The books that college students must read

The Department of Higher Education of the Ministry of Education has designated 100 books as compulsory reading for university students

The Department of Higher Education of the Ministry of Education has designated 100 books as compulsory reading for university students, which are representative of ancient and modern Chinese and foreign literary works, reflecting the academic styles and achievements of different periods, and have a strong classical and academic character. The books are all representative of literary works from ancient and modern China and foreign countries.

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1. The Problem of Language by Zhao Yuanren, The Commercial Press, 1980 Edition

The Problem of Language is a record of lectures delivered by Prof. Zhao Yuanren, who is regarded as the "Father of Chinese Linguistics" by Fusnian, the former director of the Institute of Historical and Linguistic Research of Academia Sinica, at the Chinese Department of the Faculty of Letters, National Taiwan University. The book is one of the author's major works, with sixteen lectures that systematically cover the basic issues of linguistics and those related to linguistics. This book has become a classic of modern linguistics.

2. Language and Culture by Luo Changpei, Language Publishing House, 1989 edition

This book is a small book written by a pioneering language master, Mr. Luo Changpei, exploring the relationship between language and culture, and is regarded as the pioneering work of Chinese cultural linguistics. "The work of linguistics, how it can be compatible with the cause of nation-building, depends on the continued efforts and cooperation of those who recognize the task clearly. The organization of the Chinese language, its structure, categories, what is the relationship between the Chinese people's thinking, how we should use the tools of language to improve Chinese culture, and how the tools themselves should be modified, these questions are extremely difficult to answer ......".

3. Problems of Analyzing Chinese Grammar by Lu Shuxiang, The Commercial Press, 1979 Edition

Problems of Analyzing Chinese Grammar is an important theoretical work in the history of grammatical research in China. It not only comprehensively reviews the history and current situation of Chinese grammar research, but also profoundly analyzes a series of problems existing in the Chinese grammar system, and puts forward many original insights, thus pointing out the direction and opening up the way for the research of Chinese grammar in the midst of confusion. It is in this sense that Mr. Zhu Linqing called it "an extremely important grammatical theoretical work in the history of the study of Chinese grammar in China that carries forward the past and opens up the future".

4. Rhetoric Fafan by Chen Wangdao, Shanghai Education Publishing House, 1979 edition

Rhetoric Fafan is a book that systematically explains the various rhetorical methods and styles in the Chinese language, as well as the principles and principles of applying them, and points out the tendency of their development. In the explanation and illustration, abundant and appropriate examples in vernacular and literary language are cited. It will be useful for the systematic study of rhetoric, for reading comprehension, and for practicing writing.

5. Outline of Chinese Dialects by Yuan Jiahua et al, Word Reform Publishing House, 1983 Edition

This book introduces the historical development of Chinese dialectology, focusing on the historical background, phonological system, and lexical and grammatical features of the formation of the northern Chinese dialects, Wu, Xiang, Gan, Hakka, Cantonese, and Min dialects, which are detailed and analyzed, with examples in three aspects, namely, phonology, vocabulary and grammar, vocabulary and grammar, and gives examples to illustrate the affinities and affinities of modern Chinese dialects.

6. Ma Jianzhong, by Ma Jianzhong, The Commercial Press, 1983 edition

With his proficiency in Latin, French, and ancient Chinese, Ma Jianzhong used Western grammar as a model for the study of the Chinese language and pioneered Chinese grammar. He wrote the famous Ma's Wentong under the influence of Western linguistic grammar (grammars).

7. Chinese Phonology by Wang Li, China Bookstore, 1980 Edition

Chinese Phonology is a book of communication between the ancient and modern worlds, in-depth, from the introduction of modern Chinese phonetics, phonological system, starting, rifling step by step to the anticut rhyming book, the alphabet, etymological rhymes, the ancient sound of ancient phonetics knowledge, with the sound of consonants, rhyming, tones, and other modern linguistic theories and terminology, compared to the interpretation, and a large number of examples of characters and sounds. He also cites a large number of examples of character sounds to illustrate them. Under the pen of Mr. K. K., Chinese phonetics, which has always been regarded as difficult to understand and known as "the best of the best", has become simple, clear and easy to understand.

