How to let students expand their imagination in Peking Opera teaching?

How to let students expand their imagination in Peking Opera teaching;

One of the ways to learn Chinese is to preview before class. Lesson 23 "Interesting Talk about Beijing Opera" in the first volume of Grade 6 consists of two short essays related to Beijing Opera.

Among them, it introduces the characteristics of Beijing opera performance in the use of props and the uniqueness of action modeling.

Let's follow Mr. Du Du's footsteps and walk into this text together. Let's preview it together.

I. Learning objectives

1. Master words such as "galloping, embarrassment, agreement, emergency stop". (key)

2. Read the text silently and carefully understand how the author demonstrates the role of props such as whips on the Peking Opera stage. (key)

3. Watch Peking Opera, get a preliminary understanding of this form of opera, and experience the artistic characteristics of Peking Opera. (difficulty)

Second, the author introduces.

Author: Xu Chengbei, pen name: Great Wall, Pinxizhai. Researcher, China Opera Research Institute.

194210/kloc-0 was born in Chongqing on October 20th, grew up in Beijing, and studied in the Department of Drama and Literature of China Theatre Academy. He was a member of the Chinese Writers Association.

Literary achievements: I have devoted myself to the academic research on the art and background of Peking Opera for many years, and I have often entered the practice of traditional opera and folk background. I have often published articles in various newspapers and periodicals at home and abroad and won many awards.

His major works include Mei Lanfang and the 20th Century, Mei Lanfang Centennial Celebration, Peking Opera Shelf and China Culture, Time-honored Spring and Autumn Annals, Old Beijing Trilogy and Cultural Essays, Slow Singing, Idle People in the Sea, etc.

Third, the study of words.

1. Forced

Gallop: To gallop (a horse).

Embarrassment: The situation is difficult and difficult to handle.

Fictitious: Not true or necessarily true, hypothetical.

Endless: poverty, fatigue: endless, meaning endless.

Convention: refers to the name of things or social habits recognized or formed by people in long-term practice, so it has been used all the time.

2. debut/debut

The wind and rain are impenetrable: the wind can't blow in and the rain can't blow in. Extremely tight, the wind and rain can't penetrate.

Guan: open: end, solve, get rid of, describe the inability to get rid of or end.

Abrupt: the appearance of sudden stop, describing the sudden termination of sound.

Fourth, text analysis.

1. About the whip

A * * * has three natural paragraphs. The first part is the first natural paragraph, which describes the reason why the whip becomes a stage prop and the beauty of its use.

In this part, the author wrote the reason why the whip appeared. After reading the article carefully, you will find that the actor can't show his horse on the stage. He is afraid that the horse will lose control on the stage.

This part also wrote how to solve it, which is beautiful.

There are four points: first, it conforms to China's aesthetics; Second: Specific and graceful gestures can be vividly displayed.

Third: Actors can have endless freedom to perform.

Fourth, there is a kind of decorative beauty.

The second part is the 23rd paragraph, starting with the whip, demonstrating the functions of other props with examples, and demonstrating the wonderful use of props on the Peking Opera stage with examples.

2. About "Debut"

Debut is the traditional Chinese opera actor in China, who changes from a moving figure to a short static posture when he goes up and down or performs dance.

The purpose of appearance is to highlight the emotions of the characters and strengthen the atmosphere of the drama.

The first part (1.2 natural section) introduces the static appearance.

The second part (the third paragraph) introduces the dynamic appearance.

Five, the central idea

Through "Whipping" and "Debut", this paper expounds how to deal with some problems that cannot be expressed or solved easily on the stage of Beijing opera, and expresses the author's love for Beijing opera and pride in the traditional culture of the motherland.