What does harmony mean?

Question 1: What does harmony mean? Say it in a correct and popular way. harmonious

A combination of sounds made by two or more different sounds at the same time according to certain rules. It includes: ① * * *, which is the basic material of harmony. It is composed of three or more different sounds by three-dimensional superposition or other methods at the same time. This is the longitudinal structure of harmony. (2) harmonic progression, refers to * * * successively connected, this is the lateral movement of harmony. By the way. Harmony has obvious strong, light, thick and thin color effects; It also has the functions of forming clauses, dividing paragraphs and ending music.

Since17th century, due to the gradual development of melody music, the role of harmony has become more and more important. It plays three roles in music: ① the combination of voices. On the basis of unified harmony, all the voices are combined with each other to form a harmonious whole. ② The structure and function of music. Harmonic progression, group gathering and tonal layout play an important role in the composition of music forms. ③ The expressive function of content. Through the color and texture of harmony, the musical image is shaped and the musical content is expressed. The treatment of harmony is an important writing skill in music creation, and it is also the basis of other composing techniques such as counterpoint, orchestration and form. Sometimes, tunes also come from harmony.

In tonal music, harmony has both functional and semitone meanings. The function of harmony refers to the stable or unstable function of each * * * in tonality, their movement and tendency characteristics, and their logical connection. The function of harmony is closely related to tonality. Without tonality or tonality, harmony loses its functional meaning. The color of harmony refers to various * * * structures, harmony positions, texture writing, and harmonic progression's sound effects. Harmony color is the main factor of harmony expression, which is of great significance in both tonal and atonal music.

The historical development of harmony The formation and development of harmony in western music has a history of more than 1000 years, which can be summarized into the following six stages:

10 ~16th century, European polyphonic music developed from the early organon to the perfect stage of polyphonic writing. When the parts of polyphonic music are mainly combined in harmony intervals, harmony intervals, * * and harmony series are formed. At that time, it was based on various seven-tone ancient modes, so later generations called the harmony in 15 and16th century polyphonic music as medieval mode harmony or church mode harmony. Its characteristics are as follows: ① Based on the tonality of six different modes (i.e. tonic) (the seventh Locklear mode is rarely used).

The interval relationship of each mode scale is different, and each mode has its own characteristic interval, which is different. (2) Based on the harmonic interval, the * * structure only has the original position of major and minor, the first transposition and the negative three * * * first transposition. Other dissonance intervals must be solved by prescribed methods. (3) All levels of the three * * * can be connected with each other. In the connection of * * *, the interval relationship between various root sounds is often used (except adding four degrees). In the process of music, it is not required to focus on the main * * *, but to use the main * * * at the end of the music. Tone sandhi, also known as "false tone", has been applied since about14th century. It is stipulated that the anti-sound level of six degrees should be six degrees higher when entering the octave, and three degrees lower when entering the same degree. Therefore, it is necessary to use tone sandhi to form a similar leading tone to enter the voice of the tonic. In addition, in order to avoid reducing five degrees and increasing four degrees, it is necessary to change the tone. This creates conditions for various modes to gradually evolve into large systems and small systems.

At different pauses at the end of each sentence, a harmonic series similar to Ⅳ-Ⅳ-I, Ⅳ-I or Ⅳ-Ⅳ-I is formed, which forms the bud of tone sandhi after continuous reading.

/kloc-in the 0/7th century, with the formation of mono-melody music and the appearance of early baroque operas, single-voice singing was accompanied by * * *. The use of digital bass to express the harmony of the accompaniment part is improvised by the keyboard player. On the basis of longitudinal interval combination, the function of harmony is strengthened, and the bass line with average rhythm is formed. The development of texture in instrumental music is of great significance to the gradual formation of tonic music. Due to the need of drama content, people began to pay attention to the expression of harmony, especially disharmony (for example, C. Monteverdi and J. Perry used seven * * to express their lament and misfortune in opera). The application of seven * * * has become an important condition for establishing the tone of big and small. By the end of17th century, although there was still the influence of the medieval model, the primary and secondary systems had been established. Major and minor become the mode thinking basis of melody and harmony; The mode color contrast between them has become an important performance factor in music.

/kloc-in the first half of the 8th century, in the late Baroque period, he gained instrumental writing ... >; & gt

Question 2: What is the meaning of piano harmony? Definition of 1: * * *:

The pitch relationship between three or more tones is called * * *.

