Ancient poems about incense burners

1. What are the sentences describing ancient incense burners? 1. Even if there were more lamps later, it was not as good as the first one, which made us unforgettable for a long time. Sitting at the end of the corridor, even if the sun and the moon are cold and the mountains and rivers are exhausted, the dim light of the incense burner still burns warmly at the starting point of memory, in any visible and unknown corner. -Lin Qingxuan

2. Even if the sun and the moon are cold and the mountains are covered with vegetation, the dim light of the incense burner is still burning warmly at the beginning of memory in any corner that is visible and unknown. -Lin Qingxuan

3. The three-legged golden beast incense burner emits light smoke, like a trembling heartstring. Lilian Lee

4, Rizhao incense burner gives birth to purple smoke, overlooking Qianchuan hanging waterfall. -"Looking at Lushan Waterfall" Li Bai

5. Return to the cliff within sight of the mighty tripod. -"Lushan Song, Yushi Lu Xuzhou" Li Bai

A silver stream is hanging down to three stone bridges. Xianglufeng Waterfall is separated from it by a distance, and it is a heavy cliff towering into the sky. -"Lushan Song, Yushi Lu Xuzhou" Li Bai

7, water, copper pot incense burner, night cream like snow. -"Man Jiang Hong Yue Hong on Xi Zhuang" Chao Bu Zhi

8. There are many grasses beside Pipa Pavilion. Incense burner peak smiles. -Xin Qiji's "Yulouchun"

9. Have the candles in Shi Jia been cut and the incense burner smoked? -"Peony" Li Shangyin

10, depending on the incense burner waterfall, the chaos in Feng Dan, and the color of the river. As it is, it is raining at dusk in Xiaoxiang, and a boat is painted on the picture. -"Man Fang Ting Country Love" Chao Bu Zhi

2. The poem describing the incense burner is1; The incense burner in the sunshine produces purple smoke; Tang Li Bai's "Looking at Lushan Waterfall" 2; Dading is in sight. Tang Li Bai's "Lushan Song Yushilu Xuzhou" 3: The pot blows incense burner smoke; Tang Bai Juyi's Answer to Tung Flower 4; Tang Bai Juyi's "Building a new thatched cottage under the censer peak" 5; Dance fragrant. "

] 8. Qiao Feng Buddha incense burner Tang Bai Juyi's "Fifty Rhymes of Jianyang Mingdong Sky" Spring and Flavor 9. Xideng Incense Burner Tang Li Bai's Wanglushan Waterfall 1No. 10, Forbidden Willow Hanging Incense Burner Tang's Mister 1 1, Six o'clock every day. E-key brush editing.

3. What poems describe incense burners? 1. Chronology of Incense Burners: Song Author: Small censers cast by Meitie with flat walls.

Musk deer burns sunflower leaves, while animals bite bamboo roots. There is nothing in the leisure hall except a few sets of books.

Ashes in the middle and orchids in the end. 2, "Liu Yongzhou painting Boshan incense burner poem" Time: Southern and Northern Dynasties Author: Fan Jincheng can be a good worker.

Fang Ning first cast Shoushan copper from Zhu Liao. Zi Xuan believed in rocks, which were strange and exquisite.

The mountains refuse, and the rocks are inexhaustible. Red pine swims on it, and its feet are light and magnificent.

Tangyuan is under the plate, looking at the dome. There are many strange trees on the edge of the ridge, either lonely or complicated.

There is a girl among the rocks, hanging like the wind. Fei Yi, if not already, look at Yu Xiong.

Climb obstacles and lead the silk tree around. The white river vomited at night, and the smoke was everywhere.

If he worships vitality, he will touch the stone and surround Song Hua. 3, "Ancient Incense Burner with Different Topics" Time: Song Author: Li Zhi is floating and abandoning, and his shape is good and ancient.

Pottery is different from gravel, and its fragrance is close to God. Cold and warm is not a constant virtue, but there are ups and downs.

