Prose and Dance Teaching Plan

Chapter 1: At present, the focus of the dance of two people on prose is still two old propositions, that is, how to inherit the tradition and how to innovate. These two propositions fall on a specific surface, which is the continuous fermentation of new prose topics and the rise of a group of young essayists. Some essayists put forward their own creative ideals on how to change prose and how to find a way out and breakthrough, such as Huang Hai's original ecological prose and Yang Xianping's original ecological prose, which have a certain influence in the prose circle. As a new posture, the original ecological prose seems to be more active and recognized by many essayists. Yang Xianping believes that the original ecological prose writing is the writer's natural voice from the powerful life field, and it is a realistic spirit and writing position. Compared with the introverted and closed prose writing, the original ecological prose writing is open, generous and free, direct, vigorous, true, full of dreams, full of discovery and creation. As practitioners of original ecological prose, Guo Ye and Zhu Chaomin attract people's attention with their unique perspective and on-site spirit. The timely publication of "They" (co-authored by Zhu Chaomin) is also recognized by the industry.

Let me remember this name is an article "Memory of a Tooth". We have always believed that a good essay must be powerful, spacious and magnificent in perspective, just like a mudslide coming in. Actually, it's not exactly like this. The reminiscence of a tooth is all about daily life, being relaxed, struggling internally and resisting externally. As written at the end of this article: I recorded in detail the injury that one of my permanent teeth has never suffered, and I should be loyal to it one day. An accident was solemnly named as an event by me. Afterwards, in addition to regret, I also thought about how to take the most powerful revenge. The toughness of staying at a respectful distance from others and the disgust in my heart can't save a precious tooth. From then on, I can no longer be exposed frankly, and my smile has become subtle and moving. I will deliberately hide it and stop being reckless. I avoid touching insensitive points and be kind to other teeth that look good. I will miss the tooth that accompanied me for many years for a period of time. The warning of life is not hoarseness, but letting people know the pain. I only know that Guo Ye is a native of Linyi, Shandong Province, and I have never met her, but this does not prevent me from reading and loving her prose. The secret of Guo Ye's prose lies in her attempt to make the scene of the incident shine through her simple words and hidden perspective, so as to achieve a balance with the outside world. Since then, I have seen her works in many media, such as The Taste of Noon, Leftovers, Memories or Forgetting about a Place, Programs, Secrets of Body and so on. These works left a deep impression on me.

Guo Ye's prose has two remarkable features. One is a tortuous narrative, such as the first sentence of "Black Watered Night": I imagine I will jump out of this car in 20 minutes at most. Of course, before that, I have to ring the doorbell at the back door. This is a very common sentence, and there is nothing flashy about it, because her narrative method is different from daily narrative, which greatly expands the time and space of the whole event development process. For example, in "Tearing Down a Wall of Two Migrant Workers", it is written that migrant workers enter the construction site: they come to work. In advance, two people are ready. Said he was going to hit the wall. So, they brought tools to smash the wall. Of course, they are also ready for power, which is stored in their bodies, usually invisible, similar to the hidden wind, but brought out when waving a hammer. The disappearance of a wall must be related to the strength and frequency of the hammer. They also thought of sound, a violent and never beautiful sound. It was the disintegration of masonry, cement and lime, accompanied by a violent and continuous knocking sound, which was noise. What is presented to us is such an ordinary labor scene. There is no doubt that using a hammer to participate is destruction, but everyone knows that destruction is actually for reconstruction. Without the beginning, she wrote about what migrant workers are like, without portraits or descriptions of labor scenes, but wrote "power" and "voice" related to them, focusing on the darkness of the description object, making the whole narrative relaxed and unique. Finding a narrative style that suits you in a specific context is a necessary accomplishment for an excellent essayist. Another feature is the depth capture of scene details. He is also a person who looks at the scene with a magnifying glass. A group of "postures" composed of three short chapters fully embodies Guo Ye's talent for grasping the details of the scene. I especially like the man who tied the bamboo fence: a brown wool hat, an old black jacket and a pair of hesitant cotton shoes. These clothes are piled together, and the dark brown face hanging down under the hat makes it easy for a person to distinguish from the trees next to him. The man squatted on the side of the road. If the trees around you grow tall and lush in the season, people will definitely be hidden. But now, the slowly crawling body

