What is the national style of Bulang dance in The Records of Five Lakes and Three Kingdoms?

Young Bulang people have learned to sing all kinds of songs and play all kinds of musical instruments since they were very young. There are four kinds of music tunes of Bulang nationality: rejection, slaughter, chorus and fixation. It is characterized by throwing tones to stimulate lyricism; The slaughter is pleasant and lively; Adapted into a folk chorus, using three stringed instruments; This piece of music is to celebrate the national hero and energetic new life, and it was used in a duet of a large concert. The lead singer often improvises lyrics according to the scene. Bulang dance includes festival dance and Buddhist ritual dance. Dance is called "Tiaopai" in Xishuangbanna, "Big Brother" in Shidian and Zhenkang, and "Tiaoge" in Yunxian, JD.COM and Mojiang.

"Dance" means dancing and singing. Because the Bulang people prefer martial arts, martial arts are often combined with singing and dancing. Such as long knife dance, throwing stick dance, boxing dance, etc. They are agile, energetic and healthy. The elephant foot drum dance, clapping dance, monkey dance and tea art of Bulang nationality in Xishuangbanna are mostly from people's production and life practice, and the dances are beautiful, cheerful and vivid.

Bulang dance is a national dance. Whenever I hear the bamboo flute, the white-haired old man and children will dance.

Young people especially like to dance in circles. First of all, young people who can sing and dance lead the dance. With the rhythm of cymbals and drums, girls and young men form a circle with their knees slightly undulating. Soft hands gently dance on both sides of shoulders, in front or behind, and feet move counterclockwise when dancing.

At the same time, a group of young people danced rhythmically around the circle. Sometimes they are scattered in front of girls, singing to girls softly, and sometimes they get together to let tigers jump. Repeat this cycle and express happiness in your heart.