I don't want to delay what suits Shaz. 4, "The ancient tripod is a censer" Year: Song Author: Fan Chengda ancient seals haunt, and descendants will always serve.

What's the trouble? Now I live in a pipe and burn incense. 5, "Send Bamboo Incense Burner" Year: Song Author: Su Shi gaunt only ears, withered hair only beard.

The big festival in life is the bottom, and today I am discouraged to see the canal.

4. What are the famous ancient incense burners and related historical stories? Brief Introduction of Ancient Incense Burners: Brief Introduction of Ancient Incense Burners in China Among the ancient artifacts in China, the most widely used incense burners are quite different and have different shapes.

In the eyes of ordinary people, incense burner seems to be a kind of incense burner, so when it comes to the style of incense burner, most people always think of the binaural furnace of Ge kiln or Longquan kiln in Song Dynasty, and then the bronze Xuande furnace and its imitation in Ming Dynasty. In fact, the types and uses of incense burners go far beyond this, and their historical origins are at least two thousand years.

Most of the incense burners written by predecessors are just words and things. In recent years, there are people who specialize in incense burners. First, there are beautiful articles about incense burners and aromatherapy in Yang Zhi-shui's New Proof of Ancient Poems and Famous Things. Firstly, it is a collection of "adding fragrance", "smoking cage" and "fragrant beast sachet" in Meng Hui's Sixteen Sounds in the Flower Room.

Coincidentally, both authors are women. With the delicate insight and thinking power unique to women, they told stories about incense burners, aromatherapy and other objects in the past dynasties and their functions and interests in life. The former pays attention to the textual research of famous things, while the latter looks for incense and incense burning benefits from the notes of poems of past dynasties. Boshan furnace was popular in the court and aristocratic life of Han Dynasty.

The golden boshan furnace unearthed from the tomb of Liu Sheng, the king of Zhongshan in Mancheng, Hebei Province, has reached an extremely exquisite level in both shape and technology, and has been in use until the Sui Dynasty and the early Tang Dynasty. The so-called "Boshan" does not mean that the furnace comes from Boshan, but refers to the stacked mountain decoration carved on the surface of the utensils.

According to Miscellanies of A Tale of Two Cities, Chang 'an skillful craftsman can make Boshan furnace slowly, carve exotic birds and animals, and decorate the surface of incense burner. The complexity of Boshan furnace technology far exceeds that of the three-legged or five-legged incense burner that appeared later. From the poems chanting Boshan Furnace in the Six Dynasties, it can be seen that the overlapping features of Boshan Mountain include not only "hiding thousands of trees and haunting Chung Shan Man", but also the modeling of "carving a dragon from below, and riding a crane with purple smoke from above".

The appearance of Boshan furnace in the Western Han Dynasty is probably related to the raw materials and ways of burning incense. Maoxiang was used before the Western Han Dynasty, and incense or wormwood was directly lit in a bean incense burner. Although the fragrance is rich, the smell of fireworks is very strong.

During the Liang Wudi period, Borneolum Syntheticum and Styrax from the South China Sea were introduced to China. The spices were made into fragrant balls or sweet cakes, and charcoal fire was placed under them. These resin spices are slowly ignited under the high temperature of charcoal fire, with rich fragrance and little fireworks smell, so Boshan furnaces with different shapes and wonderful workmanship appear. Although Boshan furnace covers are more beautiful, they are all engraved with pores, and the aroma rises from the engraved holes.

Boshan furnace has metal, pottery and later white porcelain, but the structure is generally similar, all of which are incense utensils with charcoal fire. In addition to the Boshan incense burner, celadon or white porcelain three-legged and five-legged stoves appeared in the Wei, Jin, Southern and Northern Dynasties, and folk porcelain with ears was also common in unearthed cultural relics.

The furnace ear is quite practical. In order to facilitate carrying and moving, its decorative function and practical effect have reached a perfect combination. In addition, there are incense shovels, incense sticks, incense sticks and incense boxes attached to the incense burner, which are all used to add incense and burn incense.

