How to write good calligraphy?

Want to write a good character: to have a high interest and talent have their own creativity do not die to learn can hold some classes Recommended font: Yan Zhenqing's Duo Bao Pagoda preferably soft pen hard pen a study to help you want to write a good character ah! You'd better practice your handwriting! 1. Which font should I start practicing? The traditional way of learning calligraphy is to start with the Tang Dynasty Regular Script and work your way up, practicing the Southern Running Script, Northern Tablet Script, Han Clerical Script, and Qin Seal Script on the basis of a good Regular Script. Another conception is that from the immature development of hand muscles of youngsters, they can start from the Qin Seal Script which is less varied, and then go down with the times, from the Running Cursive Script to the Regular Script. These two concepts have their own reasons. However, I believe that the hard brush calligraphy we learn is fundamentally different from the brush calligraphy mentioned above, so we cannot follow its practice method, let alone be confused by the traditional notion that we should learn the brush first and then the hard brush. We are now widely used is the hard pen, write bad brush characters can still write good hard pen characters, there is no need to take a detour. Which font should we start practicing hard pen characters? I think: from the youth of the hand muscle development characteristics and hard pen calligraphy strokes uniform thickness, less change in the characteristics of the starting point, should be from the fast and slow strokes and changes in the weight of the font to start practicing. The best is the black letter in printing, the beauty of this type of font is mainly expressed in its structure, we can master the structure of the word through the speculation and analysis of the black letter. On this basis, we can choose our favorite fonts and practice hard according to our own personality and hobbies. 2. What should be practiced? First of all, we should practice our eyes, i.e. read the posters carefully. Huang Tingjian, a calligrapher of the Song Dynasty, said, "Ancient people didn't learn to write by copying, they often hung the ancient calligraphy works on the wall, watched it attentively, and put down the pen only when they saw it correctly." Ouyang Xun of the Tang Dynasty found a stele written by Suo Jing of the Jin Dynasty, and loved it so much that he couldn't bear to leave it, so he sat down and read the stele for three days. The more stele you read, the better your eyesight will be, and you will know how to write well and where to write well. There is an idiom called "high eyes, low hands", I think: high eyes is the premise of high hands. Can not find beauty, do not know what is beautiful, let alone create beauty. A lot of students think that scribbling is the so-called cursive writing, leading them to ugly for the beauty of the reason is that they are "low-eyed and low-handed". Secondly, we need to practice the brain or the heart. On the basis of careful observation, we should also keep the well-written model characters in our mind, and engrave their shapes y in our brain, so that whenever we mention the character, we can immediately think of the shape of the character on the post. Do have a post in your chest and a word in your brain. The third thing to do is to practice your hands. The purpose of practicing eyes and brain is to figure out how to write the character. The heart can think of the best effect of the word, the hand may not be able to write the best effect, because the brain may not be able to command the hand, the hand may not be able to command the pen. Practicing the hand is to achieve the realm of the heart and the hand, the hand and the pen are the same, so practicing the hand is also crucial. Hand training is mainly to practice finger strength, wrist strength, hand feeling. Writing for a long time will feel the finger pain, wrist soreness, the hand does not listen to the command, more exercise this phenomenon will disappear. Often help the teacher on the blackboard copying students and blackboard newspaper students often write fast and well, their finger and wrist strength is so practiced. Also pay attention to the practice of hand feeling, so that the brain can command the hand, feel the pen into a part of the hand, become an extension of the hand, the hand can easily command the pen, want to fast, want to slow, want to slow, want to light, want to light, want to heavy, want to write what kind of effect can write what kind of effect. The fourth is to practice the structure, because the key to practicing the character is to master the structure of the character. The structure of a character refers to the proportion of the length of its strokes and the interspersed avoidance relationship between the strokes. Xie Xiaodong sang in the song "Chinese People": "My favorite character is the square character taught by Mr. Square, square and square, and I want to be like him. ......" "Square and square" summarizes the structure of Chinese characters. The word "square" summarizes the structure of Chinese characters. If you have mastered the structure of Chinese characters, you will be able to write square and beautifully structured black characters, and if you change the strokes a little, you will be able to write Chinese characters in various fonts, such as Song, Wei, Regular, Imitation Song, Pang, Sima, and Clerical Script. If you cannot master the structure of a Chinese character, no matter how you modify and beautify the strokes of the character, it will be an unsightly superfluity, and the more you change it, the more unsightly it will become. Therefore, mastering the structure of characters and writing good black characters is the key and foundation of practicing all fonts. Fifthly, we should practice strokes. Many students have practiced calligraphy, they practiced from the regular script, many of the rules of the stroke are forgotten, only remembered the staccato. As a result, the words written are dragged and cumbersome, like ghosts. I advocate that we start practicing with bold characters, seize the shape of the characters, and eliminate the staccato strokes. Below I will introduce you to a few commonly used strokes and the problems that most students tend to have when writing these strokes: ① Dot, from the upper left to the lower right, there is a process of running the pen. Note that the "point" also has a length, can not be painted into a round point. ② horizontal, from the left to the right equal stroke. The key is "horizontal to be flat", not high at one end and low at the other, or stuttering into a wave shape. The length of the strokes should be controlled according to the shape of the characters, not too short or too long. (3) Vertical, vertical strokes from top to bottom. The key is "vertical