(The latter is more detailed, but it can be seen. )

2: Composition * * *

One, three * * *:

A * * * composed of three sounds in a three-dimensional relationship is called three * * *.

The main types of three * * * are:

(1) Primary * * *: It means that the root to the third sound is junior, the third to the fifth sound is junior, and the root to the fifth sound is pure five.

Five notes ... 5 1 minor degree

Three tones ..... 3 6

Root sound ... 1.4 major third degree

(2) minor * * *: the root to the third tone is minor, the third to the fifth tone is major, and the root to the fifth tone is pure five.

Five tones ..... 6 7 3 big three degrees.

Yin San ... 4 5 1

Root sound ..... 2 3 6 degrees.

Unusual types are:

(3) An increase of three * * *: the root tone reaches the third tone, and the third to fifth tones are all three degrees larger, and the root tone increases by five degrees. Plus three * * * has the characteristics of outward expansion.

Five tones ... # 5 # 1 professional level 3

Three tones ..... 3 6

Root sound ... 1.4 major third degree

(d) Negative three * * *: The root to the third sound and the third sound to the fifth sound are all three degrees, and the root to the fifth sound is negative five degrees. Negative three * * * has the characteristics of inward contraction.

Five notes ... four elementary school places.

Yin San ... 2

Root sound ... 7 primary school places.

All three * * * are concordant * * because the intervals they contain are all concordant intervals (major third and minor third). Pure five degrees). Plus or minus three degrees is dissonance, because minus five degrees and plus five degrees are dissonance intervals. In San * * *, the following sound is called the root sound, or the first degree sound, which is represented by the number 1; The middle sound is called three tones, which is represented by the number 3; The note above is called the fifth note and is represented by the number 5.

B, 7 * * *:

A * * * composed of four tones in a three-dimensional relationship is called seven * * *. The three sounds under the seven * * * are the same as those in the three * * *, which are called root sounds, three sounds and five sounds. The fourth note is called the seventh note because it differs from the root note by seven degrees and is represented by the number 7. The name of seven * * * also comes from this seven degrees. All sevens are discordant because they contain a discordant seventh interval.

Seven * * * can be divided into different forms of * * *:

(a), junior * * * increased by seven degrees-called big seven * * *, such as: C big seven, F big seven.

Seven notes ..... 7 3 big 3 degrees.

Five tones ... 5 1

Three notes ..... 3 6 elementary school places.

Root sound ... 1.4 major third degree

(2) Xiao Qi * * * plus seven degrees is called Xiao Qi * * *, such as Dm7 and Em7.

Seven tones ... 1 2 5

Five tones ..... 6 7 3 degrees.

Yin San ... 4 5 1

Root sound ..... 2 3 6 degrees.

(c), primary * * * plus seven degrees is called primary and seven * * *, (also called size seven * * * or belongs to seven * * *), such as C7, D7 and G7.

Seven tones ..... 4 2

Five notes ..... 2 7 primary school places.

Three tones ..... 7 5

Root sound ..... 5 3 primary school places

(d), minus three * * * plus seven degrees is called minus three small seven * * *, (also called minus seven * * *).

Seven tones ... 6 > three degrees

Five tones ... Four.

Three tones ... 2 small ... >>

Question 3: What does harmony mean in music theory? Harmony: A combination of two or more different sounds that are emitted simultaneously according to certain rules.

It includes: ① * * *, which is the basic material of harmony. It is composed of three or more different sounds by three-dimensional superposition or other methods at the same time. This is the longitudinal structure of harmony. (2) harmonic progression, refers to * * * successively connected, this is the lateral movement of harmony. By the way. Harmony has obvious strong, light, thick and thin color effects; It also has the functions of forming clauses, dividing paragraphs and ending music.

Melody: refers to the organized, rhythmic and harmonious movement of several musical sounds formed through artistic conception. It is based on a certain mode and beat, with a single voice with logical factors, and consists of a certain pitch, duration and volume. Also known as tune. It can be the whole of single-part music or the main part of multi-part music.

Melody major is only one of the major and minor tones, with only differences and no advantages.

Moreover, melody major is originally a variant of natural major, so melody major is natural major, and natural major is not necessarily melody major, they are subordinate.

Variations in natural major and minor are divided into melody major and harmony major and minor.

Melody size and harmony size are juxtaposed and distinguished.

As for the difference between melody and harmony:

Harmonic minor: A modal scale in which any tone is the tonic and then arranged in the order of whole tone, semitone, whole tone, whole tone, semitone, second tone and semitone.

