Traditional Culture Encyclopedia - Traditional festivals - The application of "Korea College" caused a heated discussion. How many similar applications have there been in Korea in recent years?
The application of "Korea College" caused a heated discussion. How many similar applications have there been in Korea in recent years?
This article is the exclusive manuscript of Tencent, and it is forbidden to reprint without authorization! Otherwise, legal responsibility will be investigated. Writing | Zhao Libo Recently, South Korea applied to include the Korean Academy, an academic institution of Confucianism during the Korean Dynasty, in the World Heritage List, which is expected to become a new Korean world cultural heritage. Some Korean media are full of confidence in this and think that these colleges are basically "no suspense". Looking at the short history of South Korea, why did a large-scale application for World Heritage break out in recent years? There is a tendency to become an "ancient civilization" in the world and stop the rotation of the earth. Before, South Korea frequently laid hands on China culture and made many achievements. Is this a plunder of Qi Lu Lu or a more perfect inheritance and protection? Is Korea "original" or "pseudo original" in culture? All these should arouse the attention and reflection of Chinese people. As the only Chinese civilization in the world culture, how to deal with the challenge of cultural protection in the future? South Korea's Confucian education, first, frequently seized China's cultural heritage application, South Korea still laid hands on the Confucian Institute this time. South Korea's so-called "cultural heritage application" in recent years. Korea already has 18 intangible cultural heritages of mankind. They are: Ancestral Temple Sacrifice and Ancestral Temple Sacrifice Music (200 1), Ban Suoli (2003), Gangneung Daye Festival (2005), Round Dance, Men's Temple Evening Performance, Lingshan Zhai, Jeju, Tanglingdeng Witchcraft, Chu Rong Dance (above 2009), Traditional Songs, Great Carpenter, Eagle Hunting (above 2009). Hanshan ramie textile processing (more than 20 1 1 year), traditional folk song Arirang (20 12), overwintering kimchi culture (20 13), Korean farmhouse music (20 14). In addition, the South Korean government also plans to apply for the legacy of military comfort women in South Korea, China and Southeast Asia. In 20 18, South Korea successfully applied for the World Heritage: Daxing Temple, Magu Temple, Fushi Temple and other seven ancient temples built on mountains. South Korea's application for World Heritage has made great strides. For more than a decade, it seems to have given the world the image of "a cultural power in Northeast Asia" and "standing among the nations of the world". Network comics II. Can culture be "taken away"? Why has the application for World Heritage become a tug-of-war in the international cultural market? Koreans' enthusiasm for applying for world cultural heritage has a long history. From 165438+2005 10, the Gangneung Dragon Boat Festival declared by South Korea was officially recognized by UNESCO as a representative of the oral and intangible heritage of mankind, marking the once controversial dispute between China and South Korea over the application for the Dragon Boat Festival, which finally ended in the victory of South Korea. In the following ten years, South Korea's application for World Heritage went quite smoothly. By the end of 20 13, Koreans' application for World Heritage was completely ridiculed, and their kimchi was recognized by UNESCO. Finally, "Kimchi and Wintering Kimchi Culture" was included in the world intangible cultural heritage list. So far, South Korea has been engaged in a tug-of-war with other countries about the future. By 20 18, Korea has more than a dozen intangible cultural heritages. If the Korean Academy, an academic institution of Confucianism during the Korean Dynasty, was successfully listed in the World Heritage List in 20 19, there is no doubt that South Korea will become one of the mainstream historical and cultural countries widely recognized by the international community. Related news photos begin with the Dragon Boat Festival dispute between China and South China. South Korea's thinking mode of "multi-angle" application for World Heritage has surprised many people in China, but there is no doubt that South Korea has been quite successful on the road of applying for World Heritage. For South Korea, which has been deeply influenced by culture for a long time, its emergence as a "cultural power" has undoubtedly triggered profound reflection from the Chinese people. At the beginning of the "Dragon Boat Festival" controversy, some scholars thought that the failure of applying for the Dragon Boat Festival heritage was the sorrow of China people. Dragon Boat Festival is a traditional festival in China, but neighboring countries came before China. It is necessary to rescue and protect its original cultural form as soon as possible to avoid similar incidents from happening again. Regarding the spread and radiation of Chinese civilization, there has always been a saying that "the Tang Dynasty saw Japan, the Ming Dynasty saw South Korea, and the Republic of China saw Taiwan Province Province". As early as the