Like a giant black beetle. She is thrifty and gentle, like an old man with an Oracle. There is an equally powerful description of rural women in The Remaining Things: a woman from the same village came up from the road and asked him loudly. The words clearly pointed to me standing by, but she stood behind and asked me with interest if I was a relative of the other side. Women seem to be talkative, and this personality seems to be more suitable for the countryside. I saw her whirl from her eyes like a gust of wind, and then immediately turned away. There are several peasant women squatting over there. When I was still far away, I shouted away, and the sound like beans slammed into the soil and took the opportunity to turn over. I rushed to the front with a fishy smell. The expansion and capture of details is the concrete embodiment of an essayist's vitality. She hasn't been writing prose for a long time, but it is surging, with a broad vision, and pays attention to the living conditions of the bottom people, such as migrant workers, drivers on the road, waiters in restaurants and so on. She has maternal love and compassion. Her writing is very warm.

Zhu Chaomin, who frequently appears in China Writers, American Literature, Youth Literature and other famous magazines, is very familiar with her writing. Several of her essays are quite famous in the field of prose, such as Leaving Rice by the Sword, The Road of Minor Injuries, The Dream of Serious Injuries, Returning to the State, Starting from a Tree, Body or Body, etc. Her prose impressed me as simple, weak, primitive and simple. This is related to her prose view that "writing is the tip of my hand". It can't form a road, but it opens up countless possibilities of arrival-backtracking, presenting, refuting, introspection and looking up? This is a multi-angle scene where the order is disrupted and a person returns from countless visits. This is the handshake between the independent me and the public me. When I talk about the comfort and care of the gods-this elusive concept-the road has already appeared for me and my life. I know what I said can't be explained. "Is more consistent. Prose with such characteristics as "simplicity, weakness, primitiveness and simplicity" must have been written by a person with a clean heart. Be independent of yourself and different from others. Her position is the position seen from standing on the earth, and her perspective is the introspective perspective of looking down at things. She doesn't wantonly Wang Yang, spread leaves, elaborate, open and close vertically and horizontally. Her prose is a woodcut of words.

Rice by the Sword is the first impressive essay by Zhu Chaomin that I have read. This is an essay with a strong sense of fatalism. She wrote about cutting rice: Now, the knife is close to the root of rice. The full grain is squeezed into a grain of rice, and the root rice is bent and gathered in people's arms. Harvesting with a knife, the rice has no claim to the knife and leans willingly. The sharp winger sipped the tiny grass green juice, leaving sticky marks. The blade enters with people's joy and desire to be encouraged. Bundles of rice sleep on the knife edge. I heard the happy cry of the knife falling. On the yellow mud, the other hand piled bundles of rice into a big pile. Then, they were put on a trolley. I remember I had a phone call with her at that time, and I said, your prose is so shocking. "Rice" is a warm term, and it is also a heartbreaking term, which reminds people of barefoot farmers, mud fields that need to be plowed constantly, and high-priced fertilizers and pesticides. Rice is a metaphor, knife is also a metaphor, combined with farmers-the fate of repeated killings. She returned to the primitive state of life, to the origin of things, and extracted the brilliance of thoughts from it, just like smelting gold from sand. Such words can only be written by people with love in their hearts.

Only Chu Youcai. Ancient Hubei sages left a lot of valuable spiritual wealth and derived a unique ancient Chu culture. Zhu Chaomin absorbed these regional cultures and made them the nutrition of his prose. Her Return to the State fully embodies Chu culture, especially folk songs, which shine like a golden thread in the whole text. "Back to the State" follows her usual style of writing, slowly narrating, objectively and calmly. On the surface, it looks like a travel book. After in-depth reading, I found that this is a philosophical essay calling for the return of traditional culture, full of sadness and touching feelings. In fact, this provides us with a rethinking of the text, that is, how to hide "I", re-establish order and establish the status of "discovery".

Many colleagues praised Zhu Chaomin's "Body" or "Body", saying that this essay solved the mystery of "self" and was an "anatomical operation" on "self". Bodies, rivers, windows and other objects with argot meaning are all favored by essayists. The body written by Zhu Chaomin is more about the pain of "people". Life is weak, and only by giving meaning can people be strong. Zhu Chaomin pays more attention to the weak things, a tree and a stone. Their difficult existence is a force of life. I especially like her From the Tree. This is a group of words describing rural scenery, including Toona sinensis, Catalpa bungeana, willow, cat thorn and so on. It's very long. There are many essays about scenery, most of which are full of nostalgia, with the beauty of innocence and grace in memory, but Zhu Chaomin's "Starting from a Tree" is well controlled, and it is like a rider tightening the reins and swimming slowly. In Zi Mu Shu, she described this clumsy and almost natural old tree: Zi Mu Shu has handsome branches with light green leaves.

