Who knows what Eason Chan's anti-climax song is ~

This song is a song in my happy time. It was released on 1998. It is a portrayal of the society at that time. People are not satisfied with ordinary stimulation, but pursue deeper stimulation. People expected another climax, but Huang Weiwen took another road.

Although 1998 describes Hong Kong, it is not bad to put it on the mainland now. People pursue excitement and turn grievances and passions into anesthetics of life. Behind the carnival, questioning and anger again and again, it is essentially entertainment.

Extended data:

a tiger's head and a snake's tail―in like a lion

Eason Chan

Lyrics: Huang Weiwen

Arranged by Carl Wong

This second is very touching, and then it can only be more radical.

If you want mediocrity, 1 1 points mediocrity.

Laughing and laughing must be crazy, and always be moved.

Life and death are too lazy to boo when it's not good. It's fun, but the essence is the same.

The gradual contradiction is self-destruction, how to maintain an orgasm?

One move is too little, and the spirit and desire have been upgraded.

How can I fall into loneliness again? How can you jump on the eighteenth floor?

If the enemy does not move, he will not move. Thick-skinned, it doesn't hurt to stab him with a knife.

Children in distress, cruise ships that hit an iceberg, it's hard to shake me, I'm sad.

How to keep an orgasm is too little.

The spirit and desire have been upgraded, how can they fall into loneliness again?

I don't know how to jump on the eighteenth floor. It broke vertically.

I can't believe I want and get too little. This second, I realized how much I needed it.

I can keep an orgasm. I do too little.

The spirit and desire have been upgraded, how can they fall into loneliness again?

This broken bridge is a pipe jump. How to jump on the eighteenth floor?

My heart is immortal, and at most my mood is gradually out of balance.

Oh, no, I can't even stop orgasms recently. Even orgasms are bothering me.