Harmonic major: A modal scale in which any tone is the tonic and then arranged in the order of whole tone, whole tone, semitone, whole tone, semitone, second tone and semitone.

Melody minor: the sixth degree of harmony minor has also been improved, which is six degrees greater than the tonic.

Melody major: the seventh level of harmony major is also reduced, forming a small seventh degree with the tonic.

Question 4: Does anyone know what harmony means? Not quite right.

To know what harmony is, you need to know two concepts ―― harmony and * * *.

When two or more notes are combined, they are called chords.

The combination of three or more tones is called * * *.

Visible harmony is * * *.

The definition of harmony is so simple that it is easy to understand. I'm afraid you won't even think this definition is not popular enough. ...

Let's see what harmony is.

Harmonious progress is called harmony.

"Go on" is a term in musicology, and its meaning is very simple. For example, a piece of music starts from a certain * * * and then becomes another * * *, so the process from the first * * * to the second * * * is called "going on". Similarly, any other musical element can have this process. In other words, as long as something changes, the process of "change" is called "progress" of that thing.

To sum up, the statement that "three or more musical instruments produce a melody at the same time is called harmony" is inaccurate. First, some musical instruments make music and some make noise. If noise is made, it is contrary to the definition of "musical sound" just now, so noise cannot be used as an element of harmony. Second, according to the definition of harmony, only harmony can be called harmony, and isolated harmony cannot be called harmony, so the melody issued by three or more instruments at the same time can only be called * * *, not harmony (of course, this is on the premise that all three instruments are music). Thirdly, as a definition, a sentence must be a sufficient and necessary condition, so we know that not only three instruments can produce harmony, but also two instruments, one instrument and so on. For example, a piano can play many notes at the same time, and then harmony can be achieved with one play. As for the piano, guitar, drum and drum you mentioned, there are many kinds. Some drums can make music, while others can make noise. If it is noise, the piano and guitar can form harmony, but the existence of drums has no effect on the existence of harmony.

If you have any questions, please ask me again and I will make it clear to you!

Question 5: What exactly does the singer's harmony mean? Is there an accurate explanation for harmony?

A combination of sounds made by two or more different sounds at the same time according to certain rules. It includes: ① * * *, which is the basic material of harmony. It is composed of three or three voices with different harmonies, which are simultaneously combined by three-dimensional superposition or other methods. This is the longitudinal structure of harmony. (2) harmonic progression, refers to * * * successively connected, this is the lateral movement of harmony. By the way. Harmony has obvious strong, light, thick and thin color effects; It also has the functions of forming clauses, dividing paragraphs and ending music.

brief introduction

Since17th century, due to the gradual development of melody music, the role of harmony has become more and more important. It plays three roles in music: ① the combination of voices. On the basis of unified harmony, all the voices are combined with each other to form a harmonious whole. ② The structure and function of music. Harmonic progression, group gathering and tonal layout play an important role in the composition of music forms. ③ The expressive function of content. Through the color and texture of harmony, the musical image is shaped and the musical content is expressed. The treatment of harmony is an important writing skill in music creation, and it is also the basis of other composing techniques such as counterpoint, orchestration and form. Sometimes, tunes also come from harmony.

In tonal music, harmony has both functional and semitone meanings. The function of harmony refers to the stable or unstable function of each * * * in tonality, their movement and tendency characteristics, and their logical connection. The function of harmony is closely related to tonality. Without tonality or tonality, harmony loses its functional meaning. The color of harmony refers to various * * * structures, harmony positions, texture writing, and harmonic progression's sound effects. Harmony color is the main factor of harmony expression, which is of great significance in both tonal and atonal music.

Harmony is the pitch organization form of multi-part music and one of the basic means of music expression. As far as the general concept of composition theory is concerned, harmony is a technical category corresponding to counterpoint (commonly known as polyphony). Harmony has always been regarded as the basis of counterpoint in music practice for more than one hundred years before19th century. Harmony has two basic attributes: structural function and color function;

Structural function refers to the significance of harmony to the composition of musical forms. This is mainly manifested in:

(1) Organizational function of vertical pitch combination;

(2) Establish or disintegrate the role of tonality and mode;

(3) Develop or terminate the function of a structure.

Color function is the acoustic function of harmony. In music, through this function, harmony participates in music expression independently or in coordination with other factors.

The unity of opposites of these two functions is the concentrated expression of the internal contradiction of harmony, which determines the historical evolution of harmony style and even the characteristics of each harmony phenomenon.