Ancient Poetry Calligraphy Works Appreciation

Ancient poetry is China's traditional literature and art, calligraphy is also, so what kind of artistic sparks can collide between these two traditional Chinese arts? The following is what I have organized for you calligraphy works of ancient poetry, I hope it is useful to you!

Appreciation of ancient poetry calligraphy works

Ancient Poetry Calligraphy Works Picture 1

Ancient Poetry Calligraphy Works Picture 2

Calligraphy of Ancient Poetry Picture 3

Calligraphy of Ancient Poetry Picture 4

Calligraphy Creation Principles

First, the three major principles of the creation of the calligraphy

1, the line of the firm and muddy? Passion comes from the skillfulness of lines. Line is a combination of force and momentum, the line should be calm and painful, to achieve steady, lightweight, heavy potential (i.e., tendency), according to the size of the word row of the word towards the line oblique potential, the overall vertical trend.

2, knotting odd and stable? Pay attention to the center of gravity. Interjection, escapement, sparse and dense, high and low.

3, chapter change and coherent? Bamboo style (a few words a section) there is a gap between the number of sections; through the pearl (center line); snake style (swinging left and right); sparse shadow style (sparse and clear).

Second, seven layout points

1, a word can not be a line.

2, between the word and the word echo, the upper and lower Kai, left and right band, line spacing and word spacing can not be equal. The eyes of the book on the center, can be larger, the word and the surrounding air coherence.

3, the overall exhibition of works suitable for heavy ink. Hanging at home is suitable for sparse role.

4, the work can not have misspelled words, different characters are not too remote.

5, the overall layout of the work on the top heavy below light.

6, the assessment of works good or bad mainly depends on the overall visual effect: rhythm, ink color, brush.

7, three by three, seems to be scattered but also continued, the air veins consistent, the layout of the wonderful.

Three, ten keys to writing

1, eight sides out of the front: with the help of eight sides out of the front, naturally show the ink color, wet in the dry, dry in the wet, thick in the light, light in the thick, changes in the millions of changes, so that the work of the sense of rhythm.

2, rigid and flexible: rigid force ----- iron row silver hook (coarse): soft force ----- running clouds and water (fine).

3, ink as gold: regular script requires a dip in the ink to write a word, or even a number; rows and cursive a write 3-5 words, the end of each pen hair recovery, requires the paper to adjust the front.

4, open and clear: white space has a wide and narrow, wide to give a person a sense of sudden enlightenment. Art is the process of creating contradictions to solving them.

5, in the side and use: the center of the front of the law to establish the bones, the side of the front of the potential for change. The center front is the requirement of reason, the core of the aesthetic of calligraphy; the side front is the incarnation of sentiment, the means of calligraphy.

6, thoughtful: before the creation of thoughtful, repeated refinement, to do? It is a good idea to have a good idea of what you want to do.

7, a breath of fresh air: calligraphy is the expression of feelings, not the performance of skills. To write in the body and mood are good state. When you write, you are free to write, and you can do it all in one go.

8, staggered: in general, the works of the line spacing should be wide, the word spacing should be tight. Word taboo juxtaposition, to be staggered. There is a gap between the sections, the combination of rhythm, the size of the word juxtaposition, highlighting the middle of the book eye.

9, pen and ink interest. Calligraphy is silent music, invisible dance. Seek changes in the echo, so that the overall harmony, a strong rhythm and visual impact. Use a good pen, slightly slower pen, movement in the quiet, write the ink interest.

10, pay attention to through the gas. Calligraphy of the gas, refers to the echo between the dots and different words, the tendency between the word and the word.

Four, twelve details of the pen

1, cursive do not see horizontal painting. Running cursive with horizontal lines as short as possible, to have a sense of verticality. Available virtual, thin lines instead.

2, avoid by the fast produced by the flat drag, dry brush, thick and thin the same phenomenon, the line where all stay, stay all line.

3, the ink is light and godless. Re-start the pen with thick ink, thick ink strokes to account for the word.

4, avoid single words in the ? eye? , to prevent ? eye? too much.

5, the middle line is the focus of the work. A work to have a few prominent, wonderful, personalized words. This is also called? Book eye?

6, the long line of words is very important, close the pen with caution, generally the end of the pen with a dry pen.

7, pen and ink heavy words can not be equal in area, the weight of the word to have a transition, avoid regimentation.

8, fine pen to have toughness, thick pen to be strong. To have iron row silver groove of the thick brush, but also to have the fine brush of the clouds and water.

9, the ink is slightly slower when dry, slightly faster when wet, slightly slower when thick, slightly faster when thin. Running cursive has regular meaning, and regular script should be written in line.

10, handing over the pen, the beginning and end of the clear, each pen to explain clearly.

11, pay attention to mentioning and pressing: Qi but not Qi, straight but not straight, straight in the curve, straight in the curve. To? mention the pen downward press?

12, the side of the front and the side of the front and use, eight sides out of the front, fine with the center, thick with the side of the front.

Fifth, four key points

The paragraph is part of the text, not to be taken lightly. Points:

1, the signature is half the size of the text below. Two lines of paragraphing to the right high left low, do not change the pen.

2, the paragraph can not leave too much space, pay attention to the proportion of light and heavy.

3, stamped works under the pad glass plus books.

4, the seal is best not more than three.