Traditional Culture Encyclopedia - Traditional stories - Decorative lace pattern sketch
Decorative lace pattern sketch
Wavy lines or continuous "s" lines. This is great for making lace around or for borders, you can draw dots, circles or any other small pattern in the recesses as you wish, it's all very nice.
The following lace is also a kind of wavy line. The difference is that only the embellishment pattern is drawn in the concave position above the wavy line. It's a nice touch, isn't it?
Continuous folds. This lace, like the two above, is the kind that's great for rushing through quickly. It can be one piece, or one or two pieces along the way, a matter of seconds and seconds.
Grass Collection. This kind of lace is both very easy to draw and very alive, although it is the most typical and traditional, but people are still willing to move to make lace with it.
Flowers. In addition to grass, small flowers are of course the most indispensable elements of lace. It can be painted alone, or with small grass and small leaves. You can draw them alone or with the grass and the leaves. You can draw them pictorially or in your imagination.
Waves. This lace is very dynamic and imaginative, and can be derived from a variety of painting methods. The spiral at the end can be in the same direction or in the opposite direction, large or small, up or down, and so on.
Branch and vine shape. This is a more generous, creative and strong, used as the corner of the corner flowers, is a very good choice. You can also add different elements such as small flowers and leaves to enrich.
Lace is generally continuous or symmetrical, can be painted in a corner, can also be painted on one side or several sides, to name a few. In fact, lace looks good any way you draw it.
How do you draw a floral pattern on a sketched lining?
If you want to draw very deep, you should first set down the big shape first, and bring the relationship appropriately, and then, in the outline of the pattern broad, according to the pattern on the lining in the lining of the relationship between the intrinsic color, on the intrinsic color once again, that is, the whole on the tone once again, so that repeated, then little by little pattern came out, when drawing to pay attention to not just see the lining of the pattern on the lining of the main body, ignore the lining even if there is a pattern on the lining of the lining of the lining of the lining of the lining of the lining. Neglected, even if the pattern of the lining cloth is not necessary to paint the lining cloth all over.
Method two, according to the normal painting, like no patterned cloth, such as the main body of the treatment of the end of the time, in the eraser to the pattern on the lining according to the relationship between dark and light sassafras, and then according to the relationship between the front and back of the prominent position of the pattern to emphasize the appropriate, so it is also possible, but it is still the same sentence lining is a companion, only in the main body of the painting is deep enough when you can emphasize the lining cloth, otherwise it is the cart before the horse.
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