Using the relationship between cultural inheritance and development, analyze why Yangliuqing New Year Paintings have been able to continue to flourish

Yangliuqing New Year paintings are woodblock prints.

Yangliuqing New Year Pictures, known as Yangliuqing Woodblock New Year Pictures, is one of the famous Han Chinese folk woodblock prints, and is known as "Southern Peach and Northern Willow" together with Suzhou Taohuayu New Year Pictures.

Place of origin: Yangliuqing Town, Tianjin Age: Chongzhen period of the Ming Dynasty Prevalent period: Yongzheng and Qianlong periods of the Qing Dynasty to the early Guangxu period

Main themes: ladies, dolls, myths and legends Representing works: "The Five Sons Seize the Lotus", "Lotus Years of Fortune" and so on

Yangliuqing Nianhua, which originated in Chongzhen period of the Ming Dynasty in China, has succeeded the traditions of Song Dynasty and Yuan Dynasty paintings, and has absorbed the Ming Dynasty's woodcuts, prints, arts and crafts, and theater and art works.

Yangliuqing New Year Paintings were created in the Chongzhen period of the Ming Dynasty, inheriting the tradition of Song and Yuan paintings, and absorbing the forms of woodblock prints, arts and crafts, and theatrical stages of the Ming Dynasty, and adopting the method of combining woodblock overprinting and hand-painting to create a unique style that is distinctive, lively, joyful, and auspicious, and rich in touching themes.

Yangliuqing New Year Painting products are marketed in the north and all over the northeast, Inner Mongolia and Xinjiang. It has a certain influence on Hebei Wuqiang New Year's Paintings, Dongfengtai New Year's Paintings, and Shandong Weixian, Gaomi and Shaanxi Fengxiang New Year's Paintings.