What is the unique beauty of China's calligraphy art, and how is its artistic charm displayed?

China's calligraphy is based on Chinese characters and Four Treasures of the Study (pen, ink, paper and inkstone). According to the modeling characteristics of Chinese characters, it is accomplished by artistic means of artistic conception and mobilization of pen and ink.

It is the art of lines, but not simple lines, but lines with painting nature. Composed of all kinds of unpredictable lines, it conveys the complex emotions of the writing subject, such as emotions, joys and sorrows, etc.

China's calligraphy is a unique performance art of China culture, which is known as: silent poetry, invisible dance; Painless paintings, silent music. The art of calligraphy shows China's most ingenious spirit of freedom, as well as the ethereal artistic interest and personality value of calligraphers of past dynasties.

This is the unique beauty of China's calligraphy art.

The body of China's calligraphy now:

1, the beauty of lines in calligraphy art

Calligraphy is based on Chinese characters and consists of stippling. Point is the condensation of line, and line is the extension of point. Calligraphers use the techniques of lifting, frustration, lightness, thickness, strength and quickness, and combine the changes of pen and ink to make the stippling lines have emotional beauty. The beauty of lines can evoke a sense of strength.

The emotion of lines is mainly manifested in the rhythm of lines, which arouses people's hearts like music played by a pen. The rhythm and melody of lines are expressed visually, which makes people feel psychologically.

The emotional line must be distinct, with a call and a response, a stop and a stop. Start and stop moderately, or break or connect, look around and echo up and down.

2. The beauty of calligraphy structure.

The beauty of calligraphy art is not only manifested in stippling lines, but also in the structural modeling of each word. The development and evolution of Chinese characters has gone through several stages, such as seal cutting, official script, cursive script and running script, but each stage has its own unique beauty.

There are four structures in the structure and modeling of Chinese characters: left and right structure, up and down structure, enclosing structure and single character. The beauty of these structures perfectly embodies the Confucian golden mean, including humility, symmetry, balance and rhythm.

Therefore, calligraphy based on Chinese characters is not only beautiful in lines but also beautiful in structure. If western painting praises the physical beauty of nature's creations by exquisitely depicting objects, then China's calligraphy shows colorful physical beauty by stippling the text structure.

3. The beauty of calligraphy.

The basic characteristics of calligraphy art are produced or determined by the texture of lines, which are produced by specific brushwork, thus determining the importance of brushwork. In the long-term calligraphy practice, it is found that the central stroke can produce this texture modeling effect. The depth of the pen tip entering the paper and the change of the pen tip in the stroke transition have produced the strength of calligraphy, which makes the shape and strength of lines constitute the artistry of calligraphy.

For thousands of years, the complexity of calligraphy training mainly comes from the artistic inspiration of calligraphy lines and the rich accumulation formed by the long history of calligraphy. The artistry of calligraphy depends on the artistry and artistic connotation of lines, which requires calligraphers to enrich the artistic connotation of lines in their works in an eclectic way in order to enrich their brushwork connotation.

The excellent brushwork of the predecessors is the crystallization of their hard practice and thinking. The more these artistic features are absorbed, the more artistic the lines will be.

4. The Mo Yun beauty of calligraphy.

Calligraphy art is a wonderful flower of the ancient civilization of the Chinese nation. Through clever and magical brushwork, misty Mo Yun, strange shelves and uneven beauty, it creates atmospheric artistic beauty, vividly shows the calligrapher's aesthetic feeling and spiritual realm, and gives people a high degree of aesthetic enjoyment.

In China's calligraphy art, brushwork and brushwork are organically unified, complementary and inseparable. The calligrapher's pen and ink, which runs through the whole picture and changes endlessly, is a magical record of the calligrapher's writing with emotion and leaving the shape of one stroke and one painting. The dense clouds in the whole work are the product of the combination of pen and ink.

The shade and dryness of ink painting can best convey the artistic beauty of calligraphy works. Dry and wet, knowing white and keeping black are the important contents of Mohist thought. Calligraphy expresses people's life rhythm and inner feelings in a black-and-white world.

5. The artistic beauty of calligraphy.

The first concern of calligraphy creation and appreciation is the overall effect of the work. An excellent calligraphy work must be a pluralistic and unified whole. Composition is the overall layout of the work, that is, the size distribution of words, the length of strokes, looking around and interspersed, and density processing. Virtual and real, white and black, live together, set each other off, and there is pen and ink everywhere between the lines.

The composition of calligraphy pays attention to the connecting link between the preceding and the following, looking in all directions, with irregular changes, reasonable inscription and harmonious overall layout.

Calligraphy pays attention to the beauty of rules and regulations. Using the contradiction between reality and reality, the virtual place is elegant and the real place is full. And the reality is empty, and the emptiness is real, that is, using the opposite principle. In composition, Xiao Shu is clear, not like a loose sand, but virtual and real. The blank space outside the ink color is endless, but great, and no painting is everywhere.

As far as composition is concerned, one point is the rule of one word, and one word is the final rule. Run through the structure, lead duct tape, echo from beginning to end, in one go. Cloth and white is the contrast of calligraphy dust spots. Clever white cloth can make the sky produce the effect of Youlong coming out of the water and clouds fluttering, leaving enough imagination space for viewers.

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