8. A Brief Treatise on Exegesis by Lu Zongda, Beijing Publishing House, 1980 Edition

In the era of half a century's rupture of traditional exegesis, Mr. Lu Zongda, a master of contemporary exegesis, was the first to come forward and call for its revival; A Brief Treatise on Exegesis, with its popular language and accurate explanation, seriously and easily brings the young generation, who have not come into contact with exegesis, into the hall of fame of this ancient and useful discipline. The book is a great source of information on the subject of exegesis.

9. History of Chinese Linguistics by Wang Li, Shanxi People's Publishing House, 1981 edition

China has a long history of studying the Chinese language, with many talented linguists and numerous literary works. This book discusses the evolution and change of Chinese linguistics in chapters with the development of society, studies the linguists and linguistic works of each historical period, and comments on the linguistic achievements of each historical period. The author uses a large amount of information and examples to illustrate the development of ancient linguistics in China, viewpoints, focus, detailed information, and words.

10. Chinese Characteristics by Tang Lan, Shanghai Ancient Books Publishing House, 1979 edition

The author of this book, Tang Lan, is a famous paleographer in China, who, according to many years of research insights, has made an in-depth exposition of the emergence of Chinese characters, their composition, evolution and their changes in this book, using popular language and rigorous system, and has formed his own theory and laid the foundation of the modern study of Chinese characters. He has laid the foundation for the study of modern Chinese characterology.

11. Selected Linguistic Essays of Chinese Dynasties, edited by Wu Wenqi and Zhang Shilu, Shanghai Education Press, 1986 edition.

This book is a nationally renowned linguist, Mr. Wu Wenqi and Mr. Zhang Shilu, selected and annotated papers on the linguistic research of Chinese dynasties, covering phonetics, exegesis, literature, and other aspects of the ancient Chinese language.

12. A Course in General Linguistics (Switzerland) by Saussure, translated by Gao Mingkai, annotated by Cen Qixiang and Ye Fusheng, The Commercial Press, 1982

In the thousands of years of history of Western civilization, if you want to pick up a hundred classics, Saussure's A Course in General Linguistics must be among them. For linguistics is something that every civilized person should be concerned with and understand, and it was this work that laid the foundations of modern language. This book has been around for nearly a hundred years and has been translated into all the major languages of the world, making it a must-read for university students. The translator's translation is rigorous and fluent, elegant and vivid, enabling us to get close to Saussure, the father of modern linguistics, to listen to his wise voice, and to feel the spirit and depth of his discourse.

13. Theory of Language by Gao Mingkai, The Commercial Press, 1995 Edition

Mr. Mingkai's Theory of Language was completed in the spring and summer of 1962, and was first published in October 1963, and is a representative and concluding treatise of his linguistic views, the last monograph he left to the future generations. It unites Mr. lifetime research on language and linguistics.

14. Selected Masterpieces of Western Linguistics, edited by Hu Mingyang, People's University of China Press, 1988 edition

Modern Chinese linguistics was developed under the influence of Western academic thought. Its sustained development cannot be separated from continuing to study and learn from all the useful theories and methods of other countries. This book brings together the essence of more than ten famous works on linguistics from Europe and the United States, makes up for the lack of Chinese translations of a number of important Western linguistic works, and writes short biographies and reviews of the works of relevant Western linguists.

15. Applied Linguistics, edited by Liu Yongquan and Qiao Yi, Shanghai Foreign Language Education Publishing House, 1991 edition

This book is divided into ten parts, with a systematic exposition of the basic contents of applied linguistics in a simple text and concise manner, including "language identification", The contents include "Language Identification", "Pronunciation, Transcription and Transliteration" and "Linguistic Information Processing". The book is comprehensive, easy to understand, and integrates science, knowledge, and practicality.

16. Marx and Engels on Literature and Art, Lu Meilin, People's Literature Publishing House, 1982 edition

The book is divided into two parts. The upper five series are the theory of literature and art, discussing the scientific worldview, the theory of artistic development, beauty, beauty and art, creation and criticism, literature, art and the proletariat; the lower seven series are the history of literature and art, discussing the primitive era of culture and art, ancient literature and art, medieval literature and poetry, etc. ......

