Traditional Culture Encyclopedia - Traditional stories - Who do you like better, Jiang Kun, Feng Gong and Li Jindou, the three giants of mainstream phonology?

Who do you like better, Jiang Kun, Feng Gong and Li Jindou, the three giants of mainstream phonology?

No blowing, no black, fair and just talk to you about cross talk. Mr. Jiang Kun, Mr. Li Jindou and Mr. Feng Gong are all respected old artists in China. Their crosstalk art has its own characteristics and their crosstalk level is different.

1, born in Jiangkun, Jiang Kun, 1950. After graduating from junior high school, I caught up with the Cultural Revolution, and later I caught up with the rural movement. It was not until 1974 that I began to contact crosstalk and performed with teachers.

It was not until the end of 1976 that he began to learn crosstalk from Ma Ji, and at this time, Jiang Kun was almost thirty years old. Jing Yi Xuan is not a black Jiang Kun teacher. He said that crosstalk is really a half-way monk. So in fact, Mr. Jiang Kun is naturally a little worse than Mr. Li Jindou in cross talk.

Besides, Mr. Jiang Kun said that the biggest disadvantage of crosstalk is that it has no creative ability and relies heavily on crosstalk writers. Moreover, due to his experience in his youth, he did not systematically learn crosstalk knowledge and could not perform traditional crosstalk. As a result, after the great loss of excellent crosstalk writers, Jiang Kun's crosstalk career has experienced a cliff-like decline. Master Xuan, like his friends, always feels that Mr. Wang is gnawing at his former capital, a den, tossing and turning.

2. Li Jindou and Li Jindou are famous in China, which happened in 1986. Song Wu Da Hu, which he collaborated with Chen Yongquan, won the prize in the National Crosstalk Competition and became the most famous work in Li Jindou. At that time, Jiang Kun was already a judge of the contest, participated in and presided over many Spring Festival Galas, leaving one work after another. Subsequently, the cooperation with Liang Zuo pushed his career to the peak.

Judging from the performance, Li Jindou learned to sing many cross talk jokes, such as catching and releasing Cao, Shandong and so on. This is directly related to his learning crosstalk in the students' class of Beijing Quyi Troupe since childhood. He was born in a serious crosstalk class.

Therefore, the basic skills are much more solid than those of Jiang Kun. Jiang Kun began to learn and perform crosstalk systematically only when the Corps said that crosstalk was favored by Ma Ji and his basic skills, especially traditional crosstalk, were obviously insufficient. Jiang Kun's kung fu in speaking, teasing and singing is OK, but traditional opera singing and traditional jokes are lacking.

3. Feng Gong, 1957 was born in Tianjin, formerly known as Feng Mingguang, and graduated from the College of Literature of Huazhong Normal University as a crosstalk performer. Ma Ji, a crosstalk performer, is currently the head of China Radio Art Troupe, a visiting professor at Beijing Performing Arts Academy, a national first-class actor, the vice chairman of China Quyi Artists Association, and the artistic director of China Radio Art Troupe.

2065438+200765438+1October 27th, CCTV Spring Festival Evening, Feng Gong, Lin Yongjian, Fu performed the comic dialogue drama "Trust", which was the 32nd time that Feng Gong attended the Spring Festival Evening. Representative works: Idea Company, Auction, Love Song on the Road, Too impatient to eat hot tofu, Little Cotton-padded jacket, Life is a little sweet. Feng Gong has two female apprentices, one is known as Rosamund Kwan and the other is Stephen Chow.

Feng Gong's female apprentice Song Ning is tall and sexy. Rosamund Kwan, known as a phonologist. Jia Ling is funny and cute, and praised by the female version of Stephen Chow. Made of steel, Feng Gong's partner Liu Shui. During his cooperation with Liu Wei and Niu Niu, Feng Gong performed many cross talk jokes for the masses. Feng Gong collaborated with Guo, Zhou Tao, Xu Fan and others to create many short plays for the masses. As time goes by, time flies. Prosperity is exhausted, and youth is fleeting. Life is a hundred years, Feng Gong cherishes time, and this life is glad you came!