Traditional Culture Encyclopedia - Traditional stories - The core natural beauty category of classical Chinese aesthetics contains ( ).
The core natural beauty category of classical Chinese aesthetics contains ( ).
The core natural beauty categories of classical Chinese aesthetics include (natural beauty, mood, Dao, and poetry with pictures).
For the following reasons:
First, natural beauty is the cornerstone of classical Chinese aesthetics. Natural beauty emphasizes the beauty of man's inner nature and pursues nature, innocence, simplicity and harmony. The pursuit of natural beauty by artists aims to emphasize the nobility and truthfulness of human nature and advocate a return to the true nature. Natural beauty not only focuses on the inner qualities of the individual, but also emphasizes the harmony of interpersonal relationships and social ethics, thus reflecting the profound understanding of life and society in classical Chinese aesthetics.
Secondly, mood is the core concept of classical Chinese aesthetics. Contextual beauty emphasizes the poetic mood, subtle flavor and philosophical thinking expressed in works of art. The pursuit of contextual beauty aims to reveal the inner connection between man and nature, man and society, and man and man, in order to achieve the height of aesthetic experience. The realization of contextual beauty requires artists to possess superior artistic skills and profound cultural literacy, thus achieving the unity of aesthetics and philosophy.
Moreover, Tao is the soul of classical Chinese aesthetics. The category of Dao originates from Taoist philosophy, which emphasizes the concepts of unity of heaven and man, conformity to nature, and doing nothing. The beauty of Tao is reflected in the respect for the laws of nature and the pursuit of the meaning of life. In classical Chinese aesthetics, Tao is both a philosophical concept and an aesthetic standard. By perceiving the Tao, artists seek harmony between man and nature, man and society **** life, and realize the spiritual sublimation of the individual.
Finally, poetry with painting is a unique expression of classical Chinese aesthetics. This proposition emphasizes the fusion of poetry and painting, which demonstrates the unique understanding of classical Chinese literary aesthetics of artistic expression. Poetry with painting implies that art works should be centered on mood, intermingling poetry, painting, and music in order to express aesthetic ideals and emotional experiences. The aesthetic concept of painting in poetry makes classical Chinese literature and art rich in expressive power and strong infectious power.
In short, the core natural beauty categories of classical Chinese aesthetics, natural beauty, mood, the Way, and poetry with paintings, not only embody the Chinese people's unique understanding of nature, life, and art, but also highlight the unique charm of classical Chinese aesthetics. These aesthetic categories have provided people with rich spiritual wealth and become an important part of the cultural heritage of the Chinese nation.
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