What is the custom of posting Spring Festival couplets in the New Year?

The earliest prototype of Spring Festival couplets is "Fu Tao", which depicts two gods, Shen Tu and Lei Yu, in peach wood to ward off evil spirits. Later, Fu Tao was standardized and evolved into a rectangular red board with a length of six inches and a width of three inches, which was used to hang on both sides of the gate.

"Made in Fu Tao, two or three feet long with a thin wooden board. Big four or five inches, painted on the statue of Bai Ze, left Lei Yu and right Shen Tu. Or write spring poems or book prayers, especially when Dan is old. " If the main purpose of painting idols is to exorcise ghosts and evil spirits, then the main purpose of writing spring poems is to pray for good luck. After several evolutions, this has formed two major veins: door gods, New Year pictures, spring stickers and Spring Festival couplets.

Every Spring Festival, no matter in urban or rural areas, every household should take off beautiful red couplets and stick them on the doors to bid farewell to the old and welcome the new, thus increasing the festive atmosphere. Another source of Spring Festival couplets is spring stickers. The ancients posted the word "Yichun" more and more at the beginning of spring, and then it gradually developed into Spring Festival couplets, expressing the good wishes of the working people in China to ward off evil spirits and avoid disasters and welcome good luck. ?

Bless folk customs:

Sticking blessings, stick grilles, New Year pictures and hanging thousands of pictures all have the traditional folk functions of blessing and decorating the residence. New Year pictures are an ancient traditional folk art in China, which reflects people's customs and beliefs and places their hopes on the future.

As Zhu Yuanzhang, the first emperor of Ming Dynasty, advocated posting Spring Festival couplets, New Year pictures became popular, and three important producing areas of New Year pictures appeared in China: Taohuawu in Suzhou, Yangliuqing in Tianjin and Weifang in Shandong. Formed three schools of Chinese New Year pictures. In the early years of the Republic of China, Zheng of Shanghai combined the monthly calendar with the New Year pictures.