It can still be turned over with the wind, revealing dazzling silver light, like broken moonlight. This is an eternal and tireless game of leaves, sunshine and wind. Exquisite pale yellow flowers stand out in their play, one after another, dotted with clusters-only bright, windy and light green branches and leaves. Immediately, they will say goodbye and fall down in weakness. I don't think this is about writing a tree, but about a lost time-a group of children playing games together, and then everyone dispersed, grew up and went everywhere, some old and some disappeared, as if it were all in an instant.

Prose is an ancient text, but as an independent text, its significance seems to be declining, or the text status of prose has not been mentioned to a certain height. Speaking of prose, it seems that anyone can write. When you open the website, prose is overwhelming, but it can leave scratches in your mind. This makes us think: more and more people write prose, less and less touching prose, and farther and farther away from readers. The advocacy of original ecological prose is undoubtedly advocating a writing spirit, rather than establishing a kind of "so-and-so doctrine" or "so-and-so gang". This spirit is full of vitality, downward, and has its own position. The writer's road is a road in the jungle, and there are various ways and means. This spirit is undoubtedly valuable. The prose of Zhu Chaomin and Guo Ye is the best footnote of this spirit.

Dance Prose Part II: Prose Rhythm

Every time I read Zhu Ziqing's prose before, I felt that his words were round and smooth, with beautiful tone and harmonious rhythm. So I've been trying to figure it out. After a long period of subtle influence and thinking, I finally know the wonderful root.

When we read classical poems, songs and essays, we always feel the existence of a kind of music. When we are addicted to reading, we are often full of emotions. Readers and listeners like it very much, as if we heard the songs of Yangchun Baixue and saw beautiful women dancing in front of us. The reason is nothing more than that ancient articles pay attention to its rhythm and skillfully integrate music into it. Anyone who has a little knowledge of ancient literature knows that ancient poetry pays attention to meter, that is, to the law of flat and flat rhymes. In fact, the origin of rice is not so easy. After a long exploration, the ancients did not take shape until the appearance of Lu Ji, a famous writer and calligrapher in the Western Jin Dynasty. Compared with Lu Ji's literary talent of "few wizards, the article is the best in the world", I prefer his calligraphy talent, and his "Ping Fu Tie" is more appreciated, but here I want to mention his literary talent and achievements; His Wen Fu represents his brilliant achievements and great position in the history of China literature and even the world literature. As for prose, what I want to mention here is a problem closely related to measurement. Lu Ji put forward the viewpoint that the sound changes like five colors in Wen Fu, which initiated the construction of metrical theory and made great achievements. It also shows that the ancient people's musical subconscious was stimulated in article creation; Later, Ye Fan in the Southern and Northern Dynasties realized the purity of court merchants and consciously applied temperament to his writing. Since the Southern and Northern Dynasties and the end of the Song Dynasty, scholars have generally started to enter four tones respectively. There used to be a song formula about the four tones: flat but not low, loud and strong, clear and sad, short and urgent. Only when Shen Yue constructs the theory of eight diseases and applies four tones and two rhymes to literary creation can metrical poetry be considered decent. It was not until the Tang Dynasty solved the problem of parallelism that metrical poetry was really finalized.

When it comes to the theory of eight diseases, we can't help but mention Liu Xie and his Wen Xin Diao Long. Liu Xie, Liang Shu Liu Xie Biography is introduced, so I won't go into details. The Biography of Liu Xie in Liang Shu is only a few hundred words, but it briefly introduces Liu Xie's life story. Although his date of birth and death is unknown, Liu Xie is an important figure in it for Shen Yue, which makes me feel relieved. Eight Diseases is said to be made by Shen Yue, and it is roughly like this: flat head, upper tail, bee waist, crane lacquer, big rhyme, small rhyme, side button and straight button. Although unscientific and formalistic, it also has some merits. For example, Pang New Zealand opposes disyllabic words and rhyming words, fearing that they are difficult to pronounce; For example, the syllables at the beginning of the upper and lower sentences in the flat head cannot be the same, so we should pay attention to the coordination of syllables. On the whole, Shen Yue advocated that poetry should attach importance to temperament, and made many theoretical preliminary conclusions in the biography of Xie Lingyun in Song Dynasty. However, Liu Xie does not agree with the Eight Diseases. At that time, Shen Yue was a literary leader. He was very famous, but he attached importance to those literati who disagreed with him. He is generous and broad-minded. However, in today's noisy literary world, the phenomenon that those scholars abuse each other lightly and monopolize cultural resources seriously can't be said to be a serious illness, but also introspection and restraint, and they can't help themselves.

