Ono Komachi and Song_Ono Komachi Monk Sleeping Together_Ono Komachi Real Portrait

Real name: Ono Komachi

Period: Early Heian period

Ethnic group: Yamato

Major works: "Komachi Collection"

Major achievements: one of the six song fairies, one of the "Seven Komachi"

Ono Komachi --Combining talent and beauty

Ono Komachi was a Japanese poetess of the early Heian period, listed as one of the Six Song Fairies of the early Heian period. Sixty-six of her poems were selected for inclusion in a collection of edicts that followed the Kujinji, a collection of poems known as the Komachi Jikai, and her role as a pioneer of dynastic women's literature is of great significance.

Introduction

Ono Komachi's life is not known, but later she was listed as one of the "Seven Komachi", and became the subject of Noh theater and Joruri stories. However, since there is no record of her portrait, there is no way to determine whether the image of her as a beautiful woman, which has been widely spread, is historically accurate or not.

"Komachi" is not the original name. "Machi" was a common title for women who worked in the palace, such as the contemporaries "Sanjo Machi" (Kishiko) and "Mikuni Machi" (mother of Emperor Inmei's son Sadanori). There is a speculation that the origin of the name "Ono Komachi" may be due to the fact that her sister, who also worked in the palace, was called "Ono-machi", and therefore she was "Ono Komachi".

Her portrait in Kokura Hyakunin Ichiban is of a typical dynastic beauty, wearing a colorful court dress, with long black hair falling from her full cheeks, long, slender eyes, and a high nose. Almost all Japanese have known her name since ancient times. This is due to the fact that she was both a famous poet, proficient in song and dance, the zither and the Way of the Book, gifted and exceptionally beautiful; and a woman of great beauty, enjoying a high reputation. Because she wrote a lot of love poems, which gave rise to a variety of legends, in the folk has been handed down to this day.

Anecdotes

Komachi is a household name in Japan, where she is one of the three most beautiful women in the world, along with Yang Guifei and Cleopatra VII. Therefore, the name "Komachi" has become synonymous with beauty, and all the Japanese "so-and-so Komachi" with the name of the place represent the local recognized beauty. It is just like "XX Xishi" in China. However, the only female singer among the six songwriters of the early Heian period is not only unknown, but also lacks any historical data that could be used to construct an actual image of her. It is believed that she was born into the Ono family, a famous family in the Nara period, and that she was the granddaughter of Hiromu Ono. Ono Hiro was the grandson of the Tang dynasty envoy Ono Meiko, a politician in the Heian period, and a poet specializing in Chinese poetry and waka. It is also believed that Ono Komachi was the daughter of Sirajin of Izumikuni. Her birth and death places are scattered all over the country. She often appeared as the main character in ballads and plays by Mikakusa-chan, and her name and beauty transcended status and class and became a household name throughout the country. Her life has always been a remote mystery, veiled in a veil of fragrant mystery. Modern Japanese people only know that she was beautiful, talent and colorful, as well as a variety of legends scattered around the world.

"Ancient and Modern Songs" commented that "Ono Komachi's song, the ancient clothes of the stream of Tong Ji, but colorful and no energy, such as a sick woman with pollen."

Cultural Influence

Nogaku

The seven legends of Ono Komachi, commonly known as the "Seven Komachi," were later adapted into Nogaku ballads and plays. Among them, the old women's Nogaku such as "Sekiji Komachi" and "Sokutabo Komachi" are the highest secret of Nogaku, and the performers have to have a long history of performing and a great deal of skill in order to be able to perform them. Matsuo Basho wrote: "Komachi is the end of life".

Literature

In his poem "Onigiri" from "The Shadow of the Shadow? Oni Komachi" in "Flying Scrolls", the novel's skeleton is precisely "Pawn Tappa Komachi", and the lyrics quoted in the text are part of the Nengaku ballad:

Ono Komachi

Ono Komachi

The former Buddha has left

The latter Buddha has not yet arrived

Born of a dream

What is the reality

I am a temptation to float in the I am the temptation of the floating water

I am the temptation of the floating water

The floating water does not come

I am in mourning

The dewy, thin-stemmed twigs of the beard

Are only scattered

But not as much as I am in the floating water

(The following is sung by the spirit of Major General Fukakusa, who is possessed by the body of Komachi.)

Then I will be a troublesome dog

I would rather be beaten with a rod than be beaten with a sword. >

Onozuka Komachi (after Ono Komachi) is one of the main characters in the Oriental Project series. The first Shinigami to make an appearance in Oriental Flower Enigma, her negligence led to the flooding of Fantasyland with a sea of flowers (Oriental Flower Enigma). The pop-ups are dominated by money.

Ono Komachi, the male protagonist in Bunraku Summoning Post, is a historical person summoned by Sakura Saemon. Originally, the historical Ono Komachi was supposed to be a woman, but the Komachi in the anime is a stand-in for his sister. At the time, Komachi's mother gave birth to twin siblings, which was very unlucky, so his parents took the advice of a monk and had Komachi keep pretending to be a woman, gradually becoming the number one beauty in Kyoto. Later, Komachi meets Major General Fukakusa and learns textiles from him. Then later, he is summoned by the heroine - Sakura Saevon from the Ono Komachi Isshiki and meets his best friends such as Kirin, Hachiban and Seisho Nayan.

Ono Komachi, a saucy (...) character from the January 2014 series Onigashira's Cold Lights, appeared in the third episode alongside Yang Guifei. He sings a waka because he admires Onigashira.

Ono Komachi, a character from Ginyu! Heianjing" in the boys, appeared in the fifth words, to save the main character, and ultimately found that Ono Komachi with the main character of the same modern people, because the search for death can not be saved by the medieval official Ono Huang, because of the similarity in looks and his sister was recognized as a sister, and ultimately because of the Ono Huang exiled, and because of the experience of the beginning of a hundred nights of the date of the experience of the young, and the break with the Ono Huang.