17. Speech at the Yan'an Literary and Artistic Symposium by Mao Zedong, in Selected Works of Mao Zedong, Volume 3, People's Publishing House, 1991 edition

Speech at the Yan'an Literary and Artistic Symposium is a representative document of the Yan'an Rectification of the Chinese ****anese Proletarian Party in the early 1940s, written by Mao Zedong. After liberation, this essay was included in the third volume of the Selected Works of Mao Zedong.

18. Deng Xiaoping on Literature and Art, edited by the Literature and Art Bureau of the Propaganda Department of the Central Committee of the PRC, People's Literature Publishing House, 1989 edition

Deng Xiaoping on Literature and Art is a collection of excerpts of Deng Xiaoping's essays and remarks from 1975 to June 1989 on the issue of culture and art. It also contains a selection of Deng Xiaoping's important instructions on the overall conception of building socialism with Chinese characteristics, on the construction of the Four Harmonizations, on the estimation and analysis of social contradictions in the new period, on the adherence to the Four Basic Principles and the reform and opening-up, and on the opposition to erroneous tendencies, as well as as as complete as possible his discourses on the construction of spiritual civilization, the issue of the ideological front, and the issue of intellectuals.

19. Selected Essays on Chinese Literature of All Ages, edited by Guo Shaoyu, Shanghai Ancient Books Publishing House, 1979 edition

Volume 1: Selected and compiled representative essays on literature from the pre-Qin Dynasty to the Wei, Jin, and the Northern and Southern Dynasties, with explanations, notes, and appendices.

Volume 2: A selection of literary treatises from the Sui, Tang, Five Dynasties, Song, Jin, and Yuan eras, with descriptions, annotations, and appendices. Book III: This book selects important poetic and literary theories and theories on novels and dramas from the Ming and Qing dynasties. The fourth book: this book collects China's modern novels, poetry, drama and other aspects of literary theory **** forty groups, more comprehensively reflect the late Qing Dynasty to the eve of the May Fourth New Culture Movement of the history of China's literary theory of the development of change.

20. Selected Translations of Wenxin Diao Long by Liu Fo, Translated and Annotated by Zhou Zhenfu, 1980 Edition, Zhonghua Shuju Bureaus

The first book in the history of Chinese literary theory and criticism to have a rigorous system, "large in size and thorough in consideration" (Zhang Xuecheng, "Literature and History"), is the first book to be written by a Chinese writer, and it has been published in the Chinese language. The first monograph on literary theory in the history of Chinese literary criticism to have a rigorous system, "large in size and well thought out" (Zhang Xuecheng, "The General Meaning of Literature and History").

21. Poetics by Aristotle, translated by Luo Niansheng, People's Literature Publishing House, 1982 edition

Aristotle's Poetics has an important position in the history of aesthetics, and is known as the founding work of Western literature. Chernyshevsky called it "the first and most important treatise on aesthetics". Mr. Zhu Guangqian also listed it as one of the two most scientifically valuable and far-reaching books before Marxism (the other is Hegel's Aesthetics).

22. The History of Western Literary Theory: Essential Literature, edited by Zhang Anqi, People's University of China Publishing House, 1996 edition

This book, in accordance with the system of "The History of Western Literary Theory", is divided into ten parts: two parts for each part of the Ancient Times and the Middle Ages, one part for the seventeenth century, two parts for the eighteenth century, and three parts for the nineteenth century. This book selects the representative theses of important literary theorists in the history of Western literary theory from ancient Greece to the end of the 19th century, and tries to reflect the development of the history of Western literary theory and reflect the main views, basic ideas and research methods of famous Western literary writers.

23. Selected Masterpieces of Western Aesthetics in the 20th Century, edited by Jiang Kongyang, Fudan University Press, 1987 edition

The main focus is on Western Europe and the United States. The time limit is from the beginning of the twentieth century to the seventies. The introduction to the genre mainly includes: the emergence and formation of the genre, representative figures and representative works, the main features of the theory, influence and evolution, and the introduction to the characters includes: biography, main works and main points of view, status and influence.

