Flower arrangement art courseware

Style characteristics of oriental traditional flower arrangement art (1). The "truth" of nature Oriental flower arrangement advocates nature and regards natural beauty as the best artistic pursuit and expression. It emphasizes that "things follow the original environment", "the shape is simple and natural" and "although it is artificial, it is natural". Yuan Hongdao: Make the viewer suspect that the flowers are clustered at the bottom of the bowl. Secondly, the "goodness" of human nature is influenced by the Confucian aesthetic thought with the purpose of "goodness", which gives flowers a beautiful symbolic meaning. It emphasizes that materials must be intentional, borrowed by symbolic, moral and homophonic means, and the moral must be auspicious. . 3. The beauty of art includes the beauty of materials, layout, color, modeling, conception and overall art. The beauty of materials: making good use of woody flowers and highlighting line modeling. The layout emphasizes calligraphy and painting, such as "Wonderful Layout of the Painting Academy", which pursues unity and harmony in color creativity, gorgeous but not vulgar, elegant but not light, and does not seek regularity in modeling, allowing it to play. It pursues the overall artistic beauty to express the theme. Fourth, respect for "sacredness" and cleanliness. Orientals believe that flowers are sacred, treat her with piety, and make flower arrangement feel sacred with the enlightenment and cultivation of flowers. Emphasize that "the heart is right and the flowers are right", and then emphasize "the flowers are right and the heart is right". Correcting people's mentality and entertaining people with the beauty of nature is the real artistic realm. Second, the creative ideas and rules of oriental traditional flower arrangement art (1). Accords with the natural growth law of plants. Tightening: when arranging flowers, the sockets at the base of each branch should be gathered together, like a growing plant, to show its natural vitality. 2. Show the natural beauty of flowers: For example, the beauty of bamboo lies in its majestic momentum. If you use it obliquely in your creation, you will lose the beauty of connotation. 3. The flower pattern also conforms to the natural form of plants. (2) Learn from the artistic techniques of similar artistic creation 1: Pay attention to the use of lines. Wooden branches are often used as the main flower materials, and different linear shapes of branches show different extension beauty and connotation beauty, which makes the works more vivid and vivid. 2. The arrangement of flower arrangement should not be uniform, symmetrical and even, but should be pitching up and down, stretching back and forth and changing. 3. Combination of reality and reality, combining rigidity with softness A. The dense flower arrangement materials should be airtight and should not be evenly spaced. It should be sparse on the top and dense on the bottom, scattered on the top and gathered on the bottom. B. the shade is suitable. If the color is too strong, it should be diluted with light flowers. If the material is too hard and heavy, add some soft branches and leaves to soften it. C. Leave blank, such as bonsai flower arrangement, where one side is arranged and the other side is left blank, which gives people room to watch and imagine. Blank gives people a aftertaste. 4. Deal with the relationship, pay attention to the directionality of flowers, and make the materials interrelated, infiltrated and integrated between pitching and looking around, so as to be full of vitality and open and close freely. 5. Contrastive relationship Through comparison, materials can be compared with each other, showing their magical powers or highlighting the essence of the work. Only by contrast can the composition be vivid and lively, and it will not be straightforward. Contrast includes height, density, size, realism, color contrast and so on. 6 Guest-host relationship When arranging flowers, it is necessary to establish a guest-host relationship, which can make the theme more concentrated and avoid rambling caused by unclear priorities. The Lord is the central content of the work. The guest is in the foil position, regardless of color and direction, in order to put the Lord in a prominent position. Third, pay attention to artistic conception, artistic conception is flowers, assignment proposition 1: artistic conception pays attention to the beauty of the content expressed by flowers, that is, the beauty of artistic conception. Paying attention to the meaning of borrowing things, the form is vivid, the connotation is rich, the artistic conception is far-reaching, it is intriguing, the implication is far-reaching, the expression is poetic, and it is good at beauty and elegance, which is not found in western flower arrangement and other flower arrangements. 2. It means that the florist gives flowers and trees the symbolic meaning, so as to express their feelings or feelings through flowers and educate them. So there is the so-called flower meaning and flower language. The origin of the symbolic meaning of flowers and trees is: 1. Defined by the homonym of the flower name; 2. It is defined by the images of flowers and trees; 3. It is defined by the growth habits of flowers and trees; 4. It is defined by legends and seasons; 3. The naming of the work and the expression of artistic conception have a finishing touch on the artistic conception of the flower arrangement work, which can guide the appreciator to associate with the work and achieve emotional harmony with the author. There are two naming methods: 1. It is stipulated to name the proposition first, and then create the proposition according to the naming. 