Among the silverware unearthed in Famen Temple in the Tang Dynasty, there are also many incense burners and treasure boxes, and the exquisite craftsmanship can be described as the pinnacle. Whether it is the furnace body or the furnace cover, whether it is carved, carved or inlaid, there are even double-layer incense burners supported by silver-plated gold plates, or incense burners with treasures attached to the furnace body, mostly in the form of lotus petals, and the top of the furnace cover is decorated with lotus buds for placement around.

As the name implies, what smells animals is all kinds of animal-shaped incense burners. Burning incense to taste is the original purpose of incense, but the ancients paid attention to viewing, so incense burners can be made of metal or ceramics into various animal shapes, so that incense can burn in the abdomen of birds and animals, and cigarettes can be ejected from the mouths of birds and animals, which is full of fun.

The shapes of birds and animals are mostly Kirin, lion, lion, duck and crane, but the principle of Ruo roasting spices is the same. The "golden beast" in Li Qingzhao's most familiar poem "Drunk Flowers" is actually a fragrant beast, so some versions of Yi 'an Ci also use "gold" as the "fragrance" and "Renault" as the spice.

Until the Song Dynasty, in addition to Boshan incense burner and all kinds of incense beasts still in use, Gao Zubei incense burner, Kailian incense burner and hollow cover incense burner were widely used in life, and their shapes were relatively small, which was convenient for indoor installation and was more favored by literati. Due to the unprecedented prosperity of porcelain-making technology in Song Dynasty, incense burner firing has made great progress. Its shape is similar to that of Ding, Gui, Wei and Lian, and it is elegant and solemn, and the porcelain is round. All famous kilns have different styles of products.

Before the appearance of linear incense, the basic way of burning incense in ancient times was not to light perfume directly, but to obtain its aroma by baking with charcoal fire. There are often mica flakes between fire and spices, which makes the spices "fragrant but not burnt", which is completely different from the incense burner with one wick or three wicks of incense in our impression.

The appearance of incense sticks was about after the Ming Dynasty, so we only saw incense sticks with different images in ancient paintings, tomb murals, Dunhuang murals and Buddhist scriptures prints, but did not see incense sticks inserted on the stove. "Reading tea at night with fragrance" has always been a dream of scholars, and this kind of "fragrance" is not just as simple as lighting a fragrant head, but a complicated process of slowly baking all kinds of sweet cake, fragrant balls and fragrant pills on a charcoal fire, and constantly adding spices to make the fragrance gradually rise, otherwise it will be boring.

During the Xuande period of the Ming Dynasty, bronze alloy was used to imitate the incense burner of the Song Dynasty, which was called Xuande Furnace. In fact, it is a temporary trend to imitate the Yi, Wei, bowls, cans and other utensils in the Song Dynasty and cast copper furnaces with simple and smooth lines. From the Xuande period to the Republic of China, there were countless imitations of Xuande furnace. Although there are advantages and disadvantages, they are all fakes.

There are many kinds of incense burners in Qing Dynasty. Apart from antique shapes, there are also many kinds of materials, such as porcelain, copper, jade, French enamel, cloisonne or cloisonne, but most of them are ornamental objects and have little use value. The most interesting thing about incense burner is that it is a printing incense burner, also called incense seal. Although it is an incense burner, it has the name of a furnace without the shape of a furnace.

Its styles are mostly stacked incense boxes, or square, oblate, petal-shaped, wishful and so on. It was originally a tool for chanting and timing in the temple, so the incense seal can be returned.

5. What are the names of ancient incense burners? A censer is an instrument for burning incense.

Made of various forms of ceramics or metals. It can also be used for many purposes, such as smoking clothes, furniture, or offering worship to Buddha.

Incense burner can also refer to Lushan censer peak. Incense burner culture in China The history of incense burner culture in China can be traced back to Ding in Shang and Zhou Dynasties.

The bronze ding in ancient China was used for cooking meat, offering sacrifices and other purposes. The ancestors prayed to heaven with all their resources to let the ancestors of the gods bless their tribes and countries, but this is still different from the incense burner that people see today. The author's collection of more than 200 ancient ceramic incense burners shows the development track of sacrificial culture.

