The Chinese opera stage requires a setting in the same time and space as the real thing. ()

The Chinese opera stage requires the setting of the same time and space as the real.

Chinese traditional opera has distinctive regional characteristics, rich cultural connotations and complex performance forms, in which the creation and performance of repertoire reflects the richness and colorfulness of Chinese culture and historical changes. In Chinese opera performances, the setting and scene are very important, which is the window through which the spirit of the repertoire and the context of the times can be presented.

In the setting of Chinese opera stage, space and time are always crucial. The opera stage requires the setting of the same space and time as the real one, i.e., the reproduction of the space and time in reality through art techniques, music and performance. This requirement essentially centers on authenticity, allowing the audience to feel as if they were in the opera story, creating a ****emotional experience.

In Peking Opera, sets and props require a high degree of historical originality, and actors are introduced to the time, place, and background of the characters before they go on stage in order to remind the audience of the time and space involved in the plot. The way the Chinese opera stage is set up and performed reflects the depth and history of Chinese culture, and brings a more immersive experience to the audience.

Origin of Chinese Opera:

Chinese opera is an important part of traditional Chinese culture and has a long history. The origin of Chinese opera can be traced back to the Han Dynasty about 2,000 years ago. At that time, Chinese emperors and aristocrats often held banquets and entertainments, inviting various performing artists to perform, including opera performances.

There were three main periods in the evolution of Chinese opera. The first is the Yuan Dynasty, the opera of this period is called "Yuanqu", which is a fusion of Tang and Song literature, music, folklore, religion and other factors. The representative works of Yuanqu include The West Wing, The Peony Pavilion, and Dou'e Grievance.

The operas of the Ming and Qing dynasties were known as Peking Operas, which were gradually developed on the basis of Yuan Operas. During the performance, actors were required to sing, recite, act, play, dance and other artistic means to show the character, emotion, situation and other characteristics of the characters in the play, which made Chinese opera a highly comprehensive art form.