Traditional Culture Encyclopedia - Traditional stories - What about Qu Yuan's place in history? In addition to leaving us a Dragon Boat Festival?

What about Qu Yuan's place in history? In addition to leaving us a Dragon Boat Festival?

Qu Yuan is the first great patriotic poet in Chinese history, the founder of Chinese Romantic literature, the founder and representative writer of "Chu Rhetoric", opened up the tradition of "Vanilla Beauty", known as the "ancestor of rhetoric", "the ancestor of Chinese poetry". The founder and representative writer of "Chu Rhetoric", he opened up the tradition of "Herb and Beauty", and was regarded as the "Ancestor of Rhetoric" and "Ancestor of Chinese Poetry". The emergence of Qu Yuan's works marked the beginning of a new era in Chinese poetry, from collective singing to individual creativity.

His major works include Li Sao, Nine Songs, Nine Chapters, and Heavenly Questions. The Chushu, which is based on Qu Yuan's works, is one of the sources of Chinese Romantic literature, and together with the Poetry Scriptures, it is called "Fengshou," which has had a profound influence on later generations of poetry.

In 1953, on the occasion of the 2,230th anniversary of Qu Yuan's death, the World Peace Council adopted a resolution identifying Qu Yuan as one of the world's four great cultural figures to be honored that year.

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Qu Yuan had a sobering understanding of the finiteness of life. The word "fear" is used many times to express the urgency of time, such as "the sun and the moon are not submerged, the spring and the autumn of its order", "but the grass and trees are falling, fear of the beauty of the late twilight". Years in a hurry, Qu Yuan eager to build a career as soon as possible, which is not only a kind of self-motivation and incentive, but also a kind of responsibility and commitment.

"Bubbling Yu will be less than Ruoxi, fear of the years of my with" "the old Ran Ran will come to Ruoxi, fear of repairing the name of the unestablished", Wang Yi said: "I think the life of the year bubbling away, sincere desire to assist the king, the heart of the draw, often as less than.

This is the first time that I have seen this.

And I am afraid that the years will pass by, and I will not be able to treat them with me, but I will be old and senile." In Li Sao, the word "and" is also used in many sentences, such as "and the age of the year is not yet calm Ruoxi, the time is also like its not yet centralized" and "and the remaining decoration of the square strong Ruoxi, circumference flow观乎上下", to express the grasp of time to actively forge ahead. The mindset of the

Qu Yuan often used the phrase "morning" and "evening" to express the mentality of "no time to lose". Li Sao" says, "The morning breeds in Cangwu, and the evening is to the county garden", "The morning breeds in Tianjin, and the evening is to the west pole", "Xiang Jun" says, "The morning gallops to Jianggao, and the evening represses the festival to the north islet", "Lady Xiang" says, "The morning gallops to Jianggao, and the evening represses the festival to the north islet", and "Lady Xiang" says, "The morning is to Jianggao, and the evening represses the festival to the north islet". The "Lady Xiang" says, "Ride your horse towards Jianggao, and then go to the west shore".

"Shibu Jiang" says, "The poet's wish is to be sent in vain islet, and to stay in Cinyang at night. The poet hopes to take advantage of his youth to assist the king to embark on the right path, between the lines of the words exudes a burning sense of life anxiety. The dimness of real politics made Qu Yuan look back to the past. The Li Sao says: "Riding on a piebald steed to gallop, I come to my path to precede it!" "Suddenly running to successive Ruoxi, and the former king's heel Wu."

Qu Yuan's concern for the passage of time is also reflected in his descriptions of the beauty of the seasons, such as "Huai Sha," which says, "Monstrous Meng Xia Ruoxi, the grass and trees are reckless. Hurt feelings of eternal sadness, Feedback Southland." The summer is lush and vigorous, but the description of the torrential flow of water indicates that the poet feels more y the time is gone, as well as the misery of being relegated to exile.

The "Shao Shi Ming" says: "Autumn orchids are barren, and Luo Sheng is under the hall. The green leaves and vegetative branches of the orchid are so fragrant that they attack you. Lady has her own Ruoxi beautiful son, Sun why Ruoxi sad?" The autumn in Qu Yuan's writing, although the grass is luxuriant, fragrant, but lingering melancholy, aesthetics contains a hint of coolness.

People's Daily Online - The Time of Qu Yuan