The difference between comedy and sketches, why some comedians change their profession to sketches

The skit was developed in the Spring Festival Gala program in the 1980s. The skit is an improvisational form of performance that requires rich life experience and vivid life language, and is famous for Zhao Benshan, Chen Pesi, Zhu Shimao, Song Dandan, Huang Hong, Cai Ming, Guo Da, Pan Changjiang

The skit is made up of elements such as multi-character exchanges, choreography, complex props, music, and lighting, and is able to express the story background in a clear and visual manner. The background of the story, the biggest difficulty of the skit performance is where it is, is not to make mistakes, if a place to deal with the wrong, such as missing the action, then there is almost no remedy behind the room. There is also a point of cooperation, cooperation with a breakpoint, will immediately be found by the audience, and thus detached from the sense of generation, then the whole program is embarrassing.

Comic opera is a folkloric performance that existed during the Qing Dynasty, and the famous masters of comic opera include Ma Sanli, Hou Baolin, Chang Baokun, Su Wenmao, Liu Baorui, and many others. In the late twentieth century, a generation of masters led by Hou Baolin and Ma Sanli fell one after another, and the comedy career hit a low point.

Comic opera seems to be a simple form of performance, but in fact, the study of the actor's basic skills of the degree of solidity as well as experience in the field of play, Guo Degang once said: the introduction is very simple, put on a coat on the stage will be able to say, but to really will be very few, which is entirely dependent on the accumulation of learning and experience.

Why is it that some comedians don't say it in the Spring Festival, but instead act in sketches? Representatives: Feng Gong, Jialing, Guo Donglin, etc., these people do not say comedy after the performance of the sketch is also remarkable, to say that the reason for the change of profession is probably three points: First, the change of the environment, the end of the nineties, because of the increase in the number of new ways of entertainment, such as television, the popularity of the film people on the splendor of the various performance modes of the favor of the industry, resulting in a large-scale collapse of the comedy industry. The second point is: inheritance fault, many traditional old paragraph because most of the old generation is to rely on the old generation of oral transmission to be preserved, with the founding of the country after the death of the few remaining masters, successors and the lack of successor to lead to a lack of new comics, after all, comedian actors training cycle is too long, different from the sketch rehearsal can be a certain amount of time to debut, the third point, a good partner, the comedy is three points of the joke, seven points of the cupping, the industry good comic actor relative to the other two. The industry is relatively more good comedian actors, too few comic, or will hold too few, after all, the professionalism of the comic is very high, simple scene of the comic all rely on the comic's pockets (Yu Jian definitely counted as a good comic), so many actors give up the form of comedy this is relatively single, on their own and their partner's high requirements of the industry, and turn to go by the many, the cycle is short, the performance of the image of a multi-faceted sketches.

Transferred from the fat egg sketches:: www.pangdan.com; small trigrams of the heart: had in both the truth, to entertain the public is the best policy.