A Brief Analysis of the Dance "The Fragrance of Butter"

Analysis of the repertoire of the dance Sweet Butter;

The novelty of Sweet Butter is mainly reflected in three aspects: first, the brand-new image of Tibetan women; Second, brand-new military-civilian relations in frontier minority areas; Third, the new choreography of dance movements. These three "newness" are based on the director's true feelings and careful observation of modern life, otherwise he could not have won the title with such a vivid artistic image close to life and the times.

First of all, from the first "new", when Dawayongzong, a Tibetan girl, lit the flame at the 1990 Asian Games, she presented a brand-new face of Tibetan women to the people of the world at the end of last century. Now that more than ten years have passed, what changes have taken place in the appearance and heart of Tibetan women? Gorgeous national costumes, together with valuable headdresses, chest ornaments and waist ornaments, graceful posture and confident, lively and bright personality, all contain fashion elements, and modernity is directly forced out through thick robes.

The second "new" is a bold interpretation of the new "fish and water". When it comes to military-civilian relations, many works keep the same routine-how about the army, how about the people, the plot is protracted and lengthy, the military-civilian relations are positioned on "grace" and "grace", and they still stay on the class feelings of turning over serfs to sing.

However, in the work Sweet Butter, the image of the soldier is vague, and only the props of the military kettle are used at the beginning and end, which points out the cause of the incident and the relationship between the characters. The love between fish and water is expressed through the modality and posture of girls at work.

Moreover, butter tea itself is an emotional symbol of respect, love and welcome in the hearts of Tibetan people. The scene of young women's labor is relaxed, happy and warm, as if playing butter tea for brothers and sisters and even lovers. It's real, it feels ordinary and casual, and their feelings are completely fixed on friendship and affection.

The third "new" is a fresh vocabulary arrangement. In the Allegro part of the work scene, sixteen actresses walked to the entrance of the podium, nodding their backs to the audience, hunching their backs and swinging their hips. With the increase of rhythm, their movements have absorbed the bright, cheerful and unrestrained style of Tibetan dance.

The broad-minded, optimistic and open-minded national psychology of the Tibetan people is undoubtedly revealed through a short and powerful single action, which is extremely infectious. At the same time, the body curve and clothing features outline the beautiful back of Tibetan young women, which is not only distinctive in personality, but also meaningful in charm.

Extended data:

Butter flavor

2 1 century, a masterpiece "Butter and Fragrance" appeared in this period, and won the second prize in the Fifth National Dance Competition. The first prize of the director of the seventh PLA art performance. It is similar to laundry songs in subject matter, but its living condition is very different from the times when laundry songs lived.

Today's people in Xizang has not only been liberated spiritually, but also achieved unprecedented satisfaction in material and cultural life. Therefore, in the creation of Sweet Butter, the author rebelled against the normal state of Tibetan dance in the past, and integrated the new dance vocabulary with the basic style of national dance, so that it not only lost the style of national dance, but also showed the new dance vocabulary, and at the same time fully expressed the spiritual outlook of Tibetan women today through this vocabulary.

References:

Baidu encyclopedia-butter fragrance