Analysis of the singing characteristics of the Miao Flying Songs and the formal beauty of the characteristics of the paper

An Analysis of the Singing Characteristics of Hmong Flying Songs and the Formal Beauty Characteristics Essay

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Abstract:

Miao is one of the ethnic minorities in China, specializing in song and dance, especially the Miao Flying Songs in the singing of the language characteristics, **** sound and breathing mode are strong national characteristics, and its own form of expression is also very distinctive. This article mainly analyzes the singing characteristics of the Miao Flying Song and the characteristics of the beauty of the form.

Keywords:

Miao Flying Song; Singing Characteristics; Formal Beauty; Characteristics;

Introduction:

The Miao is a good at singing, the Miao culture is rich, but there is no written text, so the song has become the inheritance of the history of the Miao. It is also for this reason that the Miao people's wedding and funeral are inseparable from the Miao song. Songs are not only the medium of love for Miao people, but also the regulation and decoration of Miao festivals, weddings and labor, which can be said that Miao songs are the spiritual pillars of the Miao people. Especially the Miao Flying Songs are unforgettable because of their beautiful melodies, friendly and natural, and the meaning of the songs is connected with nature and people. At present, there are many experts and scholars who have made good achievements in the study of Miao Flying Songs, but there is still a lack of research on vocal singing. In order to make up for the gap in the research, this paper mainly focuses on the singing characteristics of the Miao Flying Song and the form of research.

First, the singing characteristics of the Miao Flying Song

(a) The relationship between the lyrics and the tune is closer.

From the analysis of the content of the Miao Flying Song, it is an important part of China's national music, the Miao Flying Song has a direct link with the life and culture of the Miao people. The songs are about the life of the Miao people, farming, marriage and funerals. In the process of singing, the Miao Flying Songs need to be sung according to the words, so as to convey the emotions and meanings between the lines and express the feelings of the Miao people. From the form of analysis, the Miao Flying Songs are generally 30 lines, which can be divided into three words, five words, seven words and eight lines, the most common is the five-word sentence, this form of song sentence is short, more convenient to sing, and at the same time in the beat as well as the rhythm of a fixed format, the length of the tune and the speed of the tune is a fixed form, but also in the original tune on the development of the appropriate. [1] In the Miao Flying Song, the first phrase is usually faster, and then slower and slower, and the trailing tone is more serious. At the same time, the second phrase is also fast and then gradually slowed down, in the process of slowing down, it will be lower and lower, and longer and longer. The third and fourth lines are sung at a medium speed, and then gradually accelerated to the climax of the rapid succession of singing, and at the end of the dragging singing style.

(ii) Melodic character.

The melody of Miao Flying Songs is unique in that it is a five-tone system, which is an important part of the five-tone scale system in China, and the most important part of it is the Zheng tone. At the same time, there are some songs that alternate modes in the first and middle parts of the song, but often end with the levistic mode in the last part of the song. This mode is directly related to the Miao language and the singing style developed over the years. In addition, Hmong songs have a fixed format in terms of the length of the rhythm and the speed of the rhythm, so there is also an inherent pattern in the notation process.

Through the creation and play of these fixed formats, the Miao people make the Miao Flying Songs present different characteristics: first, the tune of the Flying Songs is generally higher, and the momentum is magnificent, which can reflect the indomitable spirit of the Miao people, as well as the spirit of the fight against the difficulties, which shows the spirit and temperament of the Miao people who will never give up; second, the melody has a big ups and downs, the rhythm is free and diffuse, and the breath in the sentence is not a good idea, but the rhythm is not a good idea. Secondly, the melody fluctuates greatly, the rhythm is free and loose, and the breath and rest are freely combined in the middle of the sentence, which can reflect the free character of the Miao people; thirdly, there are a lot of glissandos in the song, and the beginning of the sentence adopts the way of starting the accent, and the end of the sentence adopts the way of flinging the accent, which reflects the charm of the voice of the Miao people. [2]

Miao Flying Songs, the most representative of the Flying Songs of the Clearwater Basin, which also appeared a lot of famous singers, such as Sang, Bao, they are excellent singers grown up in the Miao village, and the Miao Flying Songs of the special rendition of the audience to the country, such as in the early liberation of the first time, the song "Chairman Mao is coming" for us to show the characteristics of the Miao Flying Songs, which is the first time that Miao Flying Songs are shown on the national stage, and the first time to show the Miao Flying Songs to the national stage. This is also the first time that Miao Flying Song was shown on the national stage, and with the wide dissemination of this song, Miao Flying Song has also shown its unique charm.