Look at Lushan Waterfall, written by Li Bai, a great poet in the Tang Dynasty, which has been passed down through the ages. The work describes the incense burner peak on Lushan Mountain, reflecting the first day of the lunar calendar, with purple smoke around, waterfalls hanging high and rushing endlessly, showing the weather in the prosperous Tang Dynasty and people's preference for incense burners. In people's living habits, it is considered that the biggest function of incense burner is to worship Buddha or ancestor.

In fact, incense burners are also the favorite things of literati. If you put it on the desk in the hall or study, it will smell fragrant when reading, and there is a wonderful artistic conception of "reading black tea at night". Spiritual incense burner endows people with more spiritual life. It transcends simple visits and pursues and appreciates profound history and culture.

After Indian Buddhism was introduced into China, it had a relationship with the local culture, gradually changed its appearance and merged into the traditional culture of China. Confucianism, Buddhism and Taoism constituted the mainstream of China culture. During the Wei and Jin Dynasties, people interpreted Buddhism with Laozi and Zhuangzi. After the Eastern Jin Dynasty, Buddhism and metaphysics tended to merge, which was deeply appreciated by literati.

Until the Southern and Northern Dynasties, the independent status of Buddhism, together with its deep-rooted spiritual and cultural influence, was in full swing, especially when Dharma, the founder of Zen Buddhism, came to China, and Zen Buddhism in China began. It has become a common practice to build buddhas and temples everywhere, and incense burners are widely used as sacrificial vessels.

Du Mu's poem said, "There are 480 halls in the southern dynasties, with many towers and misty rain." When the incense burner originated is still inconclusive. Hu's Analysis of the Ancient Zhong Ding Yi-wares: "There was no incense burner because there were gods in ancient times, and they didn't burn incense.

Today's so-called incense burners are all based on the sacrificial vessels of ancient ancestral temples. Jue Lu is an ancient Jue, Lu Lu is an ancient full bean, and Xiangwan is an ancient glutinous rice. They are different, or they are newly cast and look like ancient ones.

But the Boshan furnace was used in the womb of Hantai, and the incense burner system began here. "The Yue Kiln in the Eastern Han Dynasty was brown and glazed, vivid, simple and natural, and did not need a tray.

This fragrance consists of an upper part and a lower part, which can be opened freely. The upper part consists of three layers of lotus petals in bud. Each row of lotus flowers has eleven petals, which are abstracted into triangles. Each petal is engraved with stems of different sizes, which is very clear. The top of the cover is decorated with a beautiful bird, slim and graceful, overlooking the distance, and below it is a cylindrical hollow pillar.

The green glaze furnace of Yue kiln in Jin Dynasty is very close to the traditional incense burner, and it is also a tripartite confrontation. But it has an elegant handle with a rotator on it, which is exquisite in workmanship and makes people have infinite reverie. The incense burner of Hongzhou kiln in the Southern and Northern Dynasties, with blue-yellow glaze and five feet, stood firmly on the plate and was intact.

When it comes to the prosperous Tang Dynasty, it will naturally be associated with the well-known tri-colored Tang Dynasty. Tri-colored incense burners in the Tang Dynasty are rare. Exposed tire powder, yellow, green and brown, the glaze naturally flows down, which looks calm and energetic.

It suddenly occurred to me that when a nation enters a stage of high maturity and vitality, it is urgent to find a way to express, rest, vent and publicize its high and even exciting spirit and emotions. Tri-colored Tang Dynasty just embodies the courage of the Tang Dynasty. Emperor Zhao, who was born in the Song Dynasty, has a high cultural accomplishment, likes retro and attaches importance to old ritual vessels.