2. After the creation of free proposition naming, according to its theme, theme and artistic conception, it is named after the symbolic meaning and characteristics of flowers. For example, Luo Ning's "respect for a gentleman" created with flowers such as bamboo, pine, orchid, chrysanthemum and osmanthus is quoted from the Collection of Award-winning Works of the Flower Arrangement Competition of Kunming World Expo edited by Lai Ercong. It is named after the seasonal landscape changes of plants. For example, Li Xue's new book quotes Lianying Wang's words. China Traditional Flower Arrangement Art edited by Qin Kuijie is named after the shapes of flower arrangement works, such as Fei Sheng quoted by Li Peixia and Fan Yanping, named after natural scenery, such as Li Peixia and Fan Yanping's Spring Scenery of Lijiang River, named after a feeling and emotion, such as Li Peixia's Water Knots Together and Fan Yanping's Basic Art of Flower Arrangement expressed in an abstract way. Quoted from "Basic Art of Flower Arrangement" edited by Li Peixia and Fan Yanping, the expression technique of landscape flower arrangement 1, and the requirements of layout. Landscape flower arrangement emphasizes the arrangement of distant view, middle view and close view. Use perspective and "near-far method" to arrange scenery. Multiple sets should be grouped, four sets and three sets should be closely arranged, one set should be separated, five sets should be in groups of three, and two sets should be separated. The heights are different, uneven, not arranged in the same straight line, and the posture changes, echoing each other, vivid and interesting. 2. The choice of flower materials is basically faithful to the natural scene, and the flower materials in the scene are used; Freehand brushwork landscape expresses natural scenery such as lakes, mountains, snow, rain, wind and frost in a highly generalized way. The selection of materials is extensive, you can use wild flowers and weeds with strange branches, and you can also choose representative plants to show the endless changes of nature. 3. The containers and accessories set off the landscape. The containers used for flower arrangement are mostly shallow pots with wide mouths. When writing landscape, we often use some suitable accessories to set off the atmosphere and render the landscape. 4. In addition to realistic scenery writing, freehand brushwork can also be used to express nature in general and abstract artistic techniques, such as sketching the scenery with thick lines, which seems to evoke people's associations in an intangible way. This kind of freehand brushwork is often more touching than the actual landscape. The basic pattern of the four traditional oriental flower arrangements is 1. The structure of the basic oriental flower arrangement is generally composed of three main branches, and then some auxiliary branches of different lengths are inserted around each main branch to fill the space, so that the pattern is full and layered. The first main branch determines the basic shape of the floral organ, such as upright, inclined or drooping, and its length is 1 of the sum of the height and diameter of the floral organ. Generally, the second main branch adopts the same flower material as the first main branch, which makes up for the deficiency of the first main branch and stretches forward in the inclined space, so that the flower shape has a certain width and depth and presents a three-dimensional effect. Its length should be 65438+ 0/2 or 3/4 of the first main branch. The third main branch function is the balanced mode. The first and second main branches may use the same flower material, or other flower materials may be used. If the first and second branches use woody flower materials, the third branch can use herbal flower materials to change its shape and color, and its length should be 1/2 or 3/4 of that of the second branch. Subordinate branches are branches that set off and set off the main branches. Their length should be shorter than the branches they set off, and they play an auxiliary role around the main branches. The number depends on the need to achieve the effect. Generally choose the same flower material as the main branch. If all three main branches choose woody flowers, then the auxiliary branches should choose herbal flowers. If the mutual position and cutting angle of each branch are different, the flower shape will be different, which can transform many flower shapes and increase the variability of the work. 2. Basic patterns common in oriental styles A. The upright first main branch is vertically inserted into the container, showing a straight or slender posture, giving people a dignified and steady artistic beauty. It is advisable to look up and wait. Lianying Wang's "Harmonious Reunion" is quoted from "Appreciation of China Classical Flower Arrangement" edited by Lianying Wang and Qin Kuijie. B insert the main flower branches into the container obliquely, and show their lively and dynamic beauty with some branches that naturally bend or grow obliquely. It is advisable to look up and wait. The overall outline should be an inclined rectangle, that is, the horizontal dimension is greater than the height, in order to show the inclined aesthetic feeling. The right picture is quoted from Basic Art of Flower Arrangement edited by Li Peixia and Fan Yanping. C. Unfolding is to extend the main flower branches horizontally or horizontally in the container, emphasizing the beauty of horizontal lines or ribbons. The first main branch inclines about 80o-90o, and basically forms a horizontal shape with the floral organ. Lianying Wang's work "The First Beauty in Drunkenness" is quoted from "China Traditional Flower Arrangement Art" edited by Lianying Wang and Qin Kuijie. D: In the drooping type, the main flower branches are hung downward and inserted into the container, and plants with tendrils, semi-tendrils and flexible flower branches are used to show the aesthetic feeling of slender lines, elegant and smooth lines, vivid pictures and strong decoration. The picture on the right is quoted from Li Peixia's Practical Essentials and Examples of Flower Arrangement. E. Merging pattern (landscape flower arrangement) Merging pattern is to combine two identical or different patterns into one to form a whole modeling work. Xie Xiaorong's "Spring" is quoted from "Collection of Award-winning Works of Kunming World Expo Flower Arrangement Competition 1" edited by Lai Ercong. F. Landscape flower arrangement is a form of flower arrangement that expresses natural scenery between squares in a basin. Wang's "Quiet" is quoted from Cai Zhongjuan's "Chinese and Foreign Modern Floriculture-Anthology of Flower Rhyme". The above is a text introduction. If you want to download it, you can go to the following website:/course/qita/down5335.html/soft/7/48/2008/2008090854940.htm/jxzy/soft/showsoft.asp? SoftID = 268/data/ 1 164672//kj/xxkj/sort 0220/kj down- 19 133 . html