What are the factors that form the differences between Chinese and western paintings?

On the Differences between Chinese and Western Traditional Paintings

Chinese and foreign traditional arts are rich and colorful, and with the differences of times, regions and humanities, artistic languages have emerged.

The artistic connotation is different. At present, the two fields that fascinate me most are Chinese and western traditional painting.

Because my junior college major is "Practical Art Design". So I studied and got in touch with many western arts, such as.

Such as: sketch, sketch, gouache, watercolor, oil painting, printmaking and other performance techniques, as well as the theory of Chinese and Western art history. It is also suitable for all kinds of

This unique artistic expression is particularly popular. Among many western traditional works, one gives me a special voice, and

And from a certain point of view, let me have a more specific and profound impression on western traditional painting. That's Miller of 185.

Gleaner, an oil painting completed in 7 years.

Such as online comments: In this painting, Miller depicts three people bending down in the harvested wheat field with a horizontal composition.

The image of rural women who have picked up the ears of wheat, wearing coarse clothes and heavy old shoes, is endless wheat fields, the sky and

The upcoming delivery scene. Miller did not describe their faces positively, nor did he beautify them at all. They are like farmers in reality.

Work silently. In modeling, Miller makes the image three-dimensional and powerful, and the outline is obvious, which shows the unique spirit of farmers well.

Quality. The calm colors, coupled with rich and delicate warm tones, make the works have shocking power in simplicity and richness. Romain rolland once commented.

Comment: "The three peasant women in Miller's painting are three French goddesses". Personally, I hold the same attitude towards this view.

Like many western paintings, it also has a strong realistic style, and each part shows the details of the author's life.

To observe. The wrinkles on women's bodies and the depiction of hands show Miller's familiarity with human anatomy. Through these parts

Emphasis and highly realistic description show the tension that makes the work more impactful. Another important representative of western painting art

Artistic language is the use of "light and shadow". Because western art attaches importance to "sketch", it is proposed that "sketch is the basis of all plastic arts.

Foundation ". Therefore, the use of light and shadow through sketch relationship is the most important artistic expression method to express texture. With the right shade

In contrast, make the object of expression more vital. But western art emphasizes trade-offs, so in addition to the main object-the bodies of three women.

Except for the description of movements and hands, other scenes are listed as scenes by the author, but they are subtly blurred. This process presents the main

The title completely and vividly reproduces the artistic image.

And I have a unique understanding of its artistic significance. On the threshing floor, people took the rice, but it was full.

The stubble of the earth is contemptuous, but for the workers who work at sunrise and rest at sunset, it is the fruit of hard work, and they will not pick it because of it.

Pick up trouble and waste. That's why it was actually recorded by Miller.

In reality, what people usually pay the least attention to is the real essence. It is because of the fun of this job.

Love, I also named my study "Caier Pavilion".

On the other hand, China traditional painting shows another beautiful color. Because tradition is influenced by Confucianism, Buddhism and Taoism. China

Culture is particularly implicit, paying special attention to artistic conception. People in China like to express their feelings with things, and direct things prefer indirect expression.

Da, so it feels different.

If western traditional painting is summarized by "light and shadow" and "block surface", then China traditional painting focuses on the expression of "water"

There is an old saying between ink and line: "Ink is colorful". It seems to be different from the western tradition to express the texture of matter through the shade of ink color.

The sketch modeling of painting has the same effect. What is the difference? The key is to use water. Because water is in contact with rice paper,

The halo effect, but the watercolor painting in western painting, the same water, also has halo, so where is the difference?

After combing the clues, the most essential difference is actually the western "realism" and China's "freehand brushwork".

By simply analyzing the representative work Shrimp by Qi Baishi, a master of Chinese painting, we can get a glimpse of the most traditional Chinese and western arts.

Qualitative difference.

"Shrimp" is a typical example of traditional ink and wash literati painting in China. Qi Baishi's shrimp painting can be said to be a must in painting, and there are also articles on the Internet.

