Hello, there is no understanding of painting friends to help look at this painting, the inscription is "Huayu", what is his real name, where is the person, how is this painting!

Mr. Liu Huayu, the word Bo Hu, the number of the mountain pastor, tiger edge Zhai master, born in Jinan in 1954. He loved art since childhood, when he was 10 years old, participated in the regional children's exhibition; after like to paint the tiger, and tiger bonding, get China's famous tiger painting Mu Lingfei first teaching, and for its painting room inscribed "tiger edge of the lounge". Mr. Huayu after decades of unremitting hard work, the pursuit of knowledge of the tiger painting tiger, tiger I am one, tiger metaphor, creating their own unique characteristics, extraordinary techniques of art style, to achieve the god of the shape, in order to feel the feelings of the people, the meaning of the Zen art realm.

The tiger painting under the brush of Huayu is based on the inheritance and development of traditional art, and he endeavors to innovate and form his own original artistic style. When he began to learn to paint, he attached great importance to copying, and through copying to learn from the ancients and contemporary celebrities, to learn from the art heritage and contemporary celebrities in the ink and brush skills. He copied the works of famous tiger painters such as Zhang Shanzi, Hu Shuangan and Liu Jihao, especially the tiger paintings of Mu Lingfei, which he copied over and over again and benefited greatly. His attitude towards traditional techniques when copying is to follow the relevant teachings of Xu Beihong: "The best of the ancient method is to keep it, the dying one is to follow it, the poor one is to change it, and the insufficient one is to increase it. Western painting can be taken into the fusion." Before he paints, he always carefully watches and analyzes the paintings to find out the beauty of the technique of the model paintings, and then he puts his pen to paper. Not only the image and dynamics of the tiger, but also the tiger's temperament and demeanor, as well as the background of the mountains, waterfalls, clouds, boulders, trees and grass. He never aimlessly and blindly according to the painting and drawing, but to understand the main idea of the model painting and the performance of the premise of the wonderful pen, the model painting of the long, the true essence of the technology to learn.

Liu Huayu paid special attention to sketching. He often says: "Know the tiger to paint the tiger, understand the tiger's habits, feel the tiger's majestic beauty, fall in love with the tiger's majestic beauty, and then you can paint the tiger, you can paint a good tiger." In order to familiarize himself with the different temperament and demeanor of tigers in different climates and situations, he was not concerned about the severe winter and heat, day and night, morning and evening, and he was sleepless and tired when observing them. In order to familiarize himself with the different forms and temperaments of different species of tigers, he often went to the zoos around the world to do sketching, and he observed and studied and depicted the Northeast Tiger, the South China Tiger, the Bengal Tiger, the Caspian Tiger, the Javanese Tiger, the Malayan Tiger, and the Sumatran Tiger and other seven species of tigers in the world. Especially interested in the Northeast Tiger, I observed them especially carefully, sketched them the most times and had the deepest impression, and even became a "close" friend. The image of the Northeast tiger would appear in his mind when he was resting with his eyes closed: a huge body, a healthy body, a well-proportioned body shape, a light and thick fur color, a clear stretch, a flexing potential, a subtle change, a harmonious and perfect mottled texture, and especially no matter whether it is quietly lying down, standing, walking, or running, or pouncing on the food, it all implies or expresses a kind of unique explosive force and majestic beauty. He pays special attention to the dynamics of the tiger during sketching, as well as the moods expressed by the dynamics, and also pays attention to the moving parts of the tiger when it is at rest. The tiger's cyclic movements are easier to grasp, but the instantaneous movements are not easy to grasp, and its dynamics are unpredictable, passing away in the blink of an eye. He does not look at a painting a stroke, but will be a tiger in different situations under a variety of dynamics, demeanor and mood, only to make some symbols of brief notes, mainly engraved in the depths of the mind, so he draws a tiger is always a god to create a shape, often a stroke of God, to achieve the shape of the god of the art effect.

After a long time of copying and sketching, Huayu knew the tiger's habits and different moods like the back of his hand, and had a deep affection for the beauty and majesty of the tiger's form. When he was creating, he even regarded himself as the tiger's kind, and not only gave his full attention to it, but also integrated his own feelings into it, and coalesced the tiger's most wonderful forms into his brushstrokes with the feelings he gained from copying and sketching, so as to achieve the degree of unity between the tiger and himself. Therefore, the tiger under his brush is able to make shape with God, move people with feelings, and make the meaning of Zen. It is not like looking at a photo, but like watching a video, which is very lifelike. His brushwork "on the group", four big tigers, four small tigers, both a unified vision, but also have different demeanor, with a strong human flavor. Heroic spirit" two tigers, female tiger demeanor gentle, and male tiger snuggling, male tiger, but the tiger is eyeing, teeth like a steel sword, whiskers like a steel needle, the formidable look, in the female tiger warm expression of the backdrop, the more shows the male tiger of a heroic spirit.

Huayu's tiger paintings, pay great attention to the composition, highlighting the theme and mood of the idea. His use of ink, color and organic arrangement of the scene, the picture layers clearly highlight the theme of the tiger, he is good at catching the tiger in the moment when sketching a vivid posture, and carefully processed to give the necessary refinement and exaggeration of the zoo sketching the tiger image, give the mountains and forests majesty, through the form of the tiger, dynamics, demeanor, mood, and with the atmosphere of the wilderness, the exaggerated boulders, the pallid Through the characterization of the tiger's form, dynamics, demeanor, and mood, as well as the contrasting scenery with a wilderness atmosphere, exaggerated and thick boulders, pale grass, distant mountains, and ancient trees, the tiger's majestic beauty is expressed. Because of the importance of the conception of the mood, most of his paintings reflect the meaning and interest outside the painting, and his works have deep meaning and are intriguing. His "Crouching Tiger, Hidden Dragon" is an example, in the deep forest like a dragon like gnarled cypress backdrop, although the two tigers quietly crouching, head high and far away, its demeanor but shows incomparable majesty.

We know that without considerable profound strength, the use of capitalist brushwork to paint the tiger, it is very difficult to paint well. Mr. Huayu's large ink and watercolor "wind", to take the shape of God, to the idea of the shape, a few strokes, simple and concise, the tiger is born, but the shape of God enough, a leaping tiger, alive and well. After viewing the painting, I was energized, and it is really a very strong artistic influence, and it is very beautiful.

Huayu's works have participated in many painting exhibitions at all levels, held many personal large-scale "Hundred Tigers Painting Exhibition", more than 20 times won the provincial and national awards, for more than 30 provincial, national and overseas newspapers and magazines, biographies and works selected dozens of large dictionaries and painting collections.