24. The History of Western Aesthetics by Zhu Guangqian, People's Literature Publishing House, 1979 edition

A history of aesthetics is not a single pure aesthetic theory of history, but also the history of the human mind self-expression, or in those seemingly abstract theory, we feel is the pulse of the human spirit of the various eras of the pulse of the human spirit, which is a kind of spirit of the return to their homeland. This is a kind of spiritual homecoming. This book is the famous aesthetician Zhu Guangqian's monograph on the theory of Western aesthetics, and it is the first history of Western aesthetics written by Chinese people, which occupies an important position in the academic field.

25. Literary Theory (American) by Vellek and Warren, translated by Liu Xiangyu, 1984 edition by Sanlian Bookstore

This is a classic theoretical work on the nature, function, form, and content of literature, and the author constructs his theories on the "study of the outside of literature" and the "study of the inside of literature". The author has constructed his theoretical system with "external study of literature" and "internal study of literature", which is beyond the traditional mode of literary theoretical structure for many years. This book is one of the most organized, wide-ranging, and targeted attempts at literary studies. It is noteworthy that since its publication, it has been welcomed by experts, professors and students worldwide. 26. Comparative Literature and Literary Theory (U.S.) by Weisstein, translated by Liu Xiangyu, Liaoning People's Publishing House, 1987 edition

Comparative Literature (Comparative Literature) is a study of literature that spans across nationalities, languages, cultures, and disciplines, and the international literary relationship is the focus of the study of comparative literature. Specifically, it is to compare the literary phenomena of different countries together, and to study the interrelationships between them in terms of image, theme, subject matter, genre, artistic technique, language, style, and even literary theory. As a discipline, Comparative Literature opens up a brand new field for literary research. It wants to break through the boundaries of a single culture and a single discipline, to use literature as a means of human communication and dialog, a bridge, and to advance the understanding between different cultures through literature. At the same time, literature is the starting point and ultimate direction of the discipline of comparative literature. Comparative literature is to study the conflict, dialog and complementarity of literature in these relationships.

27. Selected Poems by Yu Guanying, People's Literature Publishing House, 1956 edition

The earliest version of the Book of Poetry was known only as Poems or Poems of Three Hundred, which was honored in the Han Dynasty and thereafter referred to as the Book of Poetry. It was compiled during the Spring and Autumn Period and contains 305 poems. These works were composed in about 600 years, from the beginning of the Western Zhou Dynasty to the middle of the Spring and Autumn Period. The Book of Songs is divided into three parts: Feng, Ya, and Song. Winds, which are folk songs, include fifteen national winds, namely, Zhou Nan, Zhaonan, Name Wind, Yong Feng, Wei Feng, Wang Feng, Zheng Feng, Qi Feng, Wei Feng, Tang Feng, Qin Feng, Chen Feng, Juni Feng, Cao Feng, and Bin Feng. This book is selected on the principle of strong lyricism, artistry, and representative content, and on the basis of faithfulness to the original poems and provenance, these ancient poems are translated and annotated in accurate, vivid, and beautiful language, with the aim of allowing more readers to break through the barriers of the ancient and abstruse literary language, and to freely wander through the river of classical poetry, and to gain the pleasure of the beauty of it all.

28. "Chu Rhetoric", Ma Maoyuan, People's Literature Publishing House, 1980 edition

With the emergence of Chu Rhetoric, the development of classical Chinese poetry has indeed crossed into a completely new stage. Its luster shone like a bright sun in a clear sky, illuminating the poetry world from the weekend to the beginning of the Han Dynasty. It was popular for a while and clothed for a hundred generations. Wang Guowei said: Where a generation has a generation of literature, the Chu's slogans, the Han's fugues, the proud language of the Six Dynasties, the Tang's poems, the Song's lyrics, and the Yuan's compositions are all so-called the literature of a generation, which cannot be succeeded by the next generation. 29. The Analects of Confucius Translation and Commentary, translated and annotated by Yang Bojun, 1980 edition of the China Bookstore

On the scroll of the history and culture of the Chinese nation, there is a record of the name of a world-renowned set of masterpieces, "ten and five and ambition to learn, thirty and stand up, forty and not confuse, fifty and know the fate of heaven, sixty and ears, seventy and from the heart, do not overstep the limits. " He is the philosopher, Confucius, who was praised by Mr. Li Kuchan as "the supreme saint who has no boundaries and who has a model of virtue on earth".