Discussion: "Smart, lively, lifelike, full of charm, throwing a pen with light ink, drawing a shape, infiltrating colors, and making the shrimp crystal clear."

The feeling. Take the vertical point of rough ink as the eye, write horizontally as the brain, drop ink into gold, and use a pen to convey the spirit. Fine pen writes whiskers, claws, big claws, rigidity and softness.

The vivid practice shows the artist's exquisite calligraphy skills. The painter's description of shrimp comes from life, but it goes beyond life, and it is more important to boldly summarize and simplify.

Vivid pen. "I personally agree with this evaluation. From this painting, we can see the essence of China's traditional painting, which is different from the West.

The difference between the two sides.

Chinese painting emphasizes lines and ink color, and shrimp has a strong sense of lines. Shrimp feet and whiskers are complex, miscellaneous but not messy.

The combination of light and shade shows the distance between each shrimp. Each shrimp's feet and whiskers are made in one stroke, thick and light.

But also enriches the variety and increases the dynamics of shrimp. Shrimp's body is divided into several levels by ink color, which has a sense of distance and rhythm.

The ink color change of shrimp head brain is the visual center of the whole work, and its penetrating power is particularly strong. The most mysterious thing is that the whole work does not

There are painting water, blisters, splashing water, aquatic plants and so on. Instead, the shrimps are mixed in clear water through the change of ink color and line thickness of the shrimps themselves.

Surrounded by others, the agile rhythm of frolicking, lightness and softness, and the feeling of drifting with the flow are in place. The transparency and structure of shrimp itself

All this is attributed to the careful observation and understanding of life by the old man Baishi.

But at first glance, only a few shrimps painted by the old man Baishi seem to be very casual. Look at each one, it's much worse than the original one, but

This is the characteristic of Chinese painting, which is expressed between similarity and dissimilarity, and focuses on the most representative central part of the object characteristics, while

Generally, even the part with other things is rejected. Even disappeared without a trace. This is also different from western art.

Point, the choice of the west is vague, and the choice of China's traditional painting is even cancelled, so the composition, although not really true.

Reflect the objective object, but enlarge the personality characteristics, and even exaggerate. The feature of China's traditional painting "freehand brushwork" is reflected here.

This paper introduces one of the differences between "realism" and western traditional painting.

The biggest purpose of "freehand brushwork" is not objective things, but the author's personal feelings and personal endowment outside things.

The "realm freehand brushwork" in the connotation of the work-artistic conception. This is the fundamental difference between Chinese and western traditional painting.

The author tries to express his inner thoughts by describing things and embodying the freedom and agility of shrimp. The artistic image he created is wrong.

Shrimp is neither river shrimp nor sea shrimp. But it doesn't matter what shrimp it is. An important perspective of shrimp life reproduces the old white stone.

People's life in their later years is a portrayal of all literati who are not smooth, prosperous and lofty, which can arouse the audience's * * *. This is the west

A level that art cannot embody.

Composition is the difference between Chinese and western traditional painting. Like the pickup mentioned above, it is a horizontal triangle composition, which is both stable and stable.

Both. However, the composition of "shrimp" is vertical. All shrimps are headed in the same direction, but their spirits are different. The top is light and the bottom is heavy, and the top is up and down.

Secret. Show invisible water and invisible movement. The artistic image consciously produced by the audience is both concrete and imaginative. Biography of China

Traditional painting emphasizes blank space, and there are many blank spaces in shrimp. The imagination space left by this artistic language is immeasurable.

Yes, as the saying goes, "The stage is as big as the heart."

In a word, in my humble opinion on the whole leopard, I chatted with two Chinese and foreign works that I like very much, gleaning and shrimp.

The comparison of western traditional painting can be summarized by idioms: western traditional painting is "lifelike", while China is traditional.

What painting shows is "lifelike".