to be straight", not crooked left and right, not to write a vertical hook. According to the shape of the characters, the length should be controlled, not too short or too long. ④Skimming, write from the upper right to the lower left, not as a dot skimmer or a horizontal skimmer. ⑤ Folding, when writing folding strokes, the corners of the folds should be square rather than rounded. Don't make a big stroke at the corner and write it as two obtuse angles off the shoulder, but write it as a right angle. The characters written in this way, such as writing with a ballpoint pen, is similar to the matchstick young rounded art characters; such as writing with a fountain pen, is the standard black letter. Although the strokes are monotonous, as long as the structure is accurate, it still looks good. Just as the squatting horse stance is the basic skill for practicing martial arts, the horizontal and vertical is the basic skill for writing Chinese characters. The reason why many people cannot write well is that their strokes are not flat or straight, and their structure is not accurate. If the structure is not right, no matter how many variations of strokes there are, you cannot write good characters. 3. General Steps for Practicing Characters On the basis of practicing bold characters, mastering the structure of characters, and practicing the basic skills, you can choose your favorite fonts to practice. The process of selecting fonts is called post selection. On the basis of post selection, you have to go through five steps: reading, tracing, copying, memorizing and creating. The first step is to read the post. Post on the pronunciation of Chinese characters we all know, no need to read. Read what? Read the shape of the word, read the structure, read the strokes, analyze and speculate on the characteristics of the word strokes and the interrelationship between the strokes. For example, when we read "中 "in bold characters, we need to read that one vertical stroke of "中" goes through the center of "口", and that "口" is slightly flattened, and that the horizontal stroke of "口" is slightly flattened. The character "口" is slightly flattened, the length of the horizontal is twice as long as the length of the vertical, and the long vertical in the center is divided into two equal segments by the lower horizontal of the character "口", and the upper segment of the character "口" is divided into two equal segments by the upper horizontal of the character "口". This is to read the shape and structure of the character. Different fonts, the strokes have different characteristics, the changes in the strokes of hard-copy calligraphy is not obvious, but also not easy for secondary school students to grasp, here will not say more. The second step tracing. "Trace" refers to the tracing of red, that is, beginners in the printed red letter post along the handwriting with a blue pen tracing. "Facsimile" refers to facsimile post, that is, with transparent paper over the word on the model, along the shadow of the word on the paper one stroke at a time, also known as writing imitation shadow. The third step of the post. Refers to the word post aside, look at the word post word by word written on the worksheet, this method is conducive to mastering the word of the penmanship, but not easy to master the structure of the word. The fourth step of memorization. Refers to the post on the basis of the post to remove the post, according to their own memories, recollection of the post on the glyphs, will be written on the homework paper method. This is a key step in practicing good calligraphy, only the words written in a careful examination, a good idea, in order to be able to write down the pen with God, accurate. When writing, if you can see the exact shape of the Chinese characters to be written on the white paper you are writing on, so that you can "write the characters on the paper, write the characters in your chest", and then write like a tracing, writing a good handwriting will not be a problem. The fifth step is creation. On the basis of mastering the writing style of the characters on the posters, you can learn by touch and realize the writing style of the characters that are not on the posters. According to their own expression of the need to write a paragraph with a center, content, self-contained system of text, this is the creation. If you can write a hand close to the word post in your normal study life, the purpose of practicing calligraphy for secondary school students will be achieved. 4. Precautions for Practicing Characters Here I will talk about a few more problems that should be paid attention to in practicing characters: The first problem is the choice of writing tools. The first issue is the choice of writing tools. "To do a good job, you must first get the right tools." Whether it is a fountain pen or ballpoint pen should be selected to write smoothly, the line thickness uniformity of a good pen. Ink color is too light, it is difficult to identify; ink color is too black, and gives a sense of depression. In the examination will often affect the mood of the marking teacher, resulting in unnecessary loss of points, so the ink color of the handwriting to blue-black for the best. The second problem: the practice of writing should pay attention to the posture of writing and the method of holding the pen. Since the vast majority of secondary school students are now using ballpoint pens, I will take the ballpoint pen as an example to talk about the writing posture and the method of holding the pen. Writing with a ballpoint pen should adopt a sitting posture, so that "the head is straight, body straight, arm open, foot security. Because ballpoint pens write small words, so the activity of the pen tip should be in the area of the best visual effect. Generally, the right hand holds the pen, and the position of the pen should be slightly to the right. The eyes are about 30 centimeters from the paper and the chest is about 10 centimeters from the edge of the table. Both arms are naturally extended, with the lower arm resting flat on the table. Thumb and forefinger belly were pressed on the left and right sides of the pen, the first joint of the middle finger on the left side against the bottom of the pen, ring finger and little finger in turn against the middle finger naturally bent into a half-fist shape, the role of municipal control. The distance between the thumb and the point of contact with the pen barrel and the pen tip is about 4 centimeters. The pen leaning on the tiger's mouth, and the paper surface into 45-60 degrees, the smaller the word, the greater the angle. If you write with a fountain pen, you should also pay attention to the nib outside, the tongue in the inside, so that the middle of the nib contact with the paper, to ensure that the water is even, smooth lines.

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