What are the similarities and differences in facial makeup colors between Peking Opera and Tibetan Opera?

Red face: a symbol of loyalty, frankness and blood, such as Guan Yu in The Three Kingdoms Opera and Wu Han in Cut the Sutra Hall.

Others: satire, which means false good people. Lu Matong: Guan Yu in Wujiang River (red face)

Black face: both serious and unsmiling, such as Bao Zheng in Bao Gong's opera; It also symbolizes strength, rudeness and boldness, such as Zhang Fei in the Three Kingdoms Opera and Li Kui jy in the Water Margin Opera.

Others: indicates yin in yin and yang. Used of ghosts. Black skin or ugly face. Zhang Fei (black cross butterfly face)

White face: Showing treachery and suspicion, such as Cao Cao in The Three Kingdoms Opera and Yan Song in Beating Yan Song. Cao Cao (white face)

Blue face: Showing upright and upright character, such as Ma Wu in "Going to the Roof" and Doulton in "Comics". Douerdun (blue flowers and three tiles)

Purple face: solemn, steady and full of sense of justice, such as Xu Zhaoyan in "Two Entering the Palace" and Zhuan Xu in "Fishbone Sword". Others: bad complexion, ugly. Zhang He (purple three-tile face)

Gold face: a symbol of power and solemnity, showing the role of a fairy. Such as Tathagata and Erlang God in a noisy paradise. Dapeng (golden elephant face)

Green face: brave and reckless. Others: outlaws.

Others are yellow-faced, pink-faced and silver-faced.

Transfer from Baidu Encyclopedia