Where is Jet Li's ancestral home?

Jet Li, 1963 was born in Beijing, China on April 26th. He is a China film actor, director, producer, martial arts athlete and businessman.

197 1 entered Beijing shichahai sports school and began his career as a martial arts player. 1975 participated in the Wushu routine competition in the National Games and won the all-around championship. 1979 retired due to injury. 1982 starred in his first film Shaolin Temple.

1992 got more attention because of the martial arts film Swordsman 2: Dong Fangbubai. 1995 won the 32nd Taiwan Film Golden Horse Award and the special award for mainlanders. From 65438 to 0998, he went to Hollywood to develop, and in the same year, he starred in his first film "Lethal Weapon 4" in Hollywood. 200 1, producer of the action film "Variation Elements".

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Jet Li is one of the representatives of martial arts movies. Whether it's Huang Feihong series movies or Fang Shiyu and its sequel, he has demonstrated his martial arts talent. His kung fu combined strength and aesthetic feeling, thus creating a martial arts aesthetic feeling with the organic integration of strength, speed and flexibility. Jet Li's kungfu has permeated the spirit of China Wushu culture.

He has received orthodox martial arts training, so his martial arts routines and postures are very standard. His martial arts movements are both rigid and flexible, smart and beautiful, and contain rich artistic conception of China philosophy. Jet Li's Kung Fu shows his thoughts deeply influenced by China's traditional culture, with a quiet elegance. His brushwork and style are as beautiful as dancing, which contains rich essence of China Wushu.

In the kung fu film Shaolin Temple, he fully demonstrated his martial arts talent, and his fresh and handsome image was deeply rooted in the hearts of the people. In Huang Feihong series films, he fully demonstrated his extraordinary martial arts attainments and superb performance ability. He remolded Huang Feihong's heroic image in the eyes of the audience, and successfully portrayed Huang Feihong's contradictory mentality of inferiority and pride in the era when Chinese and Western civilizations collided.