Write a composition on the topic of "inheriting tradition and moving towards modernization"

In recent years, Mount Tai, the Great Wall and Suzhou classical gardens in China have been rated as world historical and cultural heritages. More and more people are beginning to realize the great value contained in it and consciously make various efforts to protect these heritages. This year's major international conference in Shanghai will also introduce Zhouzhuang and other ancient towns in the south of the Yangtze River to guests from all over the world as an effective way to "let the world know about China".

Human cultural heritage is not only material, but also spiritual, that is, "cultural activities and oral cultural expressions with special value, including language, stories, music, games, dances, customs and various artistic expressions". In May this year, Kunqu Opera, an ancient art variety in China, was awarded the title of "representative work of oral and intangible heritage of mankind" by UNESCO.

Besides being world-class, China's cultural heritage is of all levels and types. They are distributed all over the country, and some of them are around us. Have you noticed these cultural heritages, big or small, far or near? Please talk about your knowledge, understanding and thinking about them, and write an article about 1000 words (don't write poems). The topic is self-drawn.

Clue writing:

1) The voluminous books left by the ancients are our cultural heritage. China's socialist construction should be based on China's national conditions, and an understanding of the national conditions is also indispensable for reading; Books of past dynasties are the witness of the development of civilization, so we should protect them and make the past serve the present.

2) The murals in Dunhuang Mogao Grottoes are splendid cultural heritages left by our ancestors, and the study on them has formed "Dunhuang studies", but the study is not detailed. This kind of heritage is unique to China, but it is a pity that a lot of information has been lost abroad, so we should cherish this kind of heritage.

3) There is our cultural heritage in architecture, and there is our cultural heritage in literature and art. Although the cultural heritage is precious, it is not mysterious. They are all around us, even on us. ...

4) The protection of cultural heritage is becoming more and more serious: the erosion of time, the enthusiasm of thieves, the lack of funds and the unprofessional administrators. Therefore, we should shout loudly: save our cultural heritage. ...

5) The fate of cultural heritage is related to the development and changes of the times. At the end of the Qing Dynasty and the beginning of the Republic of China, people's love for Peking Opera was crazy, which formed a nationwide craze. Now that the pace of life is accelerating, the pace of Beijing opera seems a bit slow. So what is the future fate of Peking Opera? This is a thought-provoking question.

Fan Wen: Reflections on the Phenomenon of "Crazy Ink"

Key concepts

1, with the phenomenon of "crazy ink" as the starting point, criticized the specious way in calligraphy art.

2. By analyzing the causes of the phenomenon of "crazy ink", the dialectical relationship between conformity and innovation is expounded.

In recent years, there has been a wave of "crazy ink" in the book world, and hot-blooded young people are scrambling to follow suit. For example, about 40% of the manuscripts received in the "Yu He Cup" National Youth Calligraphy Competition held by Shuichuanshi Branch of China Calligraphy Association last year were "crazy ink" works, which made people feel the seriousness of the problem!

The so-called "crazy ink" means that "in the innovation of calligraphy, we don't talk about philology, informal brushwork, kick off tradition and scribble at will" (in the words of the famous calligrapher Zhuo Lu). Some even use the method of "freehand brushwork" to exaggerate and deform the structure of the characters, and write in thick and light ink, so that the drawn characters spread from east to west, like a drunk and out of control, and its madness is daunting! If these "crazy ink characters" are regarded as high-level works of art with the flavor of the times, I really dare not compliment them. Dare to say that this is not in the category of calligraphy at all! If this "madness" continues endlessly, the prospect of calligraphy is worrying! Therefore, we should stop this "crazy" wind that is blowing to the book world day by day.

Obviously, the calligraphy of "Crazy Grass" has existed since ancient times. Zhang Xu and Huai Su in the Tang Dynasty are the representatives in this respect. Their words are like a whirlwind of heavy rain, flying dragons and dancing phoenixes. However, both the knot and the pen are shaking to some extent, and drunkenness is not out of control and madness is not out of line. Unlike the modern "crazy ink", it is impossible to go beyond the limit, which makes the viewer puzzled and more confused!

There are two reasons for this "crazy ink" phenomenon: one is that the wind and cloud are rolling and everything is as I wish, which is probably very suitable for young people in the new era. For example, they are full of emotion, open-minded, unwilling to be bound by ancient laws, and the pace of life in the new era is very fast. Although "Crazy Ink" has certain artistic effect and caters to some people's preferences, it is an "art" that denies the traditional ancient law and even runs counter to it. The "nine potentials" and "eight methods" of traditional ancient law are the crystallization of the long-term practice of sages and have indelible value. "Crazy Ink" is popular because it abandons traditional laws and regulations and goes its own way to cater to the tastes of young people. From the perspective of calligraphy, "crazy ink" is either a scrawny hemp pole frame or a bloated "ink pig". Although several of them are pleasing to the eye, the whole painting is full of failures, and the thick and thin pen and ink are more vain, just like the wind. Panorama? ; The calligraphy style of "crazy ink" is often not high, but the excessive deformation of the structure gives people the feeling of grandstanding, which is actually a decline of calligraphy. If we continue to press this "madness", the calligraphy tradition and sages of the motherland will crystallize into a "madness", and the future calligraphy will become a "four unlike" pattern that resembles words but not words and paintings!

Fortunately, the calligraphers of the older generation have a vision. They strongly advocate learning from traditional ancient laws and oppose "crazy ink". In this year's Fourth National Book Fair (the largest and highest-level book fair in China, sponsored by China Calligraphy Association), about 12% of "Crazy Ink" works were received, but none of them were selected for the exhibition. Isn't this a wake-up call for "crazy ink" lovers?

Another reason for the emergence of "crazy ink" is that some young people are not rigorous in their study of books. They feel that they can't reach the traditional rules and regulations, which is a bit of ancient law. However, these people are often eager for quick success and instant benefit. So they choose some so-called "tricks" and shortcuts instead of taking the traditional right path and laying a solid foundation in order to win by surprise. So he dismembered the text at will, blindly innovated, and gradually became "crazy". These people have poor foundation and strong vanity. The higher they climb, the worse they fall.

Learning any art requires a serious and rigorous attitude, and so does learning books. In the face of the phenomenon of "crazy ink", young people should keep a clear head, not blindly follow the trend, be flashy, respect the ancient sages and sages, follow the rules, study the ancient law seriously, and lay a solid foundation diligently and honestly. Innovation based on ancient laws cannot go beyond rules. Furthermore, learning books should also have the spirit of perseverance. Qi Baishi once said that it is difficult to write before you think twice. "This sentence shows that learning books is boring and difficult to understand, and it can never be learned in a year or so." Words are inexhaustible, and words are inexhaustible. "If you try less, it will not be a big deal."

Therefore, when young people learn calligraphy, they can't go their own way with passion, and they can't be eager for quick success. Only by starting from the ancients, laying a solid foundation and being familiar with ancient laws can we achieve perfection; To innovate, we must first follow the ancient times and never allow any "madness". Only in this way can the "crazy ink" wind stop, otherwise it will cause a new generation of calligraphy crisis in the book industry!