turn of the Ming and Qing Dynasties, even though the Ming Dynasty perished and the Qing Dynasty flourished, the Lee Dynasty of Korea, as a vassal country of the Qing Dynasty, still regarded the Ming Dynasty as the official new moon, and all documents used the title of Emperor of the Ming Dynasty. North Korea placed infinite affection on the Ming Dynasty. Until the mid-Qing Dynasty, the title of "Chongzhen" had been used on the Korean peninsula for more than 200 years, which reflected the recognition and persistence of the Korean dynasty to the orthodoxy of the Central Plains civilization. Related activities From a cultural perspective, the "Forbidden City" in Seoul is not a section of the Forbidden City in Beijing in terms of area or collection culture. However, in recent years, South Korea has done a very clever job in fostering strengths and avoiding weaknesses. Although it lacks history, it makes up for it with multiculturalism, that is, it has made great efforts in the protection and promotion of intangible cultural heritage, and is good at excavating and focusing on the details and highlights of traditional culture, so that it is good at seeing the big picture from the small. Therefore, under multiple operations, their "tug-of-war with other countries" won several times. Undoubtedly, the original cultural forms of many projects originated in China, which made the majority of Chinese people denounce the "manuscript-washing" behavior of South Korea's infringement of "originality", and finally they were even helpless. Third, South Korea's repeated application for World Heritage shows its lack of cultural self-confidence and possession mentality, and our reflection on cultural copyright protection. Why does South Korea spend a lot of money to apply for the World Heritage? Fundamentally speaking, it is a lack of "cultural self-confidence." From the perspective of its national history, it is not difficult to see the "complex" mentality of South Korea towards China's long history and culture. For the imitation of China culture, South Korea also acknowledges its inheritance. For example, the Korean Handbook compiled by Korea Overseas Bulletin clearly pointed out that since the formation of an agricultural society centered on the cultivation of glutinous rice, Korean culture has gradually merged with that of China. Looking at the portrait of Emperor Wu of the Han Dynasty, we can see that the initial history of South China was brought by Ji Zi, a figure of Shang Dynasty in. After being imprisoned, the royal family of Shang Dynasty was released in BC 1066 after the Yin Dynasty was destroyed. Ji Zi didn't want to be an official in the Zhou Dynasty, so he took five thousand people to North Korea. Ji Zi lived with the Korean people, established the country, and brought the cultural and political thoughts developed in Shang Dynasty, which was called Jizi Korea in history. Ji Zi and others brought Chinese characters and China's thoughts, culture, production technology and customs. Undoubtedly, Korean culture was born out of China culture. In BC 194, the first year of Emperor Hui of Han Dynasty, Wei Yanman led a crowd to attack Jizi Korea and became king after winning. By BC 108, Emperor Wu of the Han Dynasty destroyed Wei Man Korea, and the Han Dynasty set up four counties. As a result, China's influence on North Korea has been further strengthened. The establishment of the four counties in Han Dynasty had complex feelings for culture and China culture. They were born out of culture and wanted to recreate it to surpass it. With the passage of time and the development of history, South Korea has indeed made a leap in cultural innovation and protection. South Korea's strict management of cultural heritage has become a legal form, and a perfect management system has been formulated. South Korea's Cultural Property Protection Law holds that "important intangible cultural heritage" refers to the skills and artistic abilities possessed by its holders, which are likely to disappear if they are not preserved in time. For the inheritance of culture, the multiple modes of national legal protection, local government and even group participation have greatly protected the pluralistic construction and development of Korean culture. The related news that South Korea's application for World Heritage has undoubtedly sounded a cultural alarm for China. Whether it is "plagiarism" or "pseudo original", Korean cultural protection has both positive promotion and infringement. Compared with China, South Korea is limited by its own history, culture and cultural resources, so it has obviously made a lot of efforts in the protection and publicity of intangible cultural heritage. Whether it is a cultural ceremony on the streets of Seoul or a big event such as applying for the World Heritage, this idea of "intensive cultivation" is reflected. Finally, whether the Korean Academy can successfully apply for the World Heritage is not a very important thing. What is important is how to make our original culture go further in the long-term cultural protection in the future. Related comic reference materials:
On the Legal Protection of Intangible Cultural Heritage —— On the Origin of Korean Culture and China Chu Culture.
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