30. Mengzi Translation and Annotation, Yang Bojun Translation and Annotation, Zhonghua Shuju Bureaus, 1960 Edition

In this book, Mr. Yang Bojun made a detailed annotation and a brief proof of the characters and meanings of the words of Mengzi, the laws of grammar, the way of rhetoric, the knowledge of history, the geographic history, the system of famous objects and customs, as well as the remote characters, the broken readings, and the words and phrases that are easy to generate ambiguities and obscurities and difficult to understand and translated them into vernacular, and a dictionary is attached at the end of the book, which can help the reader to read the book. It is also translated into the vernacular language and has a dictionary at the end of the book, which can help readers to improve their ability to read ancient books in a self-study way.

31. "Zhuangzi this note this translation" Chen Guying translation note, the China Bookstore 1983 edition

Taiwan scholar Chen Guying of this "Zhuangzi this note this translation", wide search for the previous notes, but also reference to the motherland and the British, Japanese published a variety of works on the Lao Zhuang exegetical translation of works on the Zhuangzi made a detailed commentary and verification, and is accompanied by a vernacular translation.

32. Selected Poems of the Lefu Poetry by Yu Guanying, People's Literature Publishing House, 1959 edition

The Lefu Poetry Collection is the earliest existing collection of music and ballads from the ancient times up to the Tang and Fifth Dynasties, and it is richly organized, well edited, and successful in presenting a complete picture of the Lefu poetry of the past dynasties and its trajectory, which has brought out a dazzling luster in the history of Chinese poetry. Mr. Yu Guanying has selected and annotated some of the Lefu poems from the Han Dynasty to the Northern and Southern Dynasties.

33. Selections from the Records of the Grand Historian by Mr. Wang Boxiang, People's Literature Publishing House, 1957 edition

College students who do not read the Records of the Grand Historian are like eagles who have not flown up to the blue sky, and they will never be able to understand the vastness and magnificence of the world. Mr. Wang Boxiang, from the perspective of literary masterpieces, has selected 20 narrative essays in the Historical Records with vivid descriptions and strong storytelling, and the annotations are concentrated in the body of each essay, which are very detailed and easy to recite for self-study.

34. The Collected Works of Tao Yuanming (陶渊明集), published in 1979 by the Zhonghua Bookstore (中華书局), is a popular anthology of the poet's poems, with explanations of the works and commentaries on them, as well as an introduction to some of the fugues, records, biographies, and poems.

35. Selected Poems of Li Bai, Classical Literature Teaching and Research Group, Department of Chinese Studies, Fudan University, People's Literature Publishing House, 1977 edition

In order to allow readers to better understand Li Bai's life through poetry, this book adopts the form of a chronology, which is relatively clear to reflect the characteristics of the poet's poetic style at different times, and can be combined with the poet's encounters to understand the poet's poetry and his person. This book selects 180 works of Li Bai with more positive ideological content and higher artistry, accounting for about one-fifth of all Li Bai's poems, generally reflecting the spirit of Li Bai's poetry. The annotations are simple and easy to read. Each poem is preceded by a "Description", which introduces the time and background of its creation, as well as its content and characteristics.

36. Selected Poems of Du Fu by Xiao Tiefei, People's Literature Publishing House, 1985 Edition

This book is a selection of more than 200 representative poems of Du Fu, reflecting the richness of the content and variety of styles of Du poetry. It is organized in chronological order of creation, with concise titles and detailed explanations, and is of high academic quality.

37. Li Shangyin Selected Works, Zhou Zhenfu, Shanghai Ancient Books Publishing House, 1986 edition

Li Shangyin is a great poet of the late Tang Dynasty, and most of his poems are aphorisms, aphorisms of history, sentimentalisms, political satire, and erotic poems, with clear and beautiful phrases, and with a great influence on the later generations. Li Shangyin's poems are a combination of parallelism and prose, and are fresh and elegant. This book is a collection of 200 poems and 27 essays by Li Shangyin, basically covering Li Shangyin's circulating works. Mr. Zhou Zhenfu, with his profound knowledge of Chinese literature, has provided clear and concise annotations on the difficult words and phrases of the works and the patronage of the literary career used, as well as detailed explanations of the works, so that readers can have a comprehensive and in-depth understanding of the ideological contents and artistic features of Li Shangyin's poems and writings, as well as the richness of the emotions contained in them.