The song's style is bold, and in the process of singing it, people can feel the emotions contained in it, which is a very typical form of the Song of Songs, in which there are only four notes: 1, 3, 5, 6, of which 5 is the stabilizing tone in the whole tune, and it is the support of the whole tune. In the whole piece, the biggest feature is from 3 to 3b, which is also the biggest feature of the tune. From the analysis of the melody of the song, the whole song is a typical four-line structure, the whole tune is centered on the first line of the melody, one line and two lines of the same material, the first line is 1, 3, 5 upward major tonal characteristics, the second line of the melody is down to 3, and the 1, 5 to form a kind of soft, delicate expression of emotion characteristics. [3] Through the alternation of these two emotional colors, it gives people a kind of ancient and modern combination of beauty, and can reflect a unique personality. Singers in the interpretation of the song in the process, those small third of the level into the drag cavity to form the characteristics of the upward and downward, due to the Hmong native language in the pronunciation of the word in the tone is more exaggerated, so in the opening of the song there will be decorative sounds, and for the drag cavity through the long tone can lead to the vocal folds to vibrate, and then produce the waves of sound, reflecting the Hmong people's spontaneity, boldness in the penetration of the character of a few points of subtlety.

(3) The 'singing form' of Miao Flying Song.

The Miao people like to sing, and can sing, so from the aspect of vocal music, the Miao Flying Song is more personalized, and has its own style in the process of singing. From the point of view of the singing form, there are more ways to sing Fei Song, which can be sung in unison, solo, repetitive and pair singing. Moreover, Fei Song can be sung in a polyphonic manner, and in some areas, it also incorporates Pingqiang and Gaoqiang mountain songs. In terms of singing methods, the more popular in recent years is the original singing method, the Miao Flying Songs are performed in the Miao dialect and natural singing style, without accompaniment, occasionally adding some percussion in the singing process, with strong original characteristics and ethnic local characteristics (continued on page 58). So Fei Ge is also a kind of authentic ecological singing, comfortable and natural in the singing process, mainly to express the mood, more delicate and passionate in the expression of emotions, the voice changes from weak to strong, emotional ups and downs, in the singing to the end of the customary addition of a sentence "oh fire", to further emphasize the emotion of the song.

(D) Hmong fly song key structure characteristics.

There are many kinds of Hmong songs, and each tune has its own characteristics, and there is also a big difference in the singing style. At the same time in the expression of emotions are often used in high-pitched singing, the structure of the main two-piece structure, in which the upper piece of the song for the song, mainly composed of two phrases, the rhythm is more free, and the singing method is simple, soothing. In the beginning of the tune is often a short "uh" sound as the introduction, relatively slow, long; the lower part of the piece is the end of the music, this part of the tune's rhythm is vivid and lively, and has a strong sense of jumping. The end of the song is generally used to use a slow way to sing the dragging accent, through this way and the rhythm of the upper part of the echo, forming a complete tune form, which is also a summary of the mood of the whole tune, so that the Fei Song is more simple and refreshing. Meanwhile, the forms of Fei Songs in different regions are different, but the structures are very similar. Therefore, in the process of singing, the Miao people also need to pay attention to their own situation, pay attention to improvisation, the formation of the characteristics of the Miao Flying Song.

The Formal Characteristics of Miao Flying Song

Miao Flying Song is the same as other ethnic songs, in terms of content expression and form are more unified. The singing of Miao Flying Songs is not for the sake of singing, but also singing is a kind of history and culture, so the content of the Miao Flying Songs is true, good and beautiful. By summarizing the Miao Flying Songs, it can be divided into six parts, including the reflection of beautiful love, the imitation of the sounds of nature, the expression of daily life and etiquette, the display of the people's suffering, the process of production, the reflection of the knowledge of life, and the historical storytelling and so on.

The formal beauty of Miao Flying Songs is not only reflected in the music, but also in the shape and form of the music. From the traditional composition of the song, its beauty can be analyzed from two aspects: first, the beauty of the form of the content, which reflects a certain educational function combined with the reality of the aesthetic; second, the beauty of the form of its own, many of the songs are inspired by nature, but also the performance of the original ecology of the song, which often includes some of the sound of the gurgling water and the sound of the birds, and so on, the sound is far more than the charm of the art of music.

Conclusion

In summary, the Miao Flying Song has certain research value from the aspects of music, folklore, history and language, etc. With the development and progress of the society, the influence of foreign cultures in Miao areas is also more and more, and the Miao people's way of life and habits have been forced to change, but the folk songs of the Miao are rooted in the fertile cultural soil of the Miao people. However, the folk songs of the Miao people have been inherited and developed because they are rooted in the fertile cultural soil. Through the analysis of the singing characteristics and formal beauty of the Miao Flying Song, it can reflect the charm of the Flying Song, and further prove that the Miao Flying Song has a greater research value.

References

[1]Chen Yu discusses the classification of the Miao "flying song" and its singing characteristics[J] Voice of the Yellow River, 2015, (7) :82-82.

[2]Wang Shanming discusses the development and singing characteristics of the Miao "flying song". " development and singing characteristics [J]. Voice of the Yellow River, 2014, (10) :16-18.

[3]Yao Min analyzes the singing characteristics of Xiangxi Miao song[J]Music Daguan, 2013, (5) :68-69.