Traditional Culture Encyclopedia - Traditional festivals - China's 5,000-year history.

China's 5,000-year history.

Liu Yizhi wrote the 800,000-word Cultural History of China. This manuscript was first published as a teaching handout in the 1920s, then published in Xue Heng magazine, and then published as a book. The main editions are: 1932 Zhongshan Bookstore, two volumes; All three volumes of Zhong Zheng Bookstore are in1948; 200 1 Shanghai Ancient Books Publishing House Volume I and Volume II. In addition, there are many kinds of typesetting and reprinting, such as China Social Sciences Publishing House in 2008 and Oriental Publishing House in 2008. The book is large in scale and widely distributed. References: The materials cited by www.chuidu.com in Fiction Network come from the writings of Six Classics, Philosophers and Twenty-five History, the works of foreign sinologists, and modern magazines, newspapers, statistics and reports. , with more than 600 kinds of historical materials. All laws and regulations, literature and art, schools of thought, literary education, folk religion, industrial and commercial skills, currency costumes, local customs, characteristic buildings, picture sculptures, etc. , all seek its source, investigate its development, cite its function, and discuss its gains and losses. The method of writing is to describe the discussion, introduce a piece of original information, and then comment. Have historical facts and views, argue with history, discuss from history, trace back to the source, help the ancient to prove the present, explain contemporary cultural relics, and achieve practical purposes. Because the author witnessed the corruption of politics and religion in the late Qing Dynasty, he was deeply saddened by the bullying of China by foreign powers. Therefore, the purpose of writing this masterpiece is to clarify the origin of politics and religion in China culture, carry forward the excellent cultural traditions in China traditional culture, and thus enhance national self-esteem and self-confidence. The book is divided into three parts: the first part is from ancient times to the Han Dynasty, which is a period in which tribes founded the country and based on creativity formed an independent culture for our nation; The second part, from the Eastern Han Dynasty to the Ming Dynasty, is the period when Indian culture was introduced into China, and China's inherent culture was from arrival to integration; The third part, from the Ming Dynasty to the Republic of China, is the period when both Chinese and Indian cultures declined, while the academic thoughts and religious political laws of Far West were introduced in turn and blended with each other. Liu Yizhi (1880- 1956), a native of Zhenjiang, Jiangsu, is a famous educator and historian. His representative works include Cultural History of China and Essentials of National History. [1] Introduction to the Cultural History of China (complete set of four volumes) Zhang Weiqing Gao Yiqing, The Cultural History of China, Volume IV, Shandong People's Publishing House, 2002. The Cultural History of China consists of four volumes, 10 and 1.75 million words, which roughly combs and outlines the formation, development and evolution of China culture and demonstrates it with vivid examples. This book not only grasps the general situation of China culture, but also summarizes the cultural achievements of various dynasties in politics, economy, military affairs, society and customs. The author learns from others, discusses the past and the present, refers to the research framework of a large number of western cultural historians, and puts forward a research framework of historical theory with China characteristics, so that this book can deeply analyze China's traditional culture from the perspective of world humanities. The book binding is elegant and generous, the layout design is generous and solemn, and the illustrations are flexible and decent, which is both academic and artistic. The book, which was completed by two authors for six years, is academic, innovative and comprehensive, and can be described as a rare masterpiece in the study of China's cultural history in recent years.