38. Selected Writings of the Eight Great Poets of the Tang and Song Dynasties by Niu Baotong, Gansu People's Publishing House, 1986 edition

The Eight Great Poets of the Tang and Song Dynasties refers to the Tang dynasty's Han Yu, Liu Zongyuan, the Song dynasty's Ouyang Xiu, Zeng Gong, Wang Anshi, Su Xun, Su Shi, and Su Zhe. Han Liu advocated the "ancient literary movement" to revolutionize the six dynasties since the parallelism of the carving, specializing in flashy literary ills, the establishment of a new style of writing for the call, to the literary world as a wave of wind. In the Song Dynasty, Ou, Zeng, Wang, Su and other writers inherited the tradition of the Tang Dynasty's Ancient Writers' Movement and expanded the field of prose writing. Therefore, it can be said that the works of the Eight Great Poets of the Tang and Song dynasties represent the highest achievement of Tang and Song prose. Their writings not only shook the literary world of the Tang and Song dynasties, but are also a model for later generations of prose, piling up in the forest of literature.

39. Tang dynasty novels, Wang Pijiang, Shanghai Ancient Books Publishing House, 1978 edition

An anthology of legendary novels of the Tang dynasty in China. Today's Wang Bijiang edited. The Tang novels are divided into two volumes. The upper volume contains 30 single Tang legends, largely similar to Lu Xun's Tang and Song Legends Collection in the Tang legend part. The next volume contains 38 works from 7 collections of legends, including Xuanqi Lu, Renewal of Xuanqi Lu, Jiwen, Jiyi Ji, Ganze Rumor, Legends, and Sanshui Xiaozhu? The works collected are mostly ideological works, but they are also the most important works of the Tang and Song dynasties. The collected works, by and large, are better in ideological content and artistic skills, and are more widely circulated. The text of each piece of writing, using the more reliable version, and to the other version of the reference school. The authors and works are often described and examined, which helps in-depth study.

40. Selected Poems of the Tang Dynasty edited by the Institute of Literature of the Chinese Academy of Social Sciences, People's Literature Publishing House, 1978 edition

The prosperity of poetry in the Tang Dynasty is a result of the specific conditions of the economy, politics, and culture at that time, as well as a result of the development of poetry's own traditions. The extensive international cultural exchanges during the Tang Dynasty, the close integration of the cultures of various nationalities within the country, the relatively liberal policy adopted by the Tang Dynasty towards ideology and culture, and the simultaneous coexistence of Confucianism, Buddhism, and Taoism, etc., were all favorable factors contributing to the general upsurge of culture in the Tang Dynasty. This book is divided into two volumes, *** selected poets more than 101, more than 630 poems. The book is divided into two volumes, with more than 101 poets and more than 630 poems selected. The notes are simple and clear, to say nothing, in addition to annotating the words, sometimes well string interpretation of the meaning of the poem, on the difficult places, there are sometimes analyze the evidence. Before the book, "Preface", discusses the reasons for the prosperity of Tang poetry, characteristics and development process, for reference.

41. Selected Lyrics of the Tang and Song dynasties, edited by the Institute of Literature of the Chinese Academy of Social Sciences, People's Literature Publishing House, 1982 edition

? The Selected Words of the Tang and Song dynasties*** contains 250 words of the Tang and Song dynasties, divided into three volumes, with detailed annotations, digging out the true meaning of the words, as well as the author's situation and the background of the times, so that readers have a deeper understanding of the words, and further assessment of the words.

The Selected Words of the Tang and Song dynasties is an authoritative commentary on classical Chinese poetry, and is a must-have for readers interested in classical Chinese poetry.

