Traditional Culture Encyclopedia - Traditional festivals - What techniques are used in the dragon and phoenix ladies' picture?
What techniques are used in the dragon and phoenix ladies' picture?
The dragon and phoenix figures painted in silk are about 28 cm high and 20 cm wide. In the picture, a woman stands sideways, with a high bun and a thin waist, a long skirt with wide sleeves, graceful and rich, and her hands crossed in prayer.
On the woman's head, there is a phoenix painted on the right front to make her fly; Pterosaurs are painted on the reverse side of the phoenix, making it soar. Because the original painting was covered with mud when it was first unearthed, the earliest copy had some distortions, such as the dragon added two horns and lost a foot. Guo Moruo once recognized it as "kuí" according to his early manuscripts. Later, the Hunan Provincial Museum carefully treated the original painting to remove dirt and reveal its original appearance. The feet on both sides of the dragon body are clearly visible, and the two corners on the faucet of the original copy are indeed added by mistake. Please click to enter a picture description.
In the picture of a beautiful woman with dragons and phoenixes, the painter uses the technique of line drawing to outline the main characters and dragons and phoenixes with simple, plain, smooth and natural lines. The composition of the whole painting is stable, properly arranged and realistic. The traditional line modeling technique of Chinese painting is very obvious in this painting. Both the dragon and the phoenix in the painting use lines.
Depiction, concise and lively modeling. The features, images and movements of the female images in the paintings have distinct characteristics of ancient women.
Named for painting on silk. It refers to the paintings made of white silk before the appearance of traditional silk paintings in China. Paintings depicting people, animals, birds, gods and animals with pen, ink and color appeared in the Warring States Period and reached its peak in the Western Han Dynasty. It is different from silk paintings or other cloth paintings, and is made of 100% mulberry silk, which is not beaten, alum-beaten or colored, and is drawn by meticulous painting techniques.
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