Although Liu Xie disapproves of the theory of eight diseases, he also pays attention to temperament. It is clearly stated in Wen Xin Diao Long and Thirty-three Tunes: "Every sound has a heavy sound, and the sound has a double stack. Double tones are separated by words, and every sentence is repeated, which must be seen; When sinking, the sound will be broken, when flying, the sound will not return, and the pulley will interact, which is more scaly; If you make a detour, you will come back. This disease is also eaten by literati. " Heavy voice actually means flat voice; Disyllabic, in fact, refers to the homonym of two words, such as hesitation; Duplication refers to the homonym of two words, such as wandering; The disyllabic of each word means inserting other words between two words that match the disyllabic, and the rhyme of each word is the same; At the same time, he mentioned in Wen Xin Diao Long and Thirty-three Tones: "Different sounds are subordinate to harmony, and simultaneous sounds correspond to rhyme."

By the Sui and Tang Dynasties, a new style of ancient Chinese words was born, and the meter of the middle Tang Dynasty was fully possessed. Poetry and later songs are inseparable from China's ancient music. When the ancients talked about music, they divided it into five tones: the upper corner of the palace, plus the side of the palace, with seven tones of * * *. The first five notes are equivalent to 65,438+02,356 in western music notation, while the palace side is equivalent to 7 in notation, and the variation is equivalent to 4 in notation. Based on these tones, ancient literati summed up the rhythm of poetry and music after long-term exploration.

The above is actually paving the way for the rhythm of prose.

Mr. Qi Gong is a famous contemporary painter in China. He has not only profound accomplishments in painting and calligraphy, but also few accomplishments in ancient literature.

His masterpiece "Tone in Prose" emphasizes the regularity of prose's flatness, and quotes ancient prose to discuss it. But he only emphasized the tone of ancient Chinese, but not the rhythm of ancient Chinese and modern vernacular Chinese.

I think that both ancient classical Chinese and modern vernacular prose should emphasize rhythm (in ancient China, in order to distinguish it from rhymes and parallel prose, all prose articles, including classics, biographies and history books, were called prose; The emphasis on rhythm here is not the same as observing strict rhyming rules. Prose should also be written as poetry, so as to achieve harmonious and beautiful tone. Of course, there is already an amphibious genre of prose poetry, but prose poetry belongs to poetry after all.

Of course, the rhythm of modern vernacular prose is not as strict as that of ancient poetry, and formalism cannot be circulated if it goes too far; Of course, the rhythm of modern vernacular prose is different from that of modern prose poetry.

I think the rhythm of modern vernacular prose is as follows:

First, consciously use disyllables, rhymes or disyllables to avoid disyllables and rhymes.

Secondly, occasionally rhyme, rhyme feet can be used not only at the end of a sentence, but also at the first sentence to introduce the arrangement of rhyme feet in western poetry. Third, we should consciously choose the flat and even case. For example, when writing sad, heavy, gloomy and passionate prose, we should use more words and "restrain" in tone. For example, to write fresh and feminine prose, we should use the word "flat and even" in tone, and Zhu Ziqing's prose "Spring" is mostly flat and even.

Besides the rhythm, prose also has some rules in color: most of the prose with gorgeous style uses some gorgeous words combined with some plain words, so it is gorgeous and soft to read; Prose with a gloomy style is generally monotonous in color, close to freehand brushwork, and the monotonous color combined with vague words is very heavy to read, with great hardness and bone strength. In addition to rhythm and color, prose has many rules to explore in momentum and other aspects, so I won't go into details.

Previous essayists knew the rhythm of prose, because they were all good at melody, and they all knew that the sensitivity of words was based on the musical imagination of words; However, many essayists and network writers don't understand it now. In view of this, I wrote this essay to make Fang Jiaer laugh.

14 Prose Chapter III Two Teaching Objectives:

1, improve the interest and quality of appreciating dance art and music art.

2. Experience the way the author describes the dance content and music content in vivid language.

3, familiar with the text, feel and learn the vivid language of the article.

Teaching emphases and difficulties:

1. Experience the author's method of describing art in vivid and accurate language.

2. Learn to use expressive language to describe.

Teaching AIDS: audio-visual equipment

Class hours: 2 class hours

Teaching process:

Watch dance in the first class.