Three-legged tripod incense burner is the product of retro in Northern Song Dynasty. Due to the large number of bronzes, jades and pottery unearthed in the pre-Qin period, in the seventh year of Yuan You (A.D. 1092), Lu Dalin, a full-time keeper of palace cultural relics, compiled the Archaeological Map, collecting 2 10 bronzes and 3 jade 13 pieces. From then on, the identification of cultural relics was combined with academic research, which was not available before the Song Dynasty, which opened the precedent for the study of cultural relics in later generations and laid the foundation for porcelain to imitate pre-Qin ritual vessels in an all-round way.

Incense burners appeared in the imperial court of the Song Dynasty, and some small incense burners became playthings of literati, which had high artistic appreciation value and were imitated by later generations. The incense burner of Yaozhou Kiln in Song Dynasty was developed under the influence of Yue Kiln, with wide lips and green and natural glaze color, and it has the reputation of "being as clever as gold and more refined than jade".

The Meiqing incense burner in Longquan study in the Southern Song Dynasty is exquisite and elegant, with three columns and three lines, three lines on the furnace body and a brown bottom. The incense burners in the Yuan Dynasty did not escape the fashion in the Song Dynasty. There are many kinds of incense burners, mainly small and medium-sized incense burners.

Hutian Kiln Blue and White Glazed Ear Tripod Incense Burner. The burner has a straight neck, a flat abdomen and a plump abdomen. A pair of rectangular vertical ears are attached to both sides of the shoulders. The foot has an obvious embossed animal face, and the whole body is painted with blue and white glaze. The tire is hard and greasy, and the glaze color is moist and opaque. Most of the incense burners in the Ming Dynasty were blue-and-white porcelain, and colored porcelain also appeared in the blue-and-white incense burners in the Jiajing period of the Ming Dynasty. Emperor Xuande himself is a talented artist who is very sensitive to color, and colorful porcelain has been developed unprecedentedly.

Three-legged incense burner for colorful figures in Wanli period of Ming Dynasty: The production of colorful products reached its peak in Wanli period, which was characterized by thick carcass and milky white glaze. The decorative effect of the three opening patterns is excellent. The color of the old man's coat is dark red, light yellow and grass green, which looks calm and elegant, or immersed in reading, or bent down to meditate, or sitting at his desk.

There is a "Daming Wanli system" around the neck. After the rulers of the Qing Dynasty entered the Central Plains, they ruled the world with "filial piety", and the ritual atmosphere prevailed during the Kangxi period, and the Qianlong period became an unprecedented period of social development and prosperity.

A generation of famous teachers and skilled craftsmen in Jingdezhen pushed porcelain production to the peak of history with their intelligence. Qinggan Longdou green glaze two-ear three-legged furnace, with delicate porcelain, thick glaze color, full internal and external glaze color, smooth and even, plump as jade, natural connection of ears, elegance without losing elegance.

There is "Qing Gan Long Nian system" green glaze at the bottom. Ancient literati listed burning incense, making tea, arranging flowers and hanging pictures as four arts, which became their important life contents.

We put a kind of incense in the incense burner used by our ancestors, and naturally we will think of how many ancestors burned incense and prayed in front of this incense burner, which brought comfort to people's hearts. The explanation of incense burner is the most familiar to China people. Not really.

6. Rizhao incense burner produces purple smoke. Similar poems look at Lushan Waterfall.

Tang Libai

Rizhao incense burner produces purple smoke,

Looking at the waterfall hanging in front of Sichuan.

Flying down from 3,000 feet,

It's been nine days since I suspected that the Milky Way had set.

Explanation of remarks:

Lushan Mountain: Located in the south of Jiujiang City, Jiangxi Province, it is one of the famous mountains in China.

Incense burner: refers to the incense burner peak of Lushan Mountain.

Purple smoke: refers to clouds and water vapor that appear purple after being irradiated by sunlight.

Galaxy: Also known as Tianhe. The ancients called it a banded cluster of galaxies.

Nine days: nine days, describing the sky as extremely high.

Modern translation of ancient poems;

The incense burner peak under the sun produces purple smoke. From a distance, the waterfall hangs in front of the mountain like a white horse. The water poured down from a height of 3,000 feet, as if the bright Milky Way water had fallen from nine days.