What are Du's notes?

1, "Social Drama" is written like a soothing song, stirring fresh beauty in childhood; Written like a touching poem, poetic and picturesque in the lingering scenery; Written like a beautiful painting, it is splashed with rich folk customs.

2. Although the first three paragraphs of the text did not write about social drama, they laid a good foundation for the hope of social drama, showed the environment of going to see social drama, and finally wrote the aftermath after seeing social drama, highlighting the nostalgia for social drama and making the article memorable.

3. The narrative beauty of details. The text describes in detail the whole process of going to see the social drama, and briefly describes the situation in Pingqiao Village and the aftermath after watching the social drama. In the whole process of going to see social drama, there is not much content to really write about social drama. The author used a lot of pen and ink to write about the activities and scenery of rural children in order to better express the central idea.

4. Warm scenery. Freehand brushwork, lyrical style, scene blending, dreamlike, emitting the fragrance of Jiangnan soil. The scenery description in this paper is meticulous and realistic. During the voyage, the author sketched a beautiful picture of Jiangnan water town by line drawing. Described a fairyland-like stage when watching a play; On my way home, I wrote a scene of sailing with metaphors, full of fairy tales. These scenery descriptions are meticulous and realistic, with a strong lyrical atmosphere.

5. Honest human beauty. In this small fishing village near the sea, nature and human feelings are integrated, and the simplicity and simplicity of human feelings are as intoxicating and moving as the mountains and rivers there. The text successfully depicts many vivid characters, the most prominent of which are Double Happiness and Father-in-law on June 1st. Shuangxi is smart, capable, considerate, compassionate, responsive, considerate, decisive, confident, organized and infectious, and is a natural leader of children.

6, lively language beauty. The language of this novel is vivid, concise and humorous, such as writing "I love the countryside" and comparing Pingqiao village to "heaven". Write "I want to see the social drama but I can't go," I feel anxious to cry "and" I seem to hear the sound of gongs and drums and know that they are buying soybean milk to drink under the stage ",which shows my eagerness. When I wrote that I could go to the theatre, I vividly wrote the joy that "I" got what I wanted with "My heavy heart suddenly relaxed and my body seemed to stretch beyond words".

7. When writing people, the pen is extremely frugal, and vivid characters are vividly portrayed only through character language and concise action description. Many languages in the novel are humorous, such as "or because of the death of higher animals, oxen and buffaloes bullied strangers and dared to bully me, so I always dared not approach and had to stand at a distance", and used "higher animals" flexibly as verbs, which not only belittled cattle, but also wrote the embarrassment of "me".

8. The reason why "I" can take a fancy to social drama is mainly because of the idea and guarantee of double happiness. This image is deeply loved and unforgettable. Father-in-law Liu Yi, an adult, seldom writes ink, but his sketch is extremely accurate, which shows his generosity, simplicity, enthusiasm and hospitality.

9. If you take a boat, I will paddle. If you want to go to the theatre, I will go with you. If you want to go back, I will. When you are hungry, we will steal beans and cook beans together. That kindness, that simplicity, that selflessness, like gems and pearls, can shine even if it is just a group of peasant teenagers. This rural friendship reveals innocence, but also incorporates a kindness, which has gradually infiltrated my heart.

10, I was also treated well by my friends when I was a child. At that time, because my parents were busy at work, I came to live with my grandmother in the country. One afternoon, the sun was hot and restless, and grandma went to work in the fields. Sister Fang and I and some friends from the same village wandered around the ridge of the field wantonly, trying to have some fun. Suddenly, we looked up and saw a taro field with thick stems and leaves as big as a tent, swaying in the breeze like handfuls of big umbrellas.