First, import

Students, have you ever seen Indian dance? If so, can you tell us how you feel? (Student's speech) If not, today we will go to see the Karama sisters perform together with Bing Xin and listen to Bing Xin's feelings after watching it. (If conditions permit, this session can use multimedia to show Indian dances and beautiful and luxurious Indian costumes; Energetic Indian dance; The magical and beautiful Indian customs arouse students' interest and help to improve the teaching effect.

Second, the first reading, the overall perception:

1. When reading for the first time, you can read the full text silently, pay attention to the main idea of the article as a whole, and think about what the article mainly writes. Please try to say the main content of this article in the most concise language. This paper mainly uses superb language skills to describe the wonderful dance of Indian dancer Karama sisters, and also shows the beauty of Indian dance. )

2. How does this article describe the wonderful dance of Indian dancer Karama sisters with superb language skills? Read this article again. In this kind of reading, slow down a little, pick up a pen and draw some sketches while reading:

The text of this article is very beautiful, and there are some new words. Please refer to your notes and read the full text by yourself. When reading, draw the words you don't understand in a straight line. You can look them up in a dictionary. Outline your idea with wavy lines.

Good words, good sentences and good paragraphs.

3. Read the following words together by name:

Young, speechless, calm, frowning and angry, watching the changing colors, when you are on the road, you are sad, you are happy and you are gentle, all under your control.

Third, study the text:

1. This paper describes the beauty of Indian dance. Which sentences or paragraphs in the paper show the beauty of dance? -Section 2-6

-Section 13- 18.

-Understand that these paragraphs show the wonderful dances of the Karama sisters in clothing, posture, facial expressions and movements.

2. Can you quote the sentences in the text and add your own understanding to talk about what dance is? Or what is the main content of Indian dance?

Rhythmic movements are the main means of expression, which can express people's life, thoughts and feelings, nature and others, and are usually accompanied by music.

-Indian dance mainly shows the stories of gods and people, imitating the posture of natural creatures. (in sections 17 and 18)

Fourth, reading analysis:

1, it is very difficult to express stage art in language, which requires superb language skills. This paper mainly uses rhetorical devices such as metaphor and parallelism to vividly show the exquisite dance of the Karama sisters. Such as "the light cloud moves slowly, the whirlwind whirls", "the lotus is fluttering, the deer is leaping, and the peacock is strutting". , are trying their best to transform visual images into language images, and let readers use their imagination through language to enjoy the dual aesthetic enjoyment of language and dance images.

Try to find wonderful sentences and paragraphs from the text, read them aloud, think about words, rhetoric, sentence patterns or expressions, and briefly talk about the advantages of these sentences.

—— Vivid figures of speech, such as metaphor, parallelism and quotation, vividly depict the dance and the dancer's posture, which makes the author amazed.

-The combination of front description and side description shows the beauty of dance from multiple angles, which arouses readers' imagination and association.

2. Are there any sentences you don't understand during reading?

Archive:

① Why does section 17 say that Karama "forgot the audience and herself in the carnival of dancing"? -Karama's dance is beautiful, as if "flying". However, it is not enough to just "fly". You have to devote yourself to the dance to become a part of the dance, and the body and mind can be integrated to achieve the realm of beauty.

② Section 19 says: "Seeing the dance of the Karama sisters makes people deeply understand the beautiful and long-standing culture and art of India?" Why do you feel their culture after watching their dance? What do you think are the characteristics of Indian culture?

(Read aloud 19)

First of all, art exchange can enhance mutual understanding and communication among countries and nationalities in the world. So "seeing the dance of the Karama sisters makes people deeply understand the beautiful and long-standing culture and art of India?" Secondly, all outstanding artists absorb nutrients from their own cultural soil, and so do the Karama sisters, "absorbing the food provided by Mother Earth". Without the influence of India's long-standing culture and the connotation of Indian culture and history, the dance of the Karama sisters would not be so beautiful and moving.

Insert an introduction to Indian religion and culture.

-Although India is a capitalist country now, its religious power is extremely great, so some people say that India is a religious country. Almost all the cultural and artistic forms and contents in India are also influenced by this, and most of them mainly express religion. So is the dance of the Karama sisters. For example, the animals mentioned in section 18, such as lotus, deer, peacock and snake, all have their symbolic meanings in Indian religions.

Read it again, and I feel deeply.

