Text Course: Analysis of the Freehand Paintings of Myna and Pulsatilla

Myna is a common theme in China's flower-and-bird paintings. It is covered with black feathers. Flying feathers have white stripes when they spread their wings. The head is crowned with feathers, and the beak and feet are yellow. It is docile, approachable, loud, full of charm and good at imitation. After tongue training, it can speak human language, and it is very cute in spirit. It is one of people's favorite birds.

1. Hands-on style

Draw the outline of the eyes in the center. According to the direction of myna's mouth, the small flank should draw a crown feather on the forehead, the lines should be calm, and the pen should be changed without too much water. Then, the head and neck should be painted with heavy ink. The head painting steps are as follows:

2. Myna multi-angle avatar analysis

Myna's graceful posture and mastery of head dynamics in different directions are very important to complete a complete work, and attention should be paid to the structural relationship between head and neck when painting.

3. Dynamic combination diagram of myna head

The dynamic combination of the head should pay attention to the dynamic contrast and position arrangement between the myna, and the pen should be concise, bright and varied, and try to combine the movement with the movement to make the myna dynamic and increase the interest of the picture.

4. The painting of starling's wings and torso

When drawing myna, according to your own habits and preferences, you can tilt your head back first or you can tilt your head back first. When painting, we should pay attention to the egg-shaped structure and perspective relationship of myna trunk, and also pay attention to the ink level between back, wing feather and tail feather. When drawing the back, wings, feathers and tail, use a vigorous pen and leave it blank naturally. Starling's trunk and abdomen should pay attention to shade, dry and wet changes and layered beauty.

Painting of trunk:

Wing painting:

5. Starling's claw painting

Myna's paws are small, so when painting, we should pay attention to the change of structure, turning point and direction, and use the pen calmly and forcefully. According to the needs of different pictures, boneless or sketch coloring methods can be used.

6. The performance of myna's different gestures

Starling has a graceful posture. It is a compulsory course for artists to know the shape and posture of myna by sketching, observing and copying. It is necessary to add the dynamics of myna reasonably according to different screen requirements to make the screen more interesting.

Appreciation of the famous myna's works

Dingliu myna

Wang Xuetao wisteria starling

Lu Xiaoman Shi Mei myna

Huang Huanwu spring willow starling

Liu Zigu Zhushi Starling

Second, the painting method of Pulsatilla chinensis

Pulsatilla chinensis, whose scientific name is Pulsatilla chinensis, is a common bird in the vast area south of the Yangtze River. It belongs to family snipers and is small in size. It likes to gather on branches and act together. The head is black, the eyebrows and pillow feathers are white, the back is yellow-green, and the chest is taupe. Pulsatilla is lively and fearless, and his voice is euphemistic and changeable. It is a wishful bird that grows old with good wishes and is deeply loved by the public.

1. Hands-on style

Hook the eye socket and beak with medium ink, and make the finishing point with Jiao Mo. The lines should be stable and varied. Draw the head with light ink or cyan gray, naturally leave blank, and leave blank pillow feathers.

2. Dynamic drawing of Pulsatilla's head

Pulsatilla is lively and active. Therefore, through a large number of sketches and observations, understanding the structure and posture of its head and the relationship between its mouth, eyes, head and neck plays a key role in the success of the work.

3. Chinese Pulsatilla trunk painting

According to personal preference, start from the head and draw shoulders and wings along the direction of the head. When painting, you should use a pen naturally, have a sense of hierarchy, and pay attention to perspective and the egg-shaped structure of Chinese Pulsatilla.

4. Painting of Pulsatilla wings and tail feathers

When drawing wings and feathers, use a firm pen to help contrast with the shadows on the abdomen. Painting wings in the middle, emphasizing the tip of ink wings, naturally leaving white space, making the ink change in shades, alternating dry and wet, and the ink color changes layer by layer.

5. Chinese Pulsatilla Claw Painting

Pulsatilla and myna have similar claws and are smaller. When painting, you can use double-hook coloring or boneless method, with steady pen force and flexible lines, and avoid being stiff and rigid.

6. Pulsatilla dynamic painting

Understand the activity characteristics of Pulsatilla chinensis, reasonably arrange the position and dynamic combination of birds according to the overall layout, and combine static and dynamic to echo each other.

Appreciation of famous works

Qi Baishi is rich and grows old together.

A tree with white heads and many children

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