The cultural tradition of historians is the reason for many legends in history.

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Chinese and Western cultures also originated from the Wu Palace culture, but after entering a civilized society, China culture has been transformed into a historian culture based on human relations. Words such as "filial piety", "courtesy" and "morality" appeared in the cultural sacrifices in the Yin Dynasty, and "respecting morality" and "protecting the people" became the policy agenda of the rulers in the Western Zhou Dynasty.

"Destiny" takes "human morality" as the transfer, and "God" becomes the embodiment of moral power. One of the direct consequences of the impact and rejection of the official historian culture on the witch official culture is the interruption and dispersion of ancient myths and legends and the lack of epics. The change or improvement of this ancient myth took place in the Zhou Dynasty. Some ancient myths were turned into ancient legends and put on the cloak of morality, which became the earliest history of China; The other part was screened down, retaining the simple style, spreading among the people and scattered in the fragments of ancient books.

Traces of "power worship" can also be found in the original mythological materials of China during the period of witch official culture, and these "powers" are often associated with the rebels: the Chiyou brothers mobilized the Miao people to fight against the Yellow Emperor, flying sand and stones, and fighting hard; Xingtian competed with the emperor, and the emperor danced with him. Kuafu drove away from Japan and died of thirst; * * * Workers and Zhuan Xu are tired of fighting for the emperor, but their anger can't touch Zhoushan ... These gods with extraordinary courage are huge, fierce in appearance and grumpy. In the face of powerful natural and sacred authority, they frankly and willfully put forward bold demands to seize and replace them. Through their huge figures, we see the recklessness of the rough and primitive power of animals, but in ancient legends, these rebellious giants are classified as evil. "The key role of the historization of ancient myths in China is to divide ancient gods into good and evil, representing the positive and negative sides of historical events respectively." (1) When our ancestors stepped into the threshold of civilization and adapted to the needs of patriarchal agricultural society, strength was no longer worshipped and virtue was elevated to the supreme position. As a result, some gods have acquired human form and humanity, and have been transformed into cultural heroes and saints who are beneficial to all beings. Those muscle monsters who fought with them became unruly rebels and entered the evil hell. It played down the exaggerated and brave elements in myths and legends, deleted the absurd plot and added the theme of realistic moral preaching. The historization of myth is the result of the influence of historian culture on witch official culture. The split between "morality" and "power" began to appear, and the original irrational spirit was gradually expelled by civilized society.

During the Spring and Autumn Period and the Warring States Period, a hundred schools of thought contended and the cultural atmosphere was unprecedentedly prosperous. Because of the relationship between "strength" and "morality", Confucianism and Mohism, both outstanding scholars at that time, held their own views. Confucianism completely inherited the tradition of "long ceremony" and "respecting morality" of the culture of historians, and injected new moral spirits such as "benevolence" and "righteousness" into the form of rites and music, adding rational elements and rational elements. Confucius said, "A horse is not called strength, but virtue." (2) A horse is a swift horse, and traveling thousands of miles every day is its strength. Confucius believes that the value of a horse lies in its kindness and obedience. Starting from the kingly way, Mencius distinguished between "serving people with strength" and "serving people with virtue": "If you serve people with strength, there will be a great country; A king who serves others with virtue is not great either. "(3) pay attention to moral education, ignore the cultivation of strength, praise kindness, and ignore courage and intelligence. The paranoia of Confucianism has had a far-reaching impact on the traditional culture of China.

The cultural tradition of historians and the deep control of Confucian culture led to the complete opposition between "virtue" and "strength" and "reason" and "irrationality" in China traditional culture. However, with the rise of civic literature in the Song and Yuan Dynasties, especially under the impact and exchange of refined and popular culture, the birth of long popular novels, this long-divided ethical factor has a chance to be reunified and become an orthodox hero and a straightforward hero in the "character pair". Orthodox heroes such as Liu Bei, Song Jiang and Yue Fei saved the world and the destiny of the nation. Under the solemn and dignified rational aura, the holy light of three emperors and five emperors flashed in a trance; Rough heroes such as Zhang Fei and Li Kui jy are directly associated with rebellious giants such as Chi You and Gong Gong, who are unruly and rampaging with animals. Perhaps it is really a coincidence that Monkey claimed to be "the Monkey King with 84,000 bronze heads and iron forehead in Ziyun Cave of Huaguoshan" in the Buddhist Poems of the Tang Dynasty, which vaguely revealed his inherited human-god blood. In Water Margin, Li Kui jy pretended to be Shouzhang county magistrate for one day, and as mentioned above, Shouzhang county is the burial place of Chiyou. In these rude heroes, there is resistance to the resurrection of the elves who have been silent for thousands of years.

Interestingly, the two incompatible spirits in traditional culture can live in harmony and intimacy in the novel, which embodies the unity of opposites and the opposition in unity. Although the rough hero is wild, he is obedient to the orthodox leader and never dies. It seems that only by following them can we find the meaning of life. Leaders can't do without the company of Zhang Fei and Li Kui jy. When their lives are in danger or they are hesitant about moral restraint, they are often rude heroes who rush out desperately and beat them head down. In this cooperative relationship, there are contradictions and conflicts that are difficult to reconcile. Song Jiang's scolding of Li Kui jy's "black man" and "black beast" is so fierce that it is far from his usual gentle image; Similarly, for Song Jiang's policy of wooing, he showed the fiercest, jumping up and kicking over tables and chairs, shouting, and resolutely opposing Li Kui jy. Perhaps the mystery of this relationship can only be revealed from a psychological point of view.