Verb (abbreviation of verb) knowledge transfer

If Beethoven's music is the voice of the soul, then the dance of the Karama sisters is the dance of the soul. Only the dance of the mind is the real dance. Excuse me, do we have such dances in China?

For example, Yang li Ping's peacock dance and Huang Doudou's Harvest.

Why do they say their dance is the dance of the soul?

Clear: Their dance is the whole body and mind. Yang li Ping's dance is not only beautiful, but also makes people feel the beauty and gentleness of women in China. Huang Doudou's dance makes people feel the strong physique and strength of men in China and the indomitable spirit of men in China.

Six, homework:

1, repeating the text.

2. Extract the beautiful paragraphs in this article and do some language accumulation.

Listen to the spring of the second class

First, introduce the new course:

Do you like listening to music? Ever heard of folk music? The famous conductor Seiji Ozawa was fascinated by a China folk music. He said this song should be listened to on his knees. Do you want to hear it or not?

Second, introduce A Bing. Play the music "Two Springs Reflecting the Moon". After listening, students are free to talk about their feelings.

1, whose real name is Hua, is from Wuxi, Jiangsu. My father is a Taoist, and he is good at erhu, pipa, sanxian and other musical instruments. Since childhood, A Bing has studied musical instruments with his father. Because of his cleverness and hard practice, he mastered the playing skills of erhu, pipa, sanxian and flute at the age of 13. His fate is tortuous. He lost his mother when he was young, his father when he was 20, and his eyes were blind in his thirties. Life has no landing, so we have to sleep on the street and make a living by busking. In his fifties, he vomited blood and died. It is this artist who has experienced human sufferings and left us an immortal masterpiece. A Bing has been a busker for decades, and according to his own life experience, he has created, adapted and performed many works closely related to the times.

There are six pieces of music handed down from ancient times, such as Two Springs Reflecting the Moon, Listening to Pines, Spring Breeze on a Cold Night, Big Waves Washing Sand, Boarding Zhao Jun and Dragon Boat. The most attractive thing is his masterpiece "Two Springs Reflecting the Moon".

2. Play "Two Springs Reflecting the Moon".

3. Introduction-Today, let's read Han Jingting's "Listening to Spring" and see how he understands the blind A Bing's "Two Springs Reflecting the Moon".

Third, after reading the text, students can read the text freely, choose their favorite sentences or paragraphs, read them carefully and talk about their favorite reasons.

Appreciate the third paragraph "As soon as spring rushes out of the mountains? What rhetorical devices are used in this passage "Running to the World Beyond the Mountain" and from what angle does it write a beautiful movement?

Read the relevant sentences together and ask: Which student can describe A Bing's Erhu Opera "Two Springs Reflect on the Moon" in his own words?

Fourth, explore the problem:

1. What does "spring" mean in the title?

2. What genre is this article? What did the author of "Two Springs Reflecting the Moon" write?

(blackboard writing)

Clear: (1) generate

(2) communication

(3) Content (artistic conception of tunes)

(4) Evaluation (lofty artistic status)

We learned to listen to the spring water. How do you feel? Do you agree with Seiji Ozawa's evaluation? Then how do you understand what he said?

Extracurricular development: Play Beethoven's moonlight music and talk about your feelings about this piano piece.

Introduction of Beethoven: Born in a civilian family in Bonn, Germany, he showed his musical talent very early and began to perform at the age of 8. 1792 went to Vienna for further study, and his art made rapid progress. Beethoven believed in harmony and advocated heroes, and created a large number of outstanding works full of the flavor of the times, such as the symphony Heroes and Destiny; Overture Egmont; Piano sonatas Pathetique, Moonlight, Storm, Passion, etc. I had a rough life and didn't get married. I began to lose my hearing at the age of 26, and I was completely deaf in my later years. I can only talk to people through a conversation book. However, the lonely life did not make him silent and retired. In the feudal restoration era when all progressive ideas were banned, he still adhered to the political belief of "freedom and equality" and wrote the immortal Ninth Symphony through speeches and works shouting for * * * and ideals. His works, influenced by the Enlightenment and the German Hurricane Movement in the18th century, have a distinct personality and have made great progress compared with their predecessors. In music performance, he almost involved all the music schools at that time; Greatly improve the expressive force of the piano and make it obtain a symphonic dramatic effect; It also makes symphony an important music form that directly reflects social changes. Beethoven, as a masterpiece of classical music, opened up the road of music in The Romantic Period and played a decisive role in the development of world music. He was addressed as a "saint of music".

Seven, recite the third paragraph.