What are your suggestions for the development of folk handicrafts?

Folk handicrafts in the development of inheritance of the following problems

Folk handicrafts in the development of inheritance of the main existence of the inheritance of young people did not sink the heart of the development of handicrafts, some handicrafts do not have a market or the production of products that can not be sold on the lack of economic benefits, no one is willing to learn to think about this type of government support. There is a market demand should be bigger try not to use the computer mass production of handicrafts, handicrafts left behind by the human body gentle feelings. In some artists to add confidence in the practice at the same time, but also make more people began to pay attention to folk handicrafts. "If young people are unwilling to learn, no one will do it when we die." China's arts and crafts schools were once the cradle of arts and crafts talent, but with the merger of institutions across the country or the adjustment of specialties according to market demand, most high schools are positioned to teach arts and crafts and no longer focus on the teaching of traditional arts and crafts. Even for college students who have received professional training in traditional arts and crafts, most of them will turn to graphic design and other directions when they are employed. Traditional handicrafts through the "social" inheritance of this road, the more narrow.

Inheriting handicrafts through the "master and apprentice" relationship is also difficult. To learn a craft, even those who have the realization of the people have to learn for several years, during which time they have to endure loneliness. This "loneliness" is a test for both master and apprentice. In this era of speed and efficiency, both the master and the apprentice, from the economic and time costs, it is difficult to survive this "ascetic monk" like practice process. The "family" way of teaching handicrafts is becoming more and more rare. Craftsmanship does not pay well, some children of craftsmen do not want to follow in their father's footsteps, and most importantly, some craftsmen do not want their children to rely on their craftsmanship to make a living like they do. In fact, of the three most important ways of passing on crafts, the family inheritance break is the most serious.

The road to avoiding the "death of the art" of handicraft inheritance is fraught with difficulties. And in the "chief artist" in the process of writing, the reporter met several types of craftsmen, a person only to make money, on their own craft has no feelings, become numb; a person is full of passion for their own craft, as a pleasure to continue; and a greater number of people between the two types of people, a group of craftsmen, who want to protect and develop their crafts, and also want to protect and develop their crafts. They want to protect and develop their skills, but also want to earn money and seek greater development. They are perplexed by the dilemma of facing the contradiction between development and inheritance. And let this part of the people to find the motivation to move forward, adhere to the folk crafts heritage road, for the protection of traditional crafts, heritage is very important, "or one day these good things will really have to be cut off".