Representatives of Shanghai Peking Opera

Shanghai Peking Opera in the process of development, the formation of different performing schools of representative characters:

Wang Hongshou Wang Hongshou from Huiban, Kun chaotic both excellence, proficient in the work of the Lao Sheng, rely on the Lao Sheng, Wudan, Wu clowns of the various trades of the performance and is rich in creativity. At the early stage of the formation of the Hai School of Peking Opera, he brought the excellent performing art traditions of the Hui Class of Lixiahe into the Peking Class. He successively created, adapted and transplanted more than thirty Guan Yu-based plays such as "Cha Bei He", "Chopping the Bear Tiger", "Scraping the Bones", "Ancient City Meeting", etc., with each play having its own distinctive performance technique, forming an ancient, simple and majestic, solemn and bold artistic style, and pioneering the Hong Sheng line of Peking Opera. His unique performance style had a great influence on the formation and development of the Hai School of Peking Opera.

Wang Xiaonong Wang Xiaonong's performing art has three distinctive features: the first is the "hair dance"; the second is the "step dance"; and the second is the "step dance". The first is the "hair dance", the second is the "step dance", and the third is martial arts. The third is martial arts.

Pan Yueqiao (潘月樵) Pan Yueqiao is a representative actor of Shanghai. His voice with sand, but wide ringing good singing, although to do the work of the old man renowned, but often performed in the Mulberry Garden send son, the court for the son, even the camp fortress, the plan of the empty city, such as singing theater, and voice and luxuriant. His recitation was clear, powerful and sincere. In some of the new plays at that time, there were often large sections of persuasive and cautionary recitations, impassioned at the time, and tearful at the time of grief and indignation. His performances are delicate and sincere, and he is good at mobilizing all external means to express the inner feelings of the characters.

Chou Hsin-fang Zhou Hsin-fang was an outstanding innovator in art. Zhou Xinfang was an outstanding innovator in his art. He took vivid characterization as his soul and widely inherited the excellent performing arts of his predecessors such as Tan Xinpei, Sun Juxian, Wang Guifen, the Xia Brothers, Pan Yueqiao, Wang Hongshou, Li Chunlai, Feng Zihe, and so on, and created by combining his own characteristics with the requirements of the times and absorbing the essence of Huizhou, Chinese, Kun, and Bang operas, as well as the acting methods of movies and dramas.

Zheng Faxiang Zheng Faxiang's Wukong opera has theories and methods, forming a system of its own, and forming the "Four Methods" and "Three Kung Fu" methods of performance

Zhang Yipeng Zhang Yipeng's performances are superb, and he has his own unique creations. His Zhang School of Monkey Opera is a combination of monkey nature, human nature and divinity.

Feng Zihe Feng Zihe has been active in the Shanghai Peking Opera stage for more than 20 years, and his innovations include repertoire, performance, singing, accompaniment, make-up and costumes. His performances reflected the spiritual qualities of the characters, and were highly evaluated by the audience. His costume was "beautiful and dignified, with a leisurely and elegant demeanor", which made him one of the best among the male dancers. Feng Zihe also acted in foreign life themes. For example, according to the French Alexandre Dumas's "The Lady of the Camellias" adapted by the "New Camellias Feng Zihe stilts work is very good, in the "Du Shiniang", Du Shiniang sunk into the river after the capture of Sun Fu, he stood on three tables, stilts singing a quarter of a kind of suona Erhuang, and then turned down. But he was not unwilling to improve because of this skill. He was the first to abolish hard stilts in favor of soft stilts, and finally even soft stilts were abolished. Feng Zihe's basic skills were profound, and his singing, acting, reciting, and playing were all of the highest quality, and he was especially good at performing. Xun Huisheng admired his performance and was y influenced by him.