42. Selected Poems of the Song Dynasty by Qian Zhongshu, People's Literature Publishing House, 1989 edition?

Selected Poems of the Song Dynasty is one of the series of books on classical Chinese literature. The preface at the beginning of the volume is an important poetic essay written by Mr. Qian Zhongshu after many years of intensive study of Song poetry. In this book, Mr. Qian Zhongshu not only has a unique view on the historical status of Song poetry and its successes and failures, but also has made a lot of contributions to the basic theories of classical Chinese poetry, and has made a lot of innovations in the selection of poetry and literature. This book not only gives readers a general understanding of Song poetry, but also enlightens them on the method of study, way of thinking, perspective of observation, and comparison of Chinese and foreign literature.

43. "Su Shi anthology" Wang Shuizhao annotated, Shanghai Ancient Books Publishing House 1984 edition

Su Shi, the Northern Song Dynasty, one of the "three Su", one of the eight greats of the Tang and Song dynasties. Su Shi was one of the leading writers of the Northern Song Dynasty. He devoted his life to creating, in poetry, lyrics, literature in all aspects of the unique achievements, the Song Dynasty literature and the culture of future generations have had a great impact. Su Shi's poems, bold and fresh, especially good at similes, most of them express the feelings of the rough and tumble of the career path, but also reflect the people's plight, expose the reality of the dark works; Su Shi's words, the pioneer of the bold and free school of lyrics, and Xin Qiji, known as "Su Xin", a wide range of subjects, remembering the travels, nostalgia for the ancient times, gifts and answers, send off, and reasoning into the lyrics, to the strict boundaries of the sound and rhythm has broken through; Su Shi's prose, the prose of the Song Dynasty, the Song Dynasty and later generations of culture have had a great impact on. There is a breakthrough; Su Shi's prose, emphasizing the "for and for", advocating nature, free from the constraints, thesis is unrestrained, the narrative structure is rigorous, understandable and smooth ...... This book is selected for Su Shi's representative works, insightful, well annotated.

44. "Yuan people's miscellaneous plays" Gu Zhaocang selected notes, People's Literature Publishing House, 1962 edition

This book is a selection of sixteen plays written in the Yuan dynasty, which includes: reflecting class oppression and racial oppression of the tragedy, a positive portrayal of resistance to the feudal rule of peasant heroes and comedies, reflecting the human condition and the reality of the life of the community of the comedies, myths and folklore love comedy, historical tragedies, and so on. historical tragedies, etc.

45. Selected Words of Xin Qiji (Zhu De Cai), People's Literature Publishing House, 1988 edition

This book selects 168 of the Song patriotic words of Xin Qiji, accounting for more than a quarter of the words of Jiexuan, and selects a wide range of materials as possible, trying to show the overall style of Xin's words. The commentary is concise and accurate, and after the commentary of each word, there is a "Brief Commentary", which analyzes and introduces the ideological content, artistic characteristics, and structure of each word in concise, understandable, and vivid language, which not only facilitates the readers' understanding of the original words, but also enables the readers to learn the methods of appreciating the ancient poems from it.

46. The Story of the Western Wing by Wang Shifu, annotated by Wang Jisi, People's Literature Publishing, 1978 edition

The Story of the Western Wing is a well-known classical drama masterpiece in China, which narrates the love story of Zhang Junrui, a scholar, and Cui Yingying, a young lady of the Xiangguo State, who encountered and fell in love at first sight, and then, with the help of the Hongniang (Red Lady), fought for the autonomy of marriage and dared to break through the confinement of the feudalistic rites to marry each other in private, expressing the hatred for the feudal marriage system, and the desire of the Chinese people for a better future. It expresses the dissatisfaction and resistance to the feudal marriage system, as well as the longing and pursuit of the ideal of beautiful love. Over the centuries, it has y inspired the hearts of countless young men and women. Even today, the thematic ideas and artistic images in the work can still help us deepen our understanding of the evil nature of feudalism. As an exemplary work in China's classical theater, its grand scale, tight structure, plot twists and turns, embellishments of interest, and vivid and delicate characterization are not only unprecedented, but also exceeded other playwrights in the Yuan Dynasty, because of which, Jia Zhongming of the Yuan Dynasty said in Lingbo Xian: "New miscellaneous dramas, old sagas, The Western Wing takes the top spot in the world. "