Traditional Culture Encyclopedia - Traditional festivals - Appreciation of three beautiful essays

Appreciation of three beautiful essays

Forever Su Wu

waved a sheep whip and a golden hat mink fur, and he threw it into the depths of the sky; Get a bald pen, short paper oblique, he engraved the deepest care for the big man. On the one hand, he is a high-ranking official, and on the other hand, he is totally loyal: standing between forgetting and remembering, between leisure and worry, he chose to forget wealth and honor, and chose to remember loyalty, which painted the strongest stroke on human nature.

Holding a continuous festival, he ran in the vast desert with the hope of harmony between Han and Hungary; Holding a camel bell for a while, he left Chang' an's singing and dancing to rise and fall, wandering in the cold sand and withered grass; He wants to use a straight back to drive across the Tianshan Mountains and communicate with the flying rainbow in the Central Plains.

lament that when Han made the rebellion fail; Righteousness, when Su Wu refused to betray the enemy; Surprised, when Khan faced this iron man who would rather die than surrender and was not moved by wealth; Persistence, Su Wu raised his sheep whip and chose to be the persistent and holy watchman of Alpine Snow Lotus.

The north wind blows hard, and he keeps company with Leng Yue; Gu Zhongyuan in the north remembers the nobleness of "life is a big man, death is a big man" in the depths of his heart. Hu Qie is bitter. He associates with the solitary burial, looking forward to the snow in the desert, and forgetting the promise of "splendor and wealth, and a thousand dollars to seal Hou". The cellar was cold, and he swallowed his mouth full of felt wool and turf, but his blood was boiling with a belief that he would never die-remembering the motherland and serving the country faithfully. The snow and ice are falling, and he loves delicious food and wine, but his arrogance rings the swan song of the future-poverty cannot be moved, power cannot be bent, and wealth can still be forgotten.

What an eternal Su Wu! With his wisdom, he remembered his belief in loyalty to the big fellow. In the snow and snow, I sang and sang, sublimated the bare continuous section into an eternal surprise, and wrote a sad song that was famous throughout the ages.

What an eternal Su Wu! With courage, he forgot the lure of Khan's splendor, drifted away in the desert sand, fixed the skinny sheep as an immortal history, and wrote a magnificent poem.

history cannot be forgotten, between glitz and persistence. Su Wu in Beihai, the iron-blooded man exiled in the barren hills and plains, made the most perfect interpretation with unyielding and arrogant, forgetting wealth and achieving integrity; Remember the motherland and create greatness.

I see, between forgetting and remembering, between enjoyment and perseverance, Su Wu, who walked on the ice of hay, made the best answer with persistence and belief: wealth is just a passing sight; Forgetting is its best destination; Loyalty is the eternity of history; Remember, it is its spiritual home.

Zhuang, Su Wu forever! Great, that shocking forgetting! Strange, that earth-shattering memory! Xiongzai, a thousand-year-old ode that has been forgotten and remembered!

Su Wu forever.

Comments:

This is a masterpiece with rich historical and cultural knowledge, talent and aura. The author deeply understands the essence of the topic, turns his eyes to the sky of history with dialectical methods, carefully selects the national hero Su Wu as the material to express his feelings, and enthusiastically eulogizes his great spirit and national integrity for the sake of "harmony between China and Hungary" and national unity. Su Wu of history, Su Wu forever! He "painted the strongest stroke on human nature" and sang "a thousand-year-old ode to forgetting and remembering" for history.

The author is full of reverence and passion, and uses a phrase "Forever Su Wu" as an essay title, which is eye-catching, concise, accurate and to the point. It not only highly summarizes Su Wu's spiritual quality, but also highlights his lofty position in history. Throughout the article, Su Wu is always measured on the historical scale by means of contrast, which promotes the righteousness of the world, highlights the heroic integrity and vividly and profoundly explains the topic. Due to the extensive use of rhetorical devices such as antithesis, metaphor, parallelism, quotation and repetition, the combination of parallel prose and irregular long and short sentences, the article is fluent in charm and sonorous in rhyme. After reading it, it not only makes people feel heroic, but also leaves fragrance everywhere. (Tang Shilun and Zheng Xingli) (Xinhuanet: China Education Online)

Don't worry, with our culture in China, which is out of print, we are late.

the sky, a cloud of flowing years. Is that fire still burning? The beautiful scenery that hurts is solidified into a thorn, and it is in your throat, red, swollen, inflamed and scarred. After that, it became an unbearable shame. Splashed blood and tears drench your palest soul. The floating wind gently climbed over the heavy yellow robe. Look, the smile beyond memory has no content. China culture, out-of-print culture, we are late.

you whimpered a thousand times and ten thousand times with a tearful voice, tossing and turning in the boundless sound of history. You miss each other in eternity, and in this confused world, you can't stop crying. Tears slowly fall to the ground, and your sadness is hard to tell. China culture, out-of-print culture, we are late.

The lingering Xiao Sheng hit your sour pain. A pair of women's hands locked a collapsed dynasty, and a man accidentally lost half of the country. All struggles are in vain, life can't bear the solemn pain of parting, and dull despair hangs over your fragile heart. China culture, out-of-print culture, we are late.

a thousand years of wind and rain, a thousand years of silence. Your silent and melancholy soul trudges alone, and the sad story spreads in the wind and fills the water. Crossing the vast horizon, flying over the tearful watch, I am sad. In the tunnel of time, groups of masons bent down and waved a chisel, and with one knife, they cut open a story of weeping blood. Everything, then cut a holy sadness. China's culture, out-of-print culture, you shed tears and blood, through the wind and rain of the Millennium, but also shocked the vicissitudes of the Millennium.

When approaching you, no strange words can decorate your desolate splendor, only white hair is inserted into the tunnel full of time, hunting and publicity. A nation is proud of you. Approaching you, I can't interpret the password of your life. But when I stop and face the silent you, I can always feel the impulse of life and the rolling of strength. Approaching you, I found that you guided us forward. Everywhere is a blend of your history. The sun and the moon travel back and forth, and the turn of time is integrated into your towering body.

China culture, out-of-print culture, please stop your mourning, stop your crying, stop your sadness and stop your confusion, because we are here. Don't worry, your life will be brilliant again with us! Don't worry, with us, your spirit will be gorgeous! Don't worry, with us here, you will never be out of print again!

Comments by famous teachers

This excellent work, which has been thought for thousands of years, is worth learning from: First, it has an extraordinary angle: it is impossible to write such a good article without knowing the historical situation and classical culture. From this perspective, it takes courage, wisdom and talent to write the topic of "sticking to the out-of-print culture". The author obviously did it and wrote it beautifully! Whether it is the fire in Epang Palace or the blood and tears by the Great Wall, although full of historical bitterness, as descendants of China, how can we forget it? Second, the emotion is unique: the article can not only fully display the talents of candidates, but also show their inner persistence and love for traditional culture, which goes beyond the general emotional category.

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