature

The sixth chapter is the challenge of knowledge and scholarship to novel creation.

The first section "Scholars": cultural reflection

The second part is about the depth and shallowness of the novel.

The third section "Mirror Flower Edge": the connotation and extension of the novel.

Chapter VII Decline of Literati Spirit and Return to Secularity

The first section: the decline of novel originality and the continuation and imitation of books

Section 2 "Narcissism" in Narrow and Evil Novels

In the third quarter, the separation and combination of chivalry and case-solving

The eighth chapter is the change of novels and novel concepts in the late Qing Dynasty.

The first section: the change of novel concept and the situation of novel creation

Section 2 Changes of Newspaper and Novel Creation Methods

Section 3 "Shortness" in the Novel System

Section IV China Society in Late Qing Novels

Review and prospect of novel view and novel history

Section 1: The background and evolution of French novelist China.

Section 2: Double Absence and Angle Deviation of Knowledge Structure

The third section "Imitating Chinese Novels with Western Examples" has both stylistic bias and positive effects.

The fourth part is the academic idea and expression of A Brief History of Chinese Novels.

The fifth part reconstructs the coordinate system and narrative clues of the novel history.

philology

Appendix A Brief Introduction to China's Ancient Novels

postscript