Combined with the movie "The Garden of Perfect Brightness" to talk about their understanding and feelings about traditional Chinese garden architecture

I also unfortunately chose the architectural aesthetics, in the Internet to find some of their own spelling, I hope it will be helpful to you ~ ~

"Please use marble, alabaster, bronze and porcelain to build a dream, with cedar as a roof, draped in satin, full of jewels, here to build the temple, there to build a harem, put on the statue of the gods, adorned with glaze, adorned with gold, adorned with powder. Ask the architects of poets to build a thousand and one dreams of a thousand and one nights, add a garden, a party of pools, an eye of fountains, and please imagine a fairyland of human fancy, whose outward appearance is that of a palace, a temple."

Watched the large documentary 〈Yuanmingyuan〉, digital technology makes this ruined garden I am familiar with come to life, exquisite, beautiful, beautiful, breathtaking.

Chinese garden is a natural landscape garden, the pursuit of natural interest is the basic characteristics of Chinese gardens. Ancient Chinese scholars on the landscape nature with reverence, reverence for the attitude of the ancient Chinese "unity of man and nature" philosophical outlook, emphasizing the complementarity between man and nature, harmony and unity. The construction of classical Chinese gardens is in line with the ancient Chinese literati living in the mountains of the four laws: "trees without rows, stones without location, houses without macro-universal, the heart of the ideal garden environment. In the aesthetic interest, the beauty of Chinese garden art, not only embodied in the external form of beauty, but more in pursuit of the beauty of the mood. "Pieces of mountains, inches of stone aesthetics", the objective scenery and subjective emotions combined, mood and scenery, through the scenery to see the deepest reflection of the soul of the self, so that the scenery is full of poetic and profound philosophy. "Context as a special structure of Chinese classical art, whether for poetry, painting, music, or for the creation of gardens and even bonsai, can give the soul, the infusion of life, the transformation of scenery for the mind, change the mind for the picture, so that the works near and not floating, far and not exhaustive, imagery is implicit, the mood of the depth of the charm of its special beauty, fascinating, intriguing.

Western missionaries in the Ming and Qing dynasties brought Western philosophy, science, culture and art. As one of the most important cultural carriers, garden architecture naturally became an integral part of it. The most significant influence of Western gardens is the Royal Garden, it is not only in the building of local Western architectural techniques, and in the garden of the intention, layout, construction of Western gardens copied, and even with the Western design of gardens, large-scale groups of Western-style garden buildings. One of the most prominent examples is the Western-style buildings in the Yuanmingyuan. The Qianlong emperor from Lang Shining submitted to the Western paintings in the Western gardens to see the fountain pattern, very interested, and then enlisted Western missionaries to build, and finally recommended by Lang Shining missionary Jiang Youren in the north side of the Changchun Yuan built the first large fountain, "Qianlong see and greatly pleased. Changchunyuan in the other European-style buildings and water construction began at this time". The introduction of Western-style buildings, expanding the horizons of the country, refreshing. At the same time, enriched the Chinese gardening art techniques.

Yongqian period of the Qing Dynasty, once as the early Qing Dynasty Chinese and Western cultural exchanges dominated the dissemination and application of Western science and technology is greatly weakened, the focus of cultural exchanges between China and the West turned to the arts, the introduction of Western painting, music, architectural art of the traditional Chinese culture and art have an impact, the Italian painter Lang Shining and others fusion of Chinese and Western painting to create a "new body of paintings The Italian painter Lang Shining and others fused Chinese and Western painting methods to create the "New Style Painting", and the Western-style buildings in the Yuanmingyuan appeared in this period. The influence of Western garden art on Chinese gardens is most obvious in this period.

In the Yuanmingyuan, almost all Chinese architectural forms and Western architectural forms, including Baroque, were assembled. In this magnificent garden, there are halls, pavilions, terraces, buildings, pavilions, pavilions, garden corridors, xuan, lounge, rooms, boats, pavilions totaling twelve kinds of architectural forms coexist. In addition, in the Yuanmingyuan you can also find a very large number of three very basic Chinese styles of architecture - bridges, walls, towers. The overall design of the Yuanmingyuan is characterized by the use of "borrowed scenery," "divided scenery," and "partitioned scenery," which expresses the mood of Chinese poetry and painting to the fullest extent. In the layout conception, the bold use of contrast, accompaniment, appearance, relative space, depth arrangement and relative position and other means. In terms of technical elements, it mainly adopts "cause", "borrow" and "pile" to realize the integration of artificial gardens and nature. The combination of Chinese southern and northern gardens and western gardens, its water management, mountain stacking, architecture and flowers not only reflect the basic theory of creating gardens - follow nature. At the same time, it also demonstrates the majesty of imperial power to the greatest extent possible, emphasizing the great unity of Chinese political culture, which is perhaps the unique Chinese aesthetic taste and world view. It can be said that there has never been such a grand garden and architectural complex in China, or even in the world. If it is still alive today, it will be a museum of Chinese architecture and a vivid and realistic teaching material of architecture.