"The Wind Rises in Luoyang" has two levels of reputation. Will the exquisite costumes be a blessing to costume dramas?

The reputation of "The Wind Rises in Luoyang" for Fuhua Road has changed from positive to polarized. This is a process of dynamic interaction between the presentation of Fuhua Road, the drama's promotion and audience's reputation as the series is broadcast.

The show's improper marketing and public relations, as well as fans' criticism, aroused the audience's rebellious psychology. The service path, which was originally considered exquisite and had extra points, became the focus of criticism.

In recent years, Fuhua Road has gradually become the focus of costume dramas and an important criterion for judging their excellence.

The improvement in the requirements for the level of costumes in costume TV dramas is a reflection of the audience’s enhanced aesthetic needs and aesthetic abilities.

It is more than exquisite, but it is still far from the heavily promoted "restoration". As advertised, the crew of "The Wind Rises in Luoyang" set up a set of 40,000 square meters, restored more than 100 scenes, prepared more than 5,000 sets of costumes, and more than 15,000 sets of props.

The attention and investment are sufficient. The idea of ??deeply linking local scenic spots and exploring new models of cultural tourism deserves recognition and encouragement, and the final effect deserves exquisite and magnificent evaluation.

When watching the drama, the audience is attracted by the exquisite scenery, which has touching points but also cognitive blind spots or awkward spots.

When you delve deeper into relevant knowledge, you will see different voices from all parties.

After receiving information from many sources, the audience's conclusion is probably that the crew did some research, but it was not completely rigorous. Some problems were serious and difficult to avoid, which affected the overall level and atmosphere of Fu Hua Dao.

Such as low-level knowledge errors.

As a famous Chinese banquet, the Luoyang water banquet was originally meant to represent the dishes being served up and down like water or the noodles being served in a flowing manner. However, the way it is presented in the play is a meandering water banquet with the word "water" in its name, but with a completely different content.

For example, the clothing is restored to imitate its appearance but lacks charm.

The shapes of most of the costumes are acceptable, and the women's crotch tucked into the skirt, single-knife half-updos, etc. are also similar to the murals of the Wuzhou period.

However, the volume factor, which is an important source of beauty in traditional clothing silhouettes, is obviously cramped. The fabric material, pattern and color selection also show insufficient texture. The protagonist's clothing design is completely difficult to classify as traditional clothing, resulting in the overall communication effect of the clothing.

There is still a gap with the historical restoration style.

For example, important props are suspected of plagiarism.

Liu Ran’s wedding fan was found to have been plagiarized from the original work of Weibo @佳RANJiaran.

After triggering a wave of condemnation, the official Weibo of "The Wind Rises in Luoyang" made no comment, while the producer, Liubai Film and Television, issued an apology statement on its Weibo.

For example, the focus of debate is whether the architecture in "The Wind Rises in Luoyang" has the problem of "replacing the Tang Dynasty with the Japanese", and whether there are many inappropriate appropriations of obvious Japanese architectural elements.

In general, the performance of "The Wind Rises in Luoyang" is exquisite, but it fails to break the benchmark set by "Chang'an 12 Hours", and there are also various disputes over the lack of rigor in the restoration.

The plot and rhythm of "The Wind Rises in Luoyang" has also been criticized.

For example, "Qing Ping Le", which balances restoration and aesthetics, was hampered by a loose plot narrative, and the evaluation it received can be summarized as: This story is well told... What a pity for such a good service.

And what is the feeling of most passers-by who really do not participate in the melee and are not affected by their emotions and positions?

On the premise that there are no dramas and maybe extra points, the basic core of evaluating a drama is whether the script narrative, shooting, editing, and actor performance present a good and fascinating story.