Traditional Culture Encyclopedia - Traditional festivals - What is the glazing process of traditional craft Jianjian master and what do I need to pay attention to?
What is the glazing process of traditional craft Jianjian master and what do I need to pay attention to?
We see those colorful and beautiful Jianjian is always glorious, behind each exquisite burnishing is the traditional craft Jianjian master after careful production. Traditional craft Jianjian master glaze process is also not as simple as imagined, need to use iron glaze ore and grass ash with water, grinding into a paste to complete the whole process.
It should be understood that the completion of a finished Jianjian need to go through: choose porcelain ore? Porcelain ore crushing? Washing? Batching? Aging? Selection of clay, practicing mud, kneading mud, billeting, billet repair, glazing, kiln, roasting and other dozen of dozen of processes. And one of the glaze process, you need to sieve the raw materials iron glaze ore and grass ash, grind the glaze ore paste modulation into a paste, here is to facilitate the glaze hanging on the embryo of the marigold. At the same time with different colors, you can make colorful glaze.
At the same time, in the glaze process there are a lot of things to pay attention to, only to master the key points, in order to excellently complete the glaze this step.
The need to pay attention to:
1. Many of the glaze colors of the marigold need to be fired in a reducing atmosphere, so the oxygen content in the kiln must be strictly controlled, which requires high sealing performance of the kiln.
2. Jianzhan is fired on the back, and during the firing process, the glaze will flow downward significantly. The glaze water in the process of flowing is one of the elements of firing crystallization, and also one of the process difficulties of Jianzhan.?
3. Jianjian needs thick glaze, if the glaze is thin, the texture on the surface is not clear, if it is too thick, the glaze will touch the bottom after flowing and cause sticking to the kiln. In order to reduce the flow of glaze brought about by the sticky kiln, Jianjian can only apply half glaze, and the degree of half-sleeve also needs to be strictly mastered.
In the process of glazing, the glaze layer of the lowest glaze will become thicker, easy to form a poly-glaze, and even the formation of teardrop glaze tears, poly-glaze and glaze tears will increase the beauty of Jianzhan, forming a kind of seemingly dripping non-dripping state on the Jianzhan, so that people can feel its mobility, becoming a dynamic beauty, when each box of Jianzhan have their own unique characteristics, become a lot of collectors and enthusiasts hands! It has become a treasure in the